Nikon 16-35mm f/4.0G VR vs Canon 17-40mm f/4.0L USM

I will be honest – doing a comparison between the Nikon 16-35mm f/4.0G VR and the Canon 17-40mm f/4.0L USM was somewhat painful. First of all, the DSLR bodies that I was using did not have the same megapixel count (Nikon D300 is 12 Mp and Canon 50D is 15 Mp) and crop factor (Nikon D300 is 1.5x and Canon 50D is 1.6x). Achieving the same field of view and having similarly sized 100% crops for accurate testing and comparison was extremely difficult and I had to move my setup back and forth to get to a similar size. Even then, I was not able to get the results I wanted in the corners, so I will be focusing more on center performance rather than corners.

The image on the left is Nikon 16-35mm and the image on the right is Canon 17-35mm. Both were shot in RAW with no post-processing in Lightroom besides adjusting white balance.

Let’s take a look at the far corners @ 17mm f/4.0:

Nikon 16-35mm @ 17mm Far Left Corner Canon 17-40mm @ 17mm f/4.0 Far Left Corner

The Nikon 16-35mm clearly has both sharper image and better contrast in the corners.

Let’s now take a look at the center @ 17mm f/4.0 where I was able to match the view:

Nikon 16-35mm @ 17mm f/4.0 Center Canon 17-40mm @ 17mm f/4.0 Center

As can be clearly seen, Nikon 16-35mm f/4.0 VR is significantly sharper than Canon 17-40mm f/4.0. When compared at f/8.0 both lenses are very similar in terms of sharpness and contrast. Now let’s see the performance @ 24mm f/4.0:

Nikon 16-35mm @ 24mm f/4.0 Center Canon 17-40mm @ 24mm f/4.0 Center

Again, Nikon 16-35mm is the clear winner, delivering more sharpness wide open.

The final test is both lenses at 35mm:

Nikon 16-35mm @ 35mm f/4.0 Center Canon 17-40mm @ 35mm f/4.0 Center

As expected, there is no change – the Nikon 16-35mm f/4.0 is sharper than Canon 17-40mm f/4.0 @ f/4.0 across all focal lengths.

I did not bother uploading the images at other apertures, because both lenses perform very similarly at f/5.6 and higher and at f/8.0 there is practically no difference between them. The above test is to show that the Nikon 16-35mm is sharper than its counterpart Canon 17-40mm when shot wide open both in the center and in the corners.

The above has been posted to the Nikon 16-35mm f/4.0 Review on the fifth page.

Nikon 16-35mm f/4 VR Review

Overview

This is an in-depth review of the new professional Nikon AF-S 16-35mm f/4G ED VR lens that was released in February of 2010. The Nikon 16-35mm VR lens is a professional-grade constant aperture lens for enthusiasts and professional photographers that need an ultra wide-angle zoom lens with the latest generation of VR II (vibration reduction) technology for both FX and DX cameras (equivalent of 24-52mm on DX). Being the world’s first ultra wide-angle zoom lens with vibration reduction, the lens is ultra-fast with AF-S silent-wave focus motor, has Nano crystal coating against flare and is sealed against tough weather conditions. Unlike the Nikon 14-24mm f/2.8G lens, the new 16-35mm f/4.0 VR has a 77mm filter thread, which is great news for landscape photographers.

Nikon 16-35mm f4G VR

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Nikon 70-300mm VR Review

Overview

This is an in-depth review of the Nikon AF-S 70-300mm f/4.5-5.6G VR lens that was released back in August 2006 together with the Nikon D80. The lens was kindly provided by B&H – the largest photo reseller in the world that I use more than any other to buy my photography gear.

The Nikon 70-300mm VR lens is targeted towards sports, nature and wildlife photographers that need a lightweight, versatile telephoto lens with great optics and vibration reduction technology, at an affordable price. The lens works on both Nikon FX (full-frame) and DX (cropped) sensors and has an equivalent field of view of approximately 105-450mm on DX sensors, which makes the lens particularly good for reaching distant subjects. The Nikon 70-300mm f/4.5-5.6G ID-ED VR lens features two “ED” (extra low dispersion) glass elements that are used in all Nikon professional lenses, providing higher contrast, lower chromatic aberration and higher resolution, due to less air bubbles and glass deformities within the glass elements. In addition, the lens sports the latest vibration reduction “VR II” technology, giving up to 4 full stops of advantage over non-VR lenses at low shutter speeds. Vibration Reduction, especially the latest VR II generation, makes this lens particularly useful for hand-held shooting while hiking and traveling. Autofocus is practically silent, thanks to the Silent Wave Motor (AF-S) within the lens.

Nikon 70 300mm f4.5-5.6G VR

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Nikon 50mm AF-S vs AF-D

This article is a comparison between the new Nikon 50mm f/1.4G AF-S lens versus the older Nikon 50mm f/1.4D AF-D.

Nikon 50mm f/1.4G AF-S Nikon 50mm f/1.4D AF-D

First of all, I want to start out by saying that the Nikon 50mm f/1.4 is my favorite low-light and portrait lens. The Nikon 50mm f/1.4D lens was one of my first lenses that I bought and I have been using it more than any other lens, even today. I was very excited when the new Nikon 50mm f/1.4G came out, because I loved the older version and couldn’t imagine how good the new one would be with all of the new enhancements that Nikon has been adding to their line of lenses. So, as soon as the update came out, I pre-ordered one from B&H and started using it more than the older version for my everyday photography needs. I use it for all indoors/low-light photography and especially to photograph my two boys.

Osman and Omar, captured with the Nikon 50mm f/1.4G AF-S lens

Omar and Osman, captured with the Nikon 50mm f/1.4G AF-S lens

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Nikon 70-200mm VR II Review

Overview

This is an in-depth review of the new professional Nikon AF-S 70-200mm F/2.8G ED VR II lens that was released in July of 2009. The Nikon 70-200mm lens is a professional-grade lens that was introduced by Nikon in early 80′s in a shape of 80-200mm f/2.8 constant aperture lens for professional news, sports, wildlife and portrait photographers. Since then, Nikon has been enhancing and redesigning the lens every 4-5 years, making it faster, sharper and more versatile by enhancing the optics and introducing new features.

Nikon 70-200mm f/2.8G ED VR II Review

The latest generation of the 70-200mm lens is no exception – Nikon completely redesigned the lens, adding more “ED” (Extra-Low Dispersion) optical elements, making this lens sharper than the previous version. Nikon also added the new “N” (Nano Crystal Coating) to this lens, which is supposed to minimize ghosting and lens flare. Other new features include a brand new “VR II” vibration reduction system, which provides a four stop benefit over non-VR systems and a new “A/M” focus mode for auto-focus priority.

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Nikon Lens Reviews

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1) Nikon DSLR Lens Reviews

  1. Nikon 24mm f/1.4G Review
  2. Nikon 24mm f/3.5D PC-E Review
  3. Nikon 28mm f/1.8G Review
  4. Nikon 35mm f/1.4G Review
  5. Nikon 40mm f/2.8G DX Micro Review
  6. Nikon 50mm f/1.4G Review
  7. Nikon 50mm f/1.8G Review
  8. Nikon 85mm f/1.4G Review
  9. Nikon 85mm f/1.8G Review
  10. Nikon 18-300mm f/3.5-5.6G VR Review
  11. Nikon 14-24mm f/2.8G Review
  12. Nikon 16-35mm f/4G VR Review
  13. Nikon 24-70mm f/2.8G Review
  14. Nikon 24-85mm f/3.5-4.5G VR Review
  15. Nikon 24-120mm f/4G VR Review
  16. Nikon 28-300mm f/3.5-5.6G VR Review
  17. Nikon 70-200mm f/2.8G VR II Review
  18. Nikon 55-300mm f/4.5-5.6G VR Review
  19. Nikon 70-300mm f/4.5-5.6G VR Review
  20. Nikon 300mm f/4D AF-S Review
  21. Nikon 300mm f/2.8G VR II Review
  22. Nikon 400mm f/2.8G VR Review
  23. Nikon TC-20E III Review

2) Nikon 1 Lens Reviews

  1. Nikon 1 10mm f/2.8 Review
  2. Nikon 1 10-30mm f/3.5-5.6 VR Review
  3. Nikon 1 10-100mm f/4.5-5.6 VR Review
  4. Nikon 1 30-110mm f/3.8-5.6 VR Review

Nikon 300mm f/4.0 IF-ED AF-S Review

If you are a birder, you have only two choices for Nikon – either the 300mm f/4.0 AF-S or an expensive/heavy professional lens such as the 600mm f/4.0 VR. All other semi-professional lenses by Nikon are not good enough/long enough for birding. The 80-400mm f/4.5-5.6D VR is too slow to focus and a lot of people are frustrated with it because smaller birds are constantly on the move and won’t just sit there for you to take your time. I have been using this lens for almost two years now and have been very pleased with the results. I take it with me everywhere I go and have used it more than any other lens so far (my second most used lens is the Nikkor 50mm f/1.4). It is relatively light and I primarily use it handheld for shooting birds and other wildlife of Colorado.

Nikon 300mm f/4 AF-S

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