This is not meant to be an in-depth review of the Fuji XQ1, because I normally do not like spending time evaluating point and shoot cameras. First, there are too many of them and they recycle every year, sometimes even several times a year. Second, with the rise of the cell phone market with pretty impressive cameras, I just do not see the future of the point and shoot market. And lastly, the XQ1 simply ended up in my hands in error and I did not want to send it back without writing a few words about it.
This is an in-depth review of the Fujifilm X-E2, a second generation mirrorless interchangeable-lens camera from Fuji that was released on October 18, 2013 before the 2013 Photo Plus Expo event in New York. After the success of the X-E1, which I ended up picking as my mirrorless camera of choice, as explained in my detailed review, Fuji decided to update the camera with more features to make it even more compelling. Considering that the X-E1 was only a little over a year old and the high-end X-Pro1 had not been updated since it was initially released back in March of 2012, the X-E2 was a good indication of Fuji’s future plans to keep the mid-range product line updated every 12 to 18 months, while the high-end line will probably be updated every 24+ months. In this Fuji X-E2 review (based on initial firmware 1.00), I will provide detailed information about the camera along with some image samples and compare it to the X-E1 and the Olympus OM-D E-M1.
Fujifilm has just announced a new addition to its lens lineup – the Fujinon XF 10-24mm f/4 R OIS. Although it came as no surprise thanks to Fujifilm’s official lens roadmap, the lens was still highly awaited, and for good reason. It now offers the widest angle of view of any Fujinon X-mount lens, while still carrying a moderately fast aperture of f/4. In addition to that, it also offers optical image stabilization, which makes it a Fujifilm equivalent to Nikon’s highly regarded AF-S 16-35mm f/4 VR – a lens that helped prove image stabilization is, in quite a few situations, useful even at the widest angles of view.
Updated with X-E2 and X-M1 information
Fujifilm has joined the Black Friday rebate program with its own mirrorless cameras and lenses. It is a “Buy Together and Save” kind of program, which means you need to purchase either an X-E1, X-E2, X-Pro1 or X-M1 Fuji mirrorless camera along with a lens to receive a rebate on the latter. Savings range from $100 all the way up to $250. The more lenses you choose to purchase, the more you save, as savings for each lens stack up. If you were planning on investing into a Fujifilm X-series mirrorless system, this is a good time to do so. In general, due to the system’s premium (-ish) status, the lenses have been quite expensive, although well worth the price. Right now, with these rebates, they represent tremendous value. Even the newest and extremely sought-after XF 23mm f/1.4 lens is $100 off!
Previously, I only reported two cameras as part of the rebates program – X-E1 and X-Pro1. It would seem that all the cameras are eligible, however, which makes this savings program even better than I initially thought it was. To access Buy Together and Save deals, you need to navigate to one of the two cameras and click on the deal that is right next to the camera’s price:
- Click here to buy Fujifilm X-E2 with additional lenses; the camera is priced at $999. You can also choose the silver version here.
- Click here to buy Fujifilm X-E1 with additional lenses; the camera is priced at $999. You can also choose the silver version here.
- Click here to buy Fujifilm X-Pro1 with additional lenses; X-Pro1 currently sells for $1,199.
- Fujifilm X-M1 will set you back $649 and you can get it in silver, black or stylish brown.
- You can also purchase the entry-level X-A1 camera (black) + 16-50mm kit lens for $499, however it does not seem to be part of the rebate program. Blue X-A1 is available through this link.
This is an in-depth review of the Fuji XF 35mm f/1.4 prime lens, also known as “Fujinon XF 35mm f/1.4 R” that was released initially together with the Fuji X-Pro1 on September 21, 2011. Fuji specifically wanted to target professionals and enthusiasts with its X line, so it first introduced a professional-level mirrorless camera, the X-Pro1, along with three prime lenses: Fuji XF 18mm f/2, Fuji XF 35mm f/1.4 and Fuji XF 60mm f/2.4 Macro. And hence, being part of the Fuji X mirrorless interchangeable lens system launch, the Fuji 35mm f/1.4 played a big role in the success of the product line.
The soon to be introduced Nikon Df has raised a heated debate among our readers. That is understandable, of course. Because Nikon is bold enough to charge $2750 for a camera that is basically a retro D610 with a D4 sensor, with some of the functionality removed on purpose. But let’s put the price question aside for a moment and focus on the design part of any camera, modern or otherwise. Remember the old Nikon FM2, a true classic. Remember the success of the Olympus PEN and the Fujifilm X series. And at this point, let me raise a provocative question. Does a camera have a soul?
A silly question, isn’t it? How can a camera have a soul? It’s just a piece of plastic, glass and metal, copied again and again. It is a tool. But that, that is the real pickle. As I wrote in my Mamiya RZ67 Pro review, the best part of film photography – and something digital has severely lacked in comparison – was the involvement in the process of it all. Film – at least with manual film cameras – makes you slow down, makes you think about every single step you take. Makes you take every single step on your own, consciously, carefully. Want a setting changed? Rotate a dial. Turn a knob. Feel the physical feedback you camera gives you, hear it click in a sort of satisfying manner. Forget to do so and there is no LCD screen at the back to check the result prematurely, no way to know beforehand if you screwed something up. And at first, running away from such complexity is a relief. After-all, digital cameras offer so much room for mistakes and complexity of film photography is certainly not for everyone! It is like eating out at a restaurant after a long home-made sandwich diet. But as the time passes, some (not all) start to miss the sandwiches and the perfectly served, neat restaurant food becomes tedious. You want the involvement back. “Make an ordinary, daily, routine activity that bit more special, personal, intimate and meaningful, simply by making it slower”. Slower and less rational.
We have already compared the recently introduced Fujifilm X-E2 camera to its predecessor, the X-E1 (click here to read our comparison). Based on specifications, the newer camera proved to be better than the old one, but with price taken into account X-E1 can easily hold its ground and is still a very viable option. But how does it compare to the still-current Fujifilm flagship camera, the X-Pro1?
I love Fuji X-series cameras – they have exceptionally good image quality, superb handling and they are just a lot of fun to shoot with. I have completed reviewing all Fuji X cameras that I have had during the last few months, including the X-Pro1, X-E1, X-M1 and the X100S. In short, an amazing array of cameras from Fuji. One issue that I overlooked while reviewing the cameras though, was the spotted ghosting issue caused by the X-Trans sensor in rare situations, as demonstrated below (shot with the Fuji 60mm f/2.4 Macro lens).
UPDATE: this turned out to be an issue with all mirrorless cameras that have a short flange distance. Please read this post to understand the issue in detail.
Fujifilm has been producing lenses for decades now. The are m42 screw-mount lenses to be found, medium-format lenses on their fixed-lens 120/220 film rangefinder cameras, not to mention broadcast and cinema lenses. In this article, we will focus on Fujifilm’s current digital compact camera system with APS-C sized sensors and discuss the most common Fujifilm lens abbreviations you can come across while looking for a new lens to put on a Fujifilm X-E1 or other camera. I will also mention some of the common abbreviations found on other Fujinon lenses, too.
1) Fujifilm Lens Mount Abbreviations
The first thing that we need to talk about are the two best-known Fujifilm lens mounts:
- Fujifilm X-mount – this is the current, modern, fully-electronic lens mount used in Fujifilm’s mirrorless camera system with APS-C sized sensors. As of October 2013, there are five cameras that use this lens mount: X-Pro1, X-E2, X-E1, X-M1 and X-A1. Fujifilm X-mount has a flange focal distance (distance between lens mount and film/sensor plane) of 17.7mm. It is relatively new, but has gained some good traction with over 10 lenses currently available since its launch in 2012 and more to come soon. Lenses that use this bayonet are simply called Fujinon.
- Fujica X-mount – an old, mechanical lens mount used in the film era. It replaced the previous m42 screw-mount and was used by STX-1 and other analogue 35mm format Fujifilm SLR cameras. Fujica X-mount lenses are called X-Fujinon and X-Fujinar. The mount – and lenses designed for it – are now obsolete, but there are still plenty of old X-Fujinon lenses to be found in places like ebay at bargain prices. The Fujica X-mount has a flange focal distance of 43.5mm.
Now that the new Fuji X-E2 is officially released (see our announcement post with a short preview), it is time to compare the camera to its predecessor and see what has changed. In this article, I will show feature differences between the Fuji X-E2 and the older X-E1, which we have recently reviewed (and really liked). And by the way, we are giving one away this December! Please keep in mind that this comparison is purely based on specifications. A detailed comparison with image samples and other comparisons will be provided in the upcoming Fuji X-E2 review.