In the previous Mastering Lightroom series article, “Lightroom Grid View Options”, we learned how to set-up Cells in Grid View so that they display the information of your choice. Grid View options are only available in Library Module, but that is not the only view mode available in Lightroom. In this article for beginners we are going to learn how to set-up Loupe View, which is available in Library Module and is also the default and only view mode in Develop Module.
In Lightroom, image information, such as Metadata, can be overlaid on a photograph in some Modules. It helps you find out information you might need at a glance, such as aperture and shutter speed at which that particular photograph was taken. Such information can be overlaid in Grid and Loupe View modes in Library Module, and Loupe View mode in Develop Module. In this article, I will discuss the Grid View options, which are available in Library Module only. Loupe View mode, which is available in Library and Develop Modules, will be discussed in detail in a follow-up article.
In this video, I decided to cover a couple of important aspects of using the sensor gel stick. First, I wanted to show what the product looks like when shipped and what it comes with, then answer some of the most frequently asked questions by our readers (see below for the text version), before actually showing how to use the product on a camera sensor.
I remember describing Photoshop’s versatility and sophistication as both a strength and a weakness. On one hand, it is a very powerful piece of software with so many different and versatile tools, its capability is only limited by the user’s skill. On the other hand, such complexity can also be overwhelming and detract one’s attention, slow down simple tasks. This trait, to an extent, is also shared by Photoshop’s little sibling, photography-centered Lightroom. Although it is that much more specialized, there’s still a plethora of tools, panels and tabs which can, at times, make the post-processing experience somewhat… messy.
As I’ve said time and time again, Lightroom is all about speed. And that’s the beauty of it. You can do so many things without actually needing to save the images as JPEG files on your computer, you hardly ever need to Export them at all. In this article, I will show you how to use Lightroom’s Email Photo function so that you can send any image in your Library by email without ever leaving Lightroom environment. It is quick, simple and very easy to set up, so if you’ve never used the feature but tend to send image files by email frequently, you should definitely try it out.
Like any event photographer, most of my wedding shots are of people, i.e. the bride, the groom and their guests. This, after all, is what a wedding is all about and what people mainly want to see when they open a wedding photo album. Weddings, though, are always packed full of other visual details besides the people. So much time is spent in preparation to make a wedding look beautiful that it would be a shame not to preserve some of this in the album. I find that sometimes the best way to achieve this is to make these details the subjects of some of my photographs, even if this means leaving people out of some shots completely.
This is a follow-up article to the tutorial I published a few days ago on how to create a panorama image in Lightroom. In the article, I used a very simple and straightforward panorama image which could be merged without any errors virtually on first try. The image did not have a main object of interest and only a few points that needed critical precision during stitching process. I chose this image for the sake of convenience – I didn’t want it to cause any apparent problems while I tried to explain how to seamlessly include Photoshop or any other panorama merging software in your Lightroom workflow. However, we all understand that, more often than not and especially with Brenizer method panoramas that I love so much, the stitching process is far from being perfectly accurate every time. More complex panoramas require several tries before the stitching is done properly, or manual correction. But how do you manually correct a panorama that you are trying to merge through Lightroom? It is actually easier than you may think and is unlikely to upset your workflow in any way.
A while ago, I wrote an article explaining how to use Lightroom with external editors. Since then, I’ve been asked specifically about merging panorama images. In this article, I will show you all the steps you need to take to successfully merge a panorama and have it back in your Library with minimal fuss. I will be using Lightroom 5.2 and Photoshop CS5, but the process is virtually identical with (reasonably) older versions of both software tools. This tutorial will focus on the process of stitching a panorama image while using Adobe Photoshop Lightroom as the heart of your post-processing and image management workflow.
One of the first things that comes to mind when faced with some sort of a disaster (fire or flood, for example) is the safety of the people we love. If one’s family and friends are well and within arm’s reach in the case of such a tragic event, people often tend to think of… photographs. Wouldn’t you? After all, photographs ensure the memory of our children, parents, siblings, friends and the greatest days of our lives remain no matter what. Consequently, it is a good idea to always have a safe copy of all or at least the most important photographs you may have. If you have been storing images on a single computer, DVD or other simple storage, there is no way to make sure that your photographs are 100% safe – all types of storage unfortunately fail, it is just a matter of time! There is a way, however, of eliminating the possibility of loss almost entirely. In this article for beginners photographers, I will provide you with several inexpensive basic backup ideas. Even if you choose not to follow this particular backup strategy, it should give you a decent starting point and help you figure out a way that suits you better. It is worth noting that we do not recommend these tips for professional photographers, as they should take more serious, reliable and faster means of backing up their work.
1) Keep a Copy at Home
In addition to storing photographs on your hard drive, it is a good idea to have a copy of them on an external drive somewhere at home. This is in case your computer suffers from some sort of malfunction, data loss or physical damage. Storing copies of your photographs on the same disk isn’t a backup – if the disk breaks down, both originals and backup copies may be lost. Also note that it is a good idea to store original copies on a separate internal hard drive rather than the one used by the operating system. This way, if you ever need to format your computer you’ll know all the important files will remain untouched.
As any reader of our previous Mastering Lightroom series articles will know, one of the biggest strengths Adobe’s popular RAW converter has is presets and templates. With its emphasis on speed, Lightroom allows you to create a preset or template for more or less anything, from Metadata, to slideshows or book design. I have already talked about the super-useful Develop Presets. In this article, I will show you how to use Filename Template Editor so that you learn how to name your images as quickly and efficiently as possible.
1) Why Should You Use the Filename Template Editor?
As with all other kinds of templates and presets you can find in Lightroom, filename templates are there for you to make managing and working with images easier. With the Filename Template Editor, you can create several naming templates and include as much or as little information as you want. What sort of information? Well, more or less everything from the metadata of that image – date, equipment, keywords etc. In addition to that, you can also include a custom text field.