We’ve fallen behind with announcements and it’s time we caught up! Firstly, let’s talk about the new Fujifilm X30 compact camera. Fujifilm has actually been a lot in the news lately. They’ve been spurring up the market with innovative approach to product design and functionality. But if you glance at the X30, it’s not really that different compared to its predecessor. Perhaps a closer look will tell us more.
Today we have some great deals to share with our readers. The Fuji X-T1, which we highly praised in our X-T1 review, is currently on sale at B&H Photo Video. For $1,299, which is the price of the X-T1 body, you get the camera, along with the VG-XT1 Vertical Battery Grip, a spare NP W-126 battery and a SanDisk 32GB Ultra microSDHC card thrown in for free, a savings of $320.
Our readers often ask us if it is possible to get Lightroom to provide the same colors as one would see from camera-rendered JPEG files when shooting in RAW format. Many photographers often choose specific color profiles in their cameras and they get surprised when images are imported into Lightroom and all those changes are lost. You might have noticed when importing files that Lightroom changes the colors immediately after import, when the embedded JPEG files are re-rendered using Adobe’s standard color profiles and settings. As a result, images might appear dull, lack contrast and have completely different colors. I have heard plenty of complaints on this issue for a while now, so I decided to post series of articles for each major manufacturer on how to obtain more accurate colors in Lightroom that resemble the image preview seen on the camera LCD and in camera-rendered JPEG images. In this article, I will talk about getting accurate colors from Fuji mirrorless cameras in Lightroom. Please see our previous articles on getting accurate colors for Nikon, Canon and Sony cameras.
This is an in-depth review of the Fujifilm X-T1, a weather-proof mirrorless interchangeable-lens camera from Fuji that was announced on January 28, 2014. Previously known for its popular X-Pro, X-E and X-M lines, the new “T” line is specifically made to be “tough”. With its all magnesium-alloy body, sealed buttons and compartments, the X-T1 is Fuji’s first attempt at a fully weather-sealed mirrorless camera. Although Fuji’s recent cameras have been quite popular, it had nothing to offer against the OM-D E-M1 and OM-D E-M5 Micro Four Thirds mirrorless cameras from Olympus. With the latter two offering weather sealing, in-body image stabilization (IBIS) and a whole slew of lenses to choose from, Fuji wanted the X-T1 to offer similar features at a competitive price. With a larger APS-C sensor and a huge, high-resolution electronic viewfinder (EVF), the X-T1 was also meant to appeal a bigger audience from professionals and enthusiasts that want a lighter and more compact setup than their DSLRs.
I have just added another section to the Camera Comparisons page of the Olympus OM-D E-M1 review, where I provided RAW performance comparisons between the OM-D E-M1 and the Fuji X-T1. Some of our readers requested this comparison, so here it is for those that just want to see this particular section of the review. Although the X-T1 has a similar resolution of 16.3 MP, it is physically larger in size (APS-C vs Micro Four Thirds) and hence has larger pixels than the OM-D E-M1. Let’s take a look at ISO 200 (Left: Olympus OM-D E-M1, Right: Fuji X-T1):
I have been shooting with the Fuji X-T1 for the past several weeks and I must say, I am just blown away by what this little camera can do. While I will be working my way to a review fairly soon, I wanted to provide a quick summary of my thoughts so far on the X-T1, along with some sample images using the 35mm f/1.4 and 56mm f/1.2 lenses. Ever since I received the X-T1, I just cannot stop myself from taking it every time when I go outside. Pretty much everything about the camera feels right to me – from the amazing controls and dials on the top, to the fast and responsive autofocus and the huge electronic viewfinder (EVF), making the camera a pure joy to use.
One of our readers, Rudiger Wolf, has done some pretty extensive research to decide on what camera system he wanted to settle on. In this article, he wanted to share his findings with our readers and hopefully make it easier for others to select the system based on their particular needs. When Rudiger sent me an email earlier last week and asked if it would be helpful to share his findings, I responded to him that it would surely be beneficial. Photography Life is all about sharing knowledge and helping others to make healthy choices, so I was thrilled to have the opportunity. Enjoy!
In this follow-up article to the mirrorless camera comparison, I will be comparing high-end options available on the market today from different manufacturers. While the mirrorless market has not shown healthy growth in the US and Europe lately, it is just a matter of time before the new technology makes its way into our daily lives and starts replacing lower-end/small sensor DSLRs. High cost is still an issue for now, but considering that mirrorless cameras use far less components than DSLRs, we will soon start seeing them at very attractive prices. In fact, many mirrorless camera models already have seen significant price decreases (remember the ridiculous Nikon 1 V1 $299 price drop?) and we will be seeing a lot more of that in the next few years. In this particular article, I would like to start off by comparing the top of the line mirrorless cameras on the market, specifically designed for professionals and photo enthusiasts that look for the best image quality, features, autofocus performance and a solid lens selection. Please note that the below comparisons are only for mirrorless interchangeable lens cameras. Also, please keep in mind that some of the benchmarks presented in this article are very subjective, based on our prior experience using the cameras and their published specifications.
Nikon is not the only one feeling generous lately. Fujifilm also has some savings for those looking to purchase a new lens or even a camera, and they are, arguably, more impressive than those offered by Nikon. For example, the extremely popular XF 27mm f/2.8 pancake lens is currently selling for less than half its original price. Other rebates include the X-E1 (body only or kitted with the Fujinon XF 18-55mm f/2.8-4 R OIS lens, it offers the most impressive savings), X-Pro1 and the lower-end bodies, and almost all primes lenses along with the Fujinon XF 55-200mm f/3.5-4.8 R OIS zoom lens.
Since the newest camera in Fujifilm’s lineup, the X-T1, has already been compared in terms of specifications to the flagship X-Pro1 model, it seems only fair to finish this marathon of comparisons by seeing how it measures up against a model positioned slightly lower in the range. That is, of course, the Fujifilm X-E2 – arguably the best camera overall in the Fujifilm’s range, at least until X-T1 showed up. Naturally, the X-T1, being newer, packs the latest technology, but the X-E2 isn’t exactly old and, considering that $300 price difference, is a serious rival for the higher-end model.