So, you’ve taken a photograph of a beautiful sunset or a peaceful, fog-covered valley. But something is missing in the picture – it just doesn’t look as good straight out of camera as the scene you were seeing at the time. By using simple Lightroom tools, such as Clarity, Graduated Filter and Curves, enhancing a landscape can be a very simple and fast process. While there are many advanced ways of processing landscapes, not all images require that much post-processing. In this Mastering Lightroom series article, I will show you how to quickly enhance landscape photographs using just Lightroom 4.
Lightroom has always had a lot of interesting features on offer. With the introduction of the latest version, Lightroom 4, Adobe has added two more modules to the already existing five – Map and Book. In this short and simple Mastering Lightroom series tutorial I will show you how to geotag your photographs in Lightroom using the map module.
Lightroom 4 is a great tool for post-processing your work, especially if you tend to shoot RAW most of the time. It’s quick, easy to manage and offers an extremely wide range of color adjustment, as well as other kinds of processing. But what if you need to retouch your photographs? Does that mean Photoshop is the only way to go? While I certainly use Photoshop CS5 for more complicated retouching, I’m glad that Lightroom 4 offers options that are sufficient at least 90% of the time. In this short and simple tutorial I will teach you how to use the Spot Removal tool in Lightroom. This simple yet powerful tool will then let you remove small objects out of your photographs or fix flaws, such as skin blemishes or sensor dust spots. You will be able to perform these actions very easily and quickly and, more importantly, all within Lightroom 4 environment.
A while ago, I wrote an article giving tips on buying used lenses. In this follow-up on how to buy used DSLR cameras, I will try to give some advice on how to buy the other part of a photographer’s kit – the camera itself. You will see that many of the lens buying guidelines are also applicable here, so lets not waste any more time and get started!
With new lenses getting more expensive all the time, many photographers choose to purchase used gear and save money. While certain lenses can only be bought new (at least for a while), like the just-released Tamron 24-70mm f/2.8, used lens market is quite often an important aspect to consider when choosing a system. In this article I will try to explain the benefits of buying used lenses, as well as give you some tips on how to buy used lenses on-location knowing you’ll get a high-quality piece of equipment you will be happy with for years to come.
A while ago, I posted an article explaining the Brenizer method panorama. Ryan Brenizer is a NYC based wedding photographer and the “father” of Bokeh Panorama, or Brenizer panorama, technique, which allows one to achieve an otherwise impossibly shallow depth of field at a given angle of view. While I did my best to explain how it all works, it’s often better to see how one does it once than read about it ten times. And who to better do it that Ryan himself?
One of the biggest advantages Lightroom offers over some other RAW converters, such as Camera RAW found in Adobe Photoshop environment, is speed and flexibility while working with tens, hundreds and even thousands of photographs at a time. However, it wouldn’t be quite as fast if we didn’t have a way of applying a set of our own settings to any amount of images we choose with a single click. For this, Photoshop offers us Actions and Batch processing. Lightroom, in turn, gives us Presets.
We had a very ambitious storm last night, and where there’s a storm, there’s often lightning. Nasim has a detailed article written on “How to Photograph Lightning”, so if you hear there’s a storm coming in your area and you want to grab some amazing shots of it, Nasim’s extensive article will help you be prepared from the start.
After reading slews of posts by others that received their D800s, I finally received my camera from B&H last week. I have to admit that my initial enthusiasm was a bit tempered by the many reports of the D800 having autofocus issues. I began to wonder, “Just what am I getting – a good D800 or a bad D800?” (think Wizard Of Oz…). Or perhaps more appropriately, did my camera fall into the Caviar, Sardines, or Spam category?
With the ever increasing rate of technological innovation in the photography arena, it is not too difficult to get caught up in the latest camera model, lens, or other gizmo, all designed to take our photography to the “next level.” The recent hype and debates surrounding noise levels and resolution differences between the Nikon D800 and Canon 5D Mark III alone could likely fill a few petabytes of disk space. In the midst of our obsession with the “latest and greatest,” we need to remember that photography is, at least on some level, supposed to be… well… fun! One of the best ways I know to inject a bit of fun into my photography exploits, is to attach a fisheye lens to my DSLR. These marvels provide a unique curved distortion (in some cases a full 360 degrees) that add a bit of character and spice to otherwise rather common photos and provide a unique perspective.