This is an in-depth review of the Fujifilm X100S mirrorless camera, which was released on January 7, 2013 together with the X20 compact camera. After the success of the original X100, Fuji upgraded the sensor and the hybrid viewfinder, added some new features, addressed a few important firmware issues and added the “S” to the label of the camera. The long-awaited Fuji X100S debuted with a lot of fanfare, thanks to its big supporters like Zack Arias and David Hobby that provided plenty of coverage of the camera. Being tied up with reviewing newly released Nikon lenses and cameras, I did not have a chance to test the X100S out until the summer of 2013. Another reason was poor availability – the X100S was in such a high demand, that it was nowhere to be found for a long time. And it is still hard to find even today in the US market, with very few retailers like B&H Photo occasionally having limited stock.
This is an in-depth review of the Fujifilm X-M1 mirrorless interchangeable-lens camera, which was released on June 24, 2013 together with the Fujinon XC 16-50mm f/3.5-5.6 OIS lens. After the success of the X series cameras including the X100, X-Pro1 and X-E1, Fuji decided to expand the line of interchangeable lens mirrorless cameras by introducing a more affordable mid-range version, the X-M1. While the X-Pro1 and X-E1 are targeted at professionals, enthusiasts and serious amateurs, the X-M1 is designed to attract a broader audience.
This is an in-depth review of the Fujifilm X-E1 mirrorless interchangeable-lens camera, which was released on September 6, 2012 right before the Photokina event in Cologne, Germany. After the success of the X100 line and the release of the X-Pro1 (which initially received a rather mixed review from us due to its poor AF performance), Fuji introduced the X-E1 – basically a lower-end version of the X-Pro1. It was not an unexpected move, given how quickly Fuji was growing in popularity, thanks to its amazing retro design and excellent image quality. Despite its autofocus flaws and other quirks, both the X100 and the X-Pro1 created a huge fan base and a healthy community of supporters. The X-Pro1 was an expensive camera aimed at professionals and enthusiasts, so the X-E1 was naturally targeted as a more budget version with less features. In this Fuji X-E1 review (based on Firmware 2.00), I will provide detailed information about the camera, along with some image samples, and compare it to other cameras from Nikon, Canon and Olympus.
Fujifilm has recently announced a new addition to its X-series of interchangeable lens compact camera system. Fujifilm X-A1 positions itself right below the previous entry-level model in the range, X-M1. At the same time, it is a camera many Fujifilm fans will likely not appreciate all that much. A lot of the initial skepticism may be due to the fact it is not very different from the recently announced X-M1. But more importantly, a difference these two cameras have is also a major one. Because Fujifilm X-A1 has a traditional Bayer color filter array rather than the rightly praised X-Trans. A recipe for failure? Not quite. Before we dive into an overview, though, let’s take a quick look at the specs.
This is an in-depth review of the Fuji X-Pro1, a highly anticipated mirrorless interchangeable-lens camera. Built on the success of the Fuji X100 and aimed at pros and photo enthusiasts that need a lightweight camera alternative to a DSLR with amazing image quality, the Fuji X-Pro1 is the first mirrorless interchangeable-lens camera from Fuji. Along with the X-Pro1, Fuji simultaneously introduced three prime lenses – Fujinon 18mm f/2.0 XF R, Fujinon 35mm f/1.4 XF R and Fujinon 60mm f/2.4 XF Macro, all specifically designed to be used for the new Fuji X mount. In this Fuji X-Pro1 review, I will not only provide detailed information about the camera, but will also try to answer the many questions that we have gotten so far on the camera from our readers, along with comparisons to Nikon and Canon DSLRs.
I had an opportunity to work closely with the Fuji X-Pro1 on two separate occasions – once when the camera initially came out back in 2012 and again in the summer of 2013, after the latest 3.01 firmware update was released. I had a number of complaints about the X-Pro1 in my original review, because the camera was full of bugs and autofocus problems. The latest firmware 3.01 addressed many of those concerns, so I am simply revisiting the same review and re-evaluating the camera based on my latest findings.
Update: the price of the new Fujinon XF 23mm f/1.4R lens has been changed to $899 (ass opposed to $849 listed previously on B&H)
Fujifilm has announced one of the most anticipated lenses in their current line-up, the XF 23mm f/1.4. When mounted on one of Fujifilm’s X-mount cameras, this lens behaves much like a classic 35mm f/1.4 lens does on a full-frame camera in terms of light gathering capability and angle of view. In terms of depth of field, it is closer to a 35mm f/2 lens on full-frame, which is still very, very good – it is currently the fastest lens in its class for APS-C sensor cameras. To say the least, we are excited, but not at all surprised. Partly because of Fujifilm’s lens roadmap, of course. But partly because fast, high-quality lenses is what we have come to expect from Fujifilm. Let’s talk about this lens in a bit more detail.
1) The Technical Bit
It is a beautifully designed lens with a focal length of 23mm and aperture range of f/1.4-16. As you would expect from this manufacturer, in addition to the usual focus ring, the lens also has a dedicated ring to control the 7-blade rounded aperture and that, along with the XF designation, marks it as Fuji’s high-end, professional optic. Along with the focus and aperture rings, Fujifilm XF 23mm f/1.4 lens has an engraved distance and depth of field scales, which street photography and landscape enthusiasts will be quick to appreciate.
Our readers have been asking us about reviewing Fuji cameras and lenses. Since Fuji has been on the roll lately, releasing the X-E1, X-M1, X100s and a bunch of new lenses, we decided that it would be a good idea to review all of Fuji gear that is out there. Although I reviewed the Fuji X-Pro1 a while ago, I decided to update my review, because the new firmware addressed a lot of the issues that I talked about in the review, including some of the autofocus issues. Here is everything I received yesterday:
Update: Fujifilm X-Pro1 has just received firmware update v3.01, which fixes movie mode bug present in the v3.00 version.
The amount of post-release support Fujifilm has been providing its X-series users is, quite frankly, staggering. Yet another major firmware update for the X-Pro1 (v3.01) and X-E1 (v2.00) cameras is now available for download. In a nutshell, the firmware further improves autofocus performance for both cameras with most Fujifilm X-mount lenses. In addition to that, a current must-have feature for all mirrorless cameras, focus peaking, has also been added.
1) What We Think
I would have never expected a new compact system camera manufacturer to release perfect products right from the start. Of course, Fujifilm is far from being new to all-things photography. The company is well-known for its analogue cameras, high-end lenses and photographic film of all sizes. But when it came to digital consumer products, the most serious they tried before entering highly competitive and promising mirrorless camera market was digital point-and-shoot cameras. Let’s face it. Cheap point-and-shoot cameras are not something buyers are too picky about. Mirrorless and high-end, large-sensor compact cameras are a whole different story. And here, Fujifilm X-series cameras have been plagued with bugs, glitches and minor niggles likely more so than any other manufacturer. Autofocus speed and accuracy was likely one of the most talked-about shortcomings of X100 and X-Pro1 (click for our in-depth review).
Having said that, what I expected even less is just how persistent Fujifilm is at improving its existing cameras. Update after update, their cameras seem to transform with time into something much more capable and grown up. Even after new models are introduced, you are never left hanging with a product that could have been better had the manufacturer bothered to tweak the software and add much-needed functionality. When the X-E1 came out boasting improved AF algorithms, the X-Pro1 firmware update quickly followed with the same improvements.
A quick reminder to those of you who were planning on purchasing new photographic equipment from B&H. Instant rebates from Nikon, Fujifilm and Sony will end tomorrow (06/29/2013). A quick recap on the rebates programs. If you buy a Nikon DSLR body, you have the option of purchasing as many lenses or speedlight units (SB-700 and SB-910) with up to $300 off per each product. While this means that you have to purchase at least one camera to qualify for additional lens rebates, some lens rebates are significant and were not part of any rebates in the past (like the new Nikon 70-200mm f/4G VR lens that I reviewed earlier this year). So this will be a great program for those that want to buy a new DSLR or want a backup camera.
Previously, Fujifilm lens line-up wasn’t exactly very extensive, with a small number of well thought-out, high quality lenses. With the two latest additions, Fujifilm seeks to not only make the camera system more attractive, but also suitable for most needs. Along with the new Fuji X-M1 mirrorless camera, Fujifilm has also announced two new X-mount lenses – the Fujinon XF 27mm f/2.8 and the Fujinon 16-50mm f/3.5-5.6 OIS.
Overview and Press Release
Not so long ago, with the launch of the original X-Pro1, Fujifilm X lens line only consisted of three prime lenses. Though great performers, the 60mm f/2.4 macro, 35mm f/1.4 normal and 18mm f/2 wide-angle primes didn’t exactly make the system complete for most people. Ever since, though, Fujifilm has been working on new optics relentlessly. We saw three more lens announcements afterwards with two zoom lenses to add to the superb prime lens line-up. And today, with the launch of the 27mm f/2.8 and 16-50mm f/3.5-5.6 OIS, Fujifilm X system now offers 8 distinctive lenses for various needs.