This is an in-depth review of the Fuji X-Pro1, a highly anticipated mirrorless interchangeable-lens camera. Built on the success of the Fuji X100 and aimed at pros and photo enthusiasts that need a lightweight camera alternative to a DSLR with amazing image quality, the Fuji X-Pro1 is the first mirrorless interchangeable-lens camera from Fuji. Along with the X-Pro1, Fuji simultaneously introduced three prime lenses – Fujinon 18mm f/2.0 XF R, Fujinon 35mm f/1.4 XF R and Fujinon 60mm f/2.4 XF Macro, all specifically designed to be used for the new Fuji X mount. In this Fuji X-Pro1 review, I will not only provide detailed information about the camera, but will also try to answer the many questions that we have gotten so far on the camera from our readers, along with comparisons to Nikon and Canon DSLRs.
I am currently working on the Fuji X-Pro1 review, although I will be honest that I have been delaying the review for quite a while now, since I am still waiting for Adobe to release a version of Camera RAW / Lightroom 4 that will support X-Pro1 RAW files. While the JPEG images produced by the X-Pro1 are superb, I know that I can get much more from each image if I use a good RAW image processor. The RAW converter that Fuji has for the X-Pro1 is definitely not my thing…
Here are some sample images from the camera that I will be using in my upcoming review, all taken in England. As always, EXIF data is embedded to each image with exposure, lens and other information.
I have been super busy working on a couple of big projects lately and this weekend I helped out Lola with her bridal work. While setting up the lights, I decided to try out and shoot with three different cameras – the Nikon D800 (see the recently published review of the Nikon D800), the Canon 5D Mark III (a full review is coming up in a couple of weeks) and the Fuji X-Pro 1 (also coming up for a review soon).
The Nikon and the Canon experience was very similar, both were stellar in terms of color, sharpness and autofocus accuracy. The Fuji X-Pro 1 produced beautiful images with great-looking skin tones, but was rather disappointing in terms of autofocus – it just could not seem to lock well to my subject in indoors environment. I will be writing about my overall impressions of the Fuji X-Pro 1 soon, but to give you a short version, I am rather disappointed by it. To be honest, I was more excited about the Fuji X-Pro 1 than I was with the Canon and Nikon cameras, because I was really hoping for a mirrorless camera that could be a great alternative to the higher-end APS-C sensor DSLRs. The Fuji X-Pro 1 just seemed to have so much potential… I guess it will be a while until we see something that good. Perhaps the second or third generation of the X-Pro? Or the upcoming Canon mirrorless?
Here is a fun game for you – all three of the below images were shot with either the Nikon D800, the Canon 5D Mark III or the Fuji X-Pro 1. Care to guess which one is which?
A lot has changed since digital came around in 1999. Film has always been about quality – all kinds of it, too. It was about resolving power – we have Fujichrome Velvia for that now; it was about color accuracy, which also suits the former as well as, say, Fujicolor Superia Reala; or, for those who want sharp and vivid, there‘s always the beautiful Kodak Ektar. Now, however, there’s one kind of film for all those purposes. Just as film was finally providing the quality, the age of digital sensors came. And, some think, wiped film‘s quality ambitions off the table as if it were dust. We now have one film that can do everything – low light, color accuracy or vividness, sharpness and endless manipulation possibilities. One film that fits all.