Back from Utah again

Well, technically, it was Grand Junction, not Utah. I had a very busy four day business trip to Grand Junction, CO and after spending countless hours taking care of a problem at work, I had a pleasure of visiting Moab, UT on the last day for a few hours. Woke up very early in the morning at around 3:45 AM and headed out to Dead Horse Point to make it there right before the sunrise. As I was driving the last 10 miles to get to the park, I saw seven cars slowly driving through the steep turns of Canyonlands. Who else would be driving that early? A group of photographers, of course! I was first following them, but then they were too slow and I was hurrying to get to the right spot at least 30 minutes before sunrise. So I stepped on gas and passed all seven cars at 90 miles an hour. I could tell they were pissed! Oh well, I wasn’t going to miss sunrise after 2+ hours of driving.

Arrived at the spot at about 6:20 AM and the sun came out at 6:42. Although the clouds were not as pretty, seems like I managed to capture a couple of shots that I like. I have not yet finished importing the files into Lightroom, but I will be working on some of those this weekend.

Meanwhile, here is me standing on the edge of the cliff:

Nasim Mansurov

And here is how it looks down there, with the nearest rock at approximately 300-400 feet below:

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Nikon Lens Naming Convention

Nikon lens naming convention can sometimes be rather confusing, because Nikon uses letters and abbreviations to identify different lens components. Knowing what each of those stands for can be valuable, especially during the process of evaluating and purchasing lenses. I am excluding all old manual focus Nikon lens specifications, because they are not used as much anymore.

Nikon Lens Naming Convention / Nomenclature

  1. AF – stands for Auto Focus, which means that the lens can automatically focus through the camera.
  2. AF-D – Auto Focus with Distance information. Same as AF, except it can report the distance between the subject and the lens and then reports that information to the camera. The distance information can be useful for metering.
  3. SWM – Silent Wave Motor allows quiet autofocus with a quick switching between autofocus and manual operation. Overriding autofocus is very simple – you just turn the focus ring, instead of switching to manual mode first like you have to on AF-D lenses.
  4. AF-S – Auto Focus with Silent Wave Motor. The AF-S lenses have built-in motors inside the lens, which work great on all cameras without built-in motor such as Nikon D40/D40x, D60, D3000 and D5000.
  5. IF – Internal Focusing allows the lens to quickly focus by moving some of the elements inside the lens barrel, without moving the front barrel or extending in size. Many of the modern Nikon lenses such as Nikon 18-200mm f/3.5-5.6G VR II and Nikon 70-200mm f/2.8G VR II are IF lenses. Lenses with IF acquire focus faster than lenses without IF.
  6. RF – Rear Focusing. The focusing is done by moving the rear element inside of the lens, which means the rear element moves while focusing. The latest Nikon 24mm f/1.4 lens, for example, is RF.
  7. G – If you see a letter “G” after aperture in the lens, for example “Nikon 50mm AF-S f/1.4G”, it means that the lens does not have an aperture ring like the old lenses. All modern Nikon lenses are “G”, because the aperture ring is only needed for old manual focus camera bodies.
  8. Micro – Same thing as Macro, which is designated for macro lenses for close-up work.
  9. PC-E – Perspective Control with Electronic Diaphragm. Allows lenses to tilt and shift to create special effects.
  10. ED – Extra-low Dispersion glass elements within the lens do not disperse the light as it enters the lens. Most modern top of the line Nikon lenses contain ED glass, which also delivers better sharpness and reduces “chromatic aberration” or color fringing in photographs.
  11. DC – Defocus Control lenses allow controlling the bokeh, which is great for portraits.
  12. VR – Vibration Reduction allows using lenses hand-held without the need for a tripod in low-light situations. Special motion sensors inside the lens detect hand motion and compensate for the motion by stabilizing the lens in the opposite direction.
  13. SIC – Lenses with Super Integrated Coating have better color performance and are generally deal better with ghosting and flare.
  14. N – The letter “N” stands for Nano Crystal Coat and it is always displayed in a golden sticker on all top of the line Nikon lenses. It is a special type of glass coating that reduces ghosting and internal flare to deliver outstanding image clarity.
  15. DX – If a lens says “DX”, it means that it is specifically designed for DX camera bodies such as Nikon D3000/D5000/D90/D300s. DX lenses do work on FX bodies, but only at half the resolution.
  16. CX – If a lens says “CX”, it means that it is specifically designed for CX camera bodies such as Nikon 1 V1/J1/J2. CX lenses do not work on any other Nikon mounts.

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Nikon DX vs FX

Some of the most frequently asked questions from our readers are around DX and FX format sensors. What is DX and FX? What are their differences? Which one is better and why? If you have similar questions and want to get a clear understanding about these formats and their differences, along with seeing actual image samples from both, this article is for you.

Before diving into sensor formats, it is first important to understand what a sensor is and what it does in a Digital SLR camera. It is easier to understand how sensors work by comparing them with the human eye. The lens in front of the camera essentially functions as the cornea of your eyes, gathering ambient light and passing it to the iris. The iris then expands or shrinks, controlling the amount of light that enters the retina, which functions almost exactly like a camera sensor. The retina is light-sensitive, meaning it can adjust its sensitivity based on the available light. If there is too much light, it decreases its sensitivity, while automatically increasing the sensitivity in a dim environment, so that you could see in both extremely bright and extremely dark conditions. Remember what happens when you come out of a dark place to a very bright, sunny environment and vice-versa? Either your eyes will hurt and everything will seem too bright, or you will have a hard time seeing at all – due to sensitivity of the eyes that have not yet adjusted for the new environment. The sensitivity of your eyes is just like the sensitivity of the sensor, also known as “ISO” in photography. But sensitivity comes at a price – high sensitivity levels ultimately decrease image quality, similar to when you have a hard time seeing in a very dark environment. This degradation of image quality is first visible as “grain” or “noise” in the pictures, followed by loss of detail, sharpness and color in extreme levels of sensitivity. When I say “extreme”, I mean extreme to the digital camera, not human eye. Even with all of the latest advancements in sensor technology, cameras are not even close to seeing the range of light the human eye can see in various environments.

Captured with Nikon D700 FX Camera

Captured with Nikon D700 FX Camera

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More Image Samples from Nikon 16-35mm VR

It is taking me a long time to sort through the images and pick the ones I like the most, so I decided to post three quick samples from my last trip to Utah where I shot with the Nikon 16-35mm f/4.0G VR lens. I haven’t had a chance to do any post-processing on these images, so they are exported from Lightroom with the default settings (standard Lightroom sharpening is applied).

If anybody is doubting the sharpness of the Nikon 16-35mm VR, take a look at the full versions of the below images and see for yourself. The images are razor-sharp from center to corner and the very slight amount of softness at 16mm does not bother me at all. Either way, it is way better than the Nikon 17-35mm f/2.8D and the Nikon 24-70mm f/2.8G.

All images are shot on FX (Nikon D700) and the corners will be even better on a DX body.

Nikon 16-35mm VR Sample 1 Resized

Window Arch Sunrise - Nikon 16-35mm VR @ 35mm, 1/200, f/10

Click here to download the full version of the file in JPEG format (4.5 Mb).

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Back from Utah

I’m finally back from Utah after a 7 hour drive from Moab. To get home before midnight, Sergey and I left a little early and missed the last sunset. The weather sucked during the last two days (we had 3.5 days total), so we only had a day and a half of good shooting. Nevertheless, I managed to snap 25 gigs of images, but I already know that most photos are going to be deleted. This was the first time when I tried shooting HDR panoramas in three rows and processing those images is going to be a very long and painful process. We only had time to check out some good spots at Arches and Canyonlands, although we did visit a couple of good spots for photography in the area.

Looking down

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Nikon 16-35mm f/4.0G VR vs Canon 17-40mm f/4.0L USM

I will be honest – doing a comparison between the Nikon 16-35mm f/4.0G VR and the Canon 17-40mm f/4.0L USM was somewhat painful. First of all, the DSLR bodies that I was using did not have the same megapixel count (Nikon D300 is 12 Mp and Canon 50D is 15 Mp) and crop factor (Nikon D300 is 1.5x and Canon 50D is 1.6x). Achieving the same field of view and having similarly sized 100% crops for accurate testing and comparison was extremely difficult and I had to move my setup back and forth to get to a similar size. Even then, I was not able to get the results I wanted in the corners, so I will be focusing more on center performance rather than corners.

The image on the left is Nikon 16-35mm and the image on the right is Canon 17-35mm. Both were shot in RAW with no post-processing in Lightroom besides adjusting white balance.

Let’s take a look at the far corners @ 17mm f/4.0:

Nikon 16-35mm @ 17mm Far Left Corner Canon 17-40mm @ 17mm f/4.0 Far Left Corner

The Nikon 16-35mm clearly has both sharper image and better contrast in the corners.

Let’s now take a look at the center @ 17mm f/4.0 where I was able to match the view:

Nikon 16-35mm @ 17mm f/4.0 Center Canon 17-40mm @ 17mm f/4.0 Center

As can be clearly seen, Nikon 16-35mm f/4.0 VR is significantly sharper than Canon 17-40mm f/4.0. When compared at f/8.0 both lenses are very similar in terms of sharpness and contrast. Now let’s see the performance @ 24mm f/4.0:

Nikon 16-35mm @ 24mm f/4.0 Center Canon 17-40mm @ 24mm f/4.0 Center

Again, Nikon 16-35mm is the clear winner, delivering more sharpness wide open.

The final test is both lenses at 35mm:

Nikon 16-35mm @ 35mm f/4.0 Center Canon 17-40mm @ 35mm f/4.0 Center

As expected, there is no change – the Nikon 16-35mm f/4.0 is sharper than Canon 17-40mm f/4.0 @ f/4.0 across all focal lengths.

I did not bother uploading the images at other apertures, because both lenses perform very similarly at f/5.6 and higher and at f/8.0 there is practically no difference between them. The above test is to show that the Nikon 16-35mm is sharper than its counterpart Canon 17-40mm when shot wide open both in the center and in the corners.

The above has been posted to the Nikon 16-35mm f/4.0 Review on the fifth page.

Nikon 16-35mm f/4 VR Review

Overview

This is an in-depth review of the new professional Nikon AF-S 16-35mm f/4G ED VR lens that was released in February of 2010. The Nikon 16-35mm VR lens is a professional-grade constant aperture lens for enthusiasts and professional photographers that need an ultra wide-angle zoom lens with the latest generation of VR II (vibration reduction) technology for both FX and DX cameras (equivalent of 24-52mm on DX). Being the world’s first ultra wide-angle zoom lens with vibration reduction, the lens is ultra-fast with AF-S silent-wave focus motor, has Nano crystal coating against flare and is sealed against tough weather conditions. Unlike the Nikon 14-24mm f/2.8G lens, the new 16-35mm f/4.0 VR has a 77mm filter thread, which is great news for landscape photographers.

Nikon 16-35mm f4G VR

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Nikon DSLR and Lens Rebates

As I have noted before, Nikon is currently offering rebates for customers who are buying a DSLR together with a lens. Although not all Nikon lenses are available with this offer, some of the best Nikon lenses such as Nikon 70-200mm VR, Nikon 70-300mm VR and Nikon 24-70mm are available for an instant rebate.

NOTE: All camera and lens rebates have expired.

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Nikon 35mm f/1.8 DX Lens

I recently borrowed a Nikon D90 with a Nikon 35mm f/1.8G DX lens from a good friend to perform some tests of this combo at home. The weather has been bad for photography lately and I really have not had a chance to take the camera and the lens out to do some real shooting. A couple of days ago, Lola decided to try it out for her food photography while she was preparing my favorite baked pear salad and cooking a new chicken soup with eggs.

While I was shamelessly playing the Prince of Persia game on Wii (I do not even want to mention how many hours I wasted playing it), as soon as she took the first picture, she said “wow!”. Then she took a couple of more pictures and said “I love this lens! It is great for food photography”. I stopped playing for a second to take a look at what she was raving about on the camera LCD.

As soon as I looked at the magnified picture on the LCD, I said “wow” myself. The picture was tack sharp, image quality and contrast were outstanding. Here is the shot of the baked pear recipe that Lola just posted in her recipe blog:

Nikon 35mm f/1.8G DX Sample

I highly recommend opening the above image in full size and looking at the details of the shot.

We fell in love with this combo right away…what a great lens, what a great camera!

Nikon Lens Rebates Starting February 28th, 2010

If you have been wanting to buy a DSLR with a good lens, then wait until this Sunday. Nikon is announcing great rebates on some of the best Nikon lenses, including the new Nikon 70-200mm f/2.8 VR II and the outstanding Nikon 24-70mm f/2.8G lens that I use primarily for my landscape photography. The recently reviewed Nikon 70-300mm f/4.5-5.6 VR lens is also going to qualify for an instant rebate, as outlined below:

  1. Buy Nikon 70-200mm f/2.8G VR II with any DSLR and get a $400 instant rebate
  2. Buy Nikon 24-70mm f/2.8G with any DSLR and get a $300 instant rebate
  3. Buy Nikon 70-300mm f/4.5-5.6G VR lens with any DSLR and get a $200 instant rebate
  4. Buy Nikon 18-200mm f/3.5-5.6G VR II with any DSLR and get a $250 instant rebate
  5. Buy Nikon 24-120mm f/3.5-5.6G VR with any DSLR and get a $200 instant rebate

These are some great incentives by Nikon and the first three are definitely great performers and Nikon’s best lenses. It would have been even better if the incentives were for the lenses only, but those deals do not normally happen until around Christmas time, or when Nikon needs to clear out the shelves.