JPEGmini Pro Review

JPEGmini Pro Total Space Saved

When providing high resolution images to our clients, or uploading images to this website, I often extract JPEG images between 70%-85% quality. Although some photographers often do extract their images at 100% quality, I rarely felt the need to do it, since file sizes get outrageously big, while the differences in quality are too small (and often impossible) to notice. I recently came across an interesting product by JPEGmini called “JPEGmini Pro“, which is specifically targeted at photographers like me that are looking for a good way to save space without losing image quality. By design, JPEG is a pretty compressed image format that was designed for the web in mind. It applies compression algorithms to reduce massive images in other formats like TIFF and offers the ability to use different compression levels. So when I first looked at JPEGmini Pro, I wondered how different it was compared to the JPEG engine used in Adobe Photoshop and Lightroom, the two programs I use the most to extract images. In this review, I will be exploring the Lightroom version of the JPEGmini Pro, which seamlessly integrates into my workflow without adding any complexity or unnecessary overhead.

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Choice is a Beautiful Thing…

Nikon D610 vs D800E vs Df vs D4 vs D4s

Every once in a while, an article we post here at PL creates huge debates due to disagreements between readers and the poster, or between readers themselves on a photography-related subject. Sometimes such discussions lead to very productive results, with all parties learning something from each other. Other times, all we see is provocative and sometimes even insulting comments. One such article that contained a little bit of both was Tom Stirr’s recent post on post-processing difficult images. Before hitting the “Publish” button (and yes, I do personally publish every single article here at PL for different reasons), I already knew that it would spark up some discussions.

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Lightroom 5.6 and Camera RAW 8.6 Updates Available

Lightroom 5

Adobe rolled out a bunch of updates today to its Creative Cloud platform, including updates to Adobe Photoshop CC, CC 2014, Bridge, Lightroom and Camera RAW. Lightroom has been updated to stable 5.6 version, along with Adobe Camera RAW 5.6. These updates include a number of bugfixes, along with RAW support for the new Nikon D810, Panasonic Lumix AG-GH4 and Panasonic Lumix DMC-FZ1000 cameras. A number of lenses have also been added to this release, including the new Canon EF-S 10-18mm IS and EF 16-35mm f/4L IS USM lenses and a number of Sony Alpha lenses.

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What is a 30 Bit Photography Workflow?

Photoshop 30 Bit Display

Many photographers have been buying expensive wide gamut monitors in order to take a full advantage of their ability to display over a billion of colors. What many do not realize, is that their actual workflow is most likely limited to just 16.7 million colors due to software and hardware limitations. How does one achieve a true 10 bit per channel, or 30 bit workflow? What are the advantages and is it worth the effort? To answer these questions, I decided to dig into the 30 bit photography workflow in detail and explain its advantages, disadvantages and also discuss its future.

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5 Tools You Might Not Be Using in Lightroom

2014-07-10_0001

I am a professional wedding photographer and I end up editing thousands of images for my clients. While there are lots of wedding photographers who outsource their post-processing to free up their time, I am a believer in editing my own photos. In order to make my job easier, I tend to look for shortcuts and tools in Lightroom itself, which I use extensively. I’d rather do everything in one program than switch back and forth between Lightroom and Photoshop. You do not have to be a wedding photographer in order to take advantage of these tools in Lightroom. You can use these techniques wherever they are applicable. Below are some of the tools you may not be using to edit your photos.

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How to Get Accurate Fuji Colors in Lightroom

Camera JPEG vs Adobe RAW

Our readers often ask us if it is possible to get Lightroom to provide the same colors as one would see from camera-rendered JPEG files when shooting in RAW format. Many photographers often choose specific color profiles in their cameras and they get surprised when images are imported into Lightroom and all those changes are lost. You might have noticed when importing files that Lightroom changes the colors immediately after import, when the embedded JPEG files are re-rendered using Adobe’s standard color profiles and settings. As a result, images might appear dull, lack contrast and have completely different colors. I have heard plenty of complaints on this issue for a while now, so I decided to post series of articles for each major manufacturer on how to obtain more accurate colors in Lightroom that resemble the image preview seen on the camera LCD and in camera-rendered JPEG images. In this article, I will talk about getting accurate colors from Fuji mirrorless cameras in Lightroom. Please see our previous articles on getting accurate colors for Nikon, Canon and Sony cameras.

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How to Get Accurate Sony Colors in Lightroom

Camera JPEG vs Adobe RAW

Our readers often ask us if it is possible to get Lightroom to provide the same colors as one would see from camera-rendered JPEG files when shooting in RAW format. Many photographers often choose specific color profiles in their cameras and they get surprised when images are imported into Lightroom and all those changes are lost. You might have noticed when importing files that Lightroom changes the colors immediately after import, when the embedded JPEG files are re-rendered using Adobe’s standard color profiles and settings. As a result, images might appear dull, lack contrast and have completely different colors. I have heard plenty of complaints on this issue for a while now, so I decided to post series of articles for each major manufacturer on how to obtain more accurate colors in Lightroom that resemble the image preview seen on the camera LCD and in camera-rendered JPEG images. In this article, I will talk about getting accurate colors from Sony DSLRs, SLTs and mirrorless cameras in Lightroom. Please see our other articles on getting accurate colors for Nikon, Canon and Fuji cameras.

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Apple Aperture is Officially Dead

Apple Aperture

Today is another sad day, because Apple announced that it will no longer continue development of its Aperture software, which many photographers still rely on for their day to day photo management and editing. Too bad, because this basically gives Adobe monopoly with its Lightroom software. Yes, there are some other tools on the market such as ACDSee Pro, Phase One Capture One Pro and a few others, but none of them come to close to what Lightroom offers in terms of features, photo catalog management and up to date RAW file support. Aperture has not seen any major updates since October of 2013 and has not received support for the latest cameras that were announced this year, with only a small minor updates. Many of us saw this coming, but none were expecting the death of Aperture so soon.

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Lightroom 5.5 and Camera RAW 8.5 Update

Lightroom 5

Today is a big release date for Adobe, because the company is rolling out a few major updates to its Adobe Creative Cloud platform, along with new apps for mobile devices designed for creative professionals and enthusiasts. One of the silent updates that got rolled and did not get much press is the final version of Lightroom 5.5 and Camera RAW 8.5. Adobe was so busy with its new products and updates, that it did not include any information on additional features included in Lightroom 5.5. It seems like the final release is similar to the 5.5 release candidate, where support for additional lenses and cameras were added, as shown below. The most notable bugfixes in this release are: properly reading lossless compressed files from older Nikon DSLRs and correct processing of Fuji X-T1 RAW files when using Dynamic Range 200% and 400% setting. And the most notable feature for Nikon D610 owners is that now there is finally tethering support, although Adobe never mentioned it on their website!

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Check your Composition with Lightroom

Lightroom Crop Grid Overlay

As I was working on the “Composition in Photography: Assignment Discussion” article and upcoming Lightroom Crop Tool article last night, I came across a feature in Lightroom that I had not previously used. I love it when that happens. Realizing that the software tool I enjoy using and find to be very versatile is actually even more functional than I thought, is pure joy. In this article, I will teach you how to quickly check your composition in Lightroom against known rules and guidelines, such as the Golden Ratio or the Rule of Thirds (and, yes, these are indeed two separate things), by overlaying the image with them.

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