As an owner of a Nikon 1 V2 and a selection of Nikon 1 lenses I’m always looking for ways to extend the use of this compact-sized camera system. I thought it would be an interesting challenge to try and photograph a waterfall with the Nikon 1 system. When many of us first start out photographing waterfalls we are often disappointed with the images we capture as they have a ‘frozen’ appearance and lack the ‘smooth water’ effect that can add beauty and drama to our photographs. To achieve the ‘smooth water’ effect we need to slow our shutter speed down. This can be accomplished by using the lowest possible ISO setting, stopping our lens down, and by using a neutral density filter.
Just wanted to share this photo of the Waning Gibbous Moon with our readers, captured with the Nikon D810 and John “Verm” Sherman’s amazing Nikkor 800mm f/5.6E VR monster coupled with the TC-17E II teleconverter. I have not been able to get this much detail from such long focal lengths before, because the shutter vibration on previous generation Nikon DSLRs would shake the camera too much at the beginning of the exposure. We set everything up on a sturdy tripod, then rest the front of the lens on car’s hood, with a soft pillow in between to dampen the crazy vibrations occuring at 1350mm focal length. Set the camera to Manual mode, ISO 800, 1/250s @ f/11, then used camera’s Live View to acquire perfect focus on the moon. With the “Electronic front-curtain shutter” turned ON, we set the camera to Mirror Lock-Up mode, set “Exposure delay mode” to 3 seconds for additional protection, then fired away. Here is the result:
One of the countless things I that love about the United Kingdom is the rich historical heritage to be found within our borders. The recent history of our civilisation can be experienced through the hundreds of stately and historical buildings and homes available to the public for visiting.
I have been fortunate enough to see some truly spectacular cathedrals in my time, particularly in Europe, and even here in the United Kingdom we are very blessed (pardon the pun) to have some of the most splendid cathedrals anywhere in the world.
For most people who just want to have some fun with their photography and have another ‘trick up their sleeve’ focus stacking can be an interesting technique to explore. To put this article in proper context, I’ve never used focus stacking for any of my client work, and I don’t profess to be an expert at the technique…but I have experimented with it. The following image is a quick focus stacking example I put together for this article. It was composed from 11 separate exposures. It’s far from perfect, but it does represent a typical result that most hobbyists can easily achieve.
Incredibly, the first domes date back to people living in the Mediterranean region 4,000 years BC. Since then, artists have created a fascinating variety of them all over the world. Still today, they are an essential part of modern architecture, as shown for example by Calatrava’s spectacular glass dome of the library of the Institute of Law in Zurich, Switzerland.
Rainbows are rare in nature, because a number of events have to happen at the same time. First, there has to be moisture in the sky, so a rainy day or a quick rainstorm is the first pre-requisite. Second, the sun must be positioned on the horizon at a low angle, around 42 degrees relative to the viewer. Third, the part of the sky where the sun is must be clear from clouds and obstructions, while the part of the sky where the rainbow will appear must have continuous rain / moisture. When all of these conditions are met, the sun rays will refract and reflect off the water droplets in the sky, creating the optical illusion that we refer to as “rainbow”. When you see a rainbow, it is only natural to want to capture it on your camera. Who wouldn’t want to capture such beauty that contains the full color spectrum visible to our eyes? And if you happen to be at the right place, rainbows could make an ordinary subject appear truly extraordinary. Even a boring scene could be turned into something completely different with a full arc of a rainbow.
Many travel and landscape photographers, including myself, try to avoid shooting scenery with a clear blue sky. As much as we like seeing puffy or stormy clouds to spice up our photographs, we have no control over what the nature provides each day. Sometimes we get lucky and capture beautiful sunrises and sunsets with blood red skies, and other times we are stuck with a clear, boring sky. When I find myself in such a situation and I know that the next morning will be clear, I sometimes explore opportunities to photograph the stars and the Milky Way at night. I am sure you have been in situations where you got out at night in a remote location and saw an incredibly beautiful night sky with millions of stars shining right at you, with patches of stars in a “cloudy” formation that are a part of the Milky Way. If you do not know how to photograph the night sky and the Milky Way, this guide might help you in understanding the basics.
Lightroom has become a very essential part of the workflow process for many photographers, including myself. I cannot imagine managing my photo catalog without Lightroom and I use it every day for my photography needs. In fact, 95-98% of my post-processing work is done in Lightroom and I only occasionally use Photoshop for advanced photo editing / retouching, which not only simplifies my workflow, but also decreases the amount of time I spend on post-processing. Over the past few years of using Lightroom extensively, I have come up with efficient ways to store, organize and access photos on my computer, so I wanted to share a few tips with our readers on how I do it for both personal and professional work. Although there are many ways to organize images, this particular method has been working great for me (and many others that have been reading our site for the past few years). If you are looking for a generic guide on doing this without any third party photo software like Lightroom, then please read my older article on “how to properly organize pictures“.
1) Where do you store your pictures and how?
The first question is, where and how do you currently store your pictures? I used to store all of my photographs in various subfolders of my hard drive (commonly in “My Pictures” or “My Documents”), but after I got into photography, I decided that it was best to keep all of my photographs in the root folder of my PC’s hard drive that I use solely for storing photos and small family videos. Hard drives are really cheap nowadays, so creating a properly organized and redundant storage for your photography needs does not have to cost an arm and a leg.
If you are like many professional photographers, you may be finding that more and more clients are asking if you can also do video for them when you’re on-site doing a photo shoot. Video can be a “strange new world” and you may be passing up some good opportunities. Most modern DSLRs are quite competent in shooting video, and you can use them to create industrial and commercial productions that are ideally suited for use at corporate functions, in sales presentations, as training aids, and as promotional spots on YouTube…so there is a great opportunity to expand your service offering by including video.
Without a doubt, shooting video with a DSLR can be more complicated than shooting stills, but you can achieve beautiful, creative results by following a few, simple guidelines. And, while you may add more video-related gear over time, you can make some initial, fairly modest investments and get into video production without having to break the bank. If you are a consumer reading this article and you are considering buying a DSLR thinking you can replace your camcorder to shoot family events, don’t bother – a camcorder is much better suited for “family memories” type videos. While I concentrate on shooting video with a Nikon DSLR (since I shoot Nikon), the below article applies to shooting video with any brand DSLR.
My D800 rigged up with Rode VideoMic Pro and iDC System Zero follow focus. The 327RC2 Manfrotto pistol grip is attached to a Cinevate FLT camera slider.
1) Is your DSLR the right tool for the proposed video assignment?
This is the very first question that you need to ask yourself before accepting any video assignment. Generally speaking any assignment where you would be shooting people moving around in a scene (like a wedding for example), especially if autofocus needs to be maintained on specific individuals as they move towards or away from the camera, it is not well suited for DSLR use, and would be best shot with a professional video camera. This is because the auto focus on most DSLRs is slow, somewhat jerky, often hunts a lot, and is noisy. The audible noise from the focusing motor in your camera body and/or lens will transmit readily onto your footage…and it can be a pain to try and filter out. Also, the lenses used on DSLRs do not have power zoom functions so they are cumbersome to use if a lot of in/out zooms are required in the footage. Any assignment that requires the recording of long (30+ minutes), uninterrupted video clips is not suited to DSLR use as your camera is often limited to less than 30 minutes of single clip recording time.