Alright, since this week is dedicated to Flash Photography, I decided to post a series of photo shoots I worked on recently. It is always good to be able to use natural/ambient light if it is available. In a very low-light situation, especially if you are photographing moving subjects, it is nearly impossible to properly expose the set without having your moving subjects blurry. This particular shoot was done for the CRAVE Book, to highlight female entrepreneurs. “Hello Gorgeous” is the name of the mobile manicure and pedicure company, run by two amazing individuals – Hani and Kent.
I know Madi from one of our weddings that we shot earlier this year. She was a perfect little flower girl and her mommy Erin was a perfect bridesmaid! I secretly wished that someday Erin would call me and let me photograph Madi. My love for little girls is not just a secret. But if you haven’t heard before I am telling you now: I kind of secretly wish to have a baby daughter some day! Our house is full of boys and at times it gets pretty lonely down here (I say to my husband)!
Now that our main PC is back up and running with the full amount of memory (yes, it was RAM that was faulty), we are now back on track! While reviewing our 2010 Lightroom catalog today, I realized that I have not posted any images from the 2010 Worldwide Photo Walk, although I did make a promise to share some pictures. I did not encounter anything great or exciting this year, since I was busy enjoying the company of my friends and other Colorado photographers. The Denver group was super fun and everybody had a blast!
What are the best Nikon lenses for wedding photography? This question comes up so often via comments and emails from our readers, that I was first going to include it in our Photography FAQ section, but then decided to write a separate article and elaborate on the subject a little more. Specifically, I want to not only write about what lenses I think are the best for weddings, but also why and in which cases we use a particular lens. Please keep in mind that the information I present below is a personal opinion based on my experience so far. If you have a favorite lens of yours for wedding photography that is not listed below, please feel free to add a comment on the bottom of the page with some information and pictures (if you have any that you would like to share).
Here are some of my favorite images from the last shoot with Isadora. The first image was taken in a shady area and I had to use off-camera flash (umbrella with a single strobe) as fill-flash to brighten up her face and get rid of raccoon eyes (shadows under eyes). The flash was positioned a little higher at approximately 30 degrees, to my left:
Malika is the daughter of our dear friends Becky and Andrew. I love their daughter very much! Since they decided to relocate somewhere special, they asked me if I could take pictures of Malika before they left. She is growing fast, alright! Last year at this very moment I was taking her picture, talking her into being a princess of a yellow castle. This year she outsmarted me almost in everything!
Everybody has a story on why they got into photography and what event contributed to purchasing their first film or digital SLR camera. In my case, the decision was based solely on one picture that my wife sent me via Google Talk while I was at work – the picture of Omar in a cradle swing. When Omar was a few months old, Lola decided to take a picture of Omar on a very old Sony point and shoot camera that I had back from 2002. As with any other point and shoot that I had before then, I never knew anything about taking good pictures – I just pointed at a subject and took a picture without worrying about camera settings, ISO, aperture, shutter speed and other photography lingo that I had no clue about.
I have been getting many requests lately to write an article on corporate portrait photography, after my last corporate event photography tips article that I wrote a few weeks ago. Photographing employees for corporate websites and magazine articles is very different from corporate event photography – it is similar to photographing a portrait in a professional studio. Obviously, the atmosphere is different, lighting is different and the gear you use is also very different. You must be equipped with portable lighting equipment that you can assemble and disassemble in minutes. In this article, I will go through the different types of corporate portrait photography and what you can do to get the best possible results with the least amount of money spent on gear and lighting equipment.
There are two types of corporate photography – event photography and portrait photography. Event photography means taking pictures of employees and guests in corporate events such as conferences, birthday parties, Christmas parties, receptions and sales events. Corporate portrait photography means taking formal pictures of employees for websites, magazines and other various publications. In this article, I will provide some tips on how to photograph corporate events.