Defining Photography

Manipulation Example 2009

Once, I came upon a thought provoking comment on some local online photography community in Lithuania. It was posted under an apparently heavily, yet skillfully manipulated image, and in fact it was done so well that, at first glance, it was rather hard to believe it was a manipulation. The text was posted by an elderly photographer who is known to write very argument-rich comments under many works on that particular website. From what I’ve noticed before, he was usually intrigued by a lot of different images in different styles made by different photographers and he seemed to be very objective with his evaluation, if slightly conservative with his approach to photography as a form of art and expression. Still, given his age, experience and especially taking into account post-soviet influence in understanding of what art is, it was only natural. However, this time the respected online critic (as strange as it may sound to some) was strongly bewildered by the author’s approach to photography and how much digital manipulation (Photoshop in particular) was part of the work. “Where does photography end and digital art begin?”, he wondered. I wondered too.

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