I have been shooting with the Fuji X-T1 for the past several weeks and I must say, I am just blown away by what this little camera can do. While I will be working my way to a review fairly soon, I wanted to provide a quick summary of my thoughts so far on the X-T1, along with some sample images using the 35mm f/1.4 and 56mm f/1.2 lenses. Ever since I received the X-T1, I just cannot stop myself from taking it every time when I go outside. Pretty much everything about the camera feels right to me – from the amazing controls and dials on the top, to the fast and responsive autofocus and the huge electronic viewfinder (EVF), making the camera a pure joy to use.
One of our readers, Rudiger Wolf, has done some pretty extensive research to decide on what camera system he wanted to settle on. In this article, he wanted to share his findings with our readers and hopefully make it easier for others to select the system based on their particular needs. When Rudiger sent me an email earlier last week and asked if it would be helpful to share his findings, I responded to him that it would surely be beneficial. Photography Life is all about sharing knowledge and helping others to make healthy choices, so I was thrilled to have the opportunity. Enjoy!
In this follow-up article to the mirrorless camera comparison, I will be comparing high-end options available on the market today from different manufacturers. While the mirrorless market has not shown healthy growth in the US and Europe lately, it is just a matter of time before the new technology makes its way into our daily lives and starts replacing lower-end/small sensor DSLRs. High cost is still an issue for now, but considering that mirrorless cameras use far less components than DSLRs, we will soon start seeing them at very attractive prices. In fact, many mirrorless camera models already have seen significant price decreases (remember the ridiculous Nikon 1 V1 $299 price drop?) and we will be seeing a lot more of that in the next few years. In this particular article, I would like to start off by comparing the top of the line mirrorless cameras on the market, specifically designed for professionals and photo enthusiasts that look for the best image quality, features, autofocus performance and a solid lens selection. Please note that the below comparisons are only for mirrorless interchangeable lens cameras. Also, please keep in mind that some of the benchmarks presented in this article are very subjective, based on our prior experience using the cameras and their published specifications.
|High-End Mirrorless Cameras #1||Fujifilm X-T1||Nikon 1 V2||Olympus OM-D E-M1||Panasonic Lumix GH4|
|* Denotes PL Subjective Rating|
|Lens Mount||Fuji X||Nikon 1||Micro 4/3||Micro 4/3|
|Announcement Date||Jan 2014||Oct 2012||Sep 2013||Feb 2014|
|Sensor Size (Diagonal)||28.3mm||15.9mm||21.7mm||21.7mm|
|Megapixels||16.3 MP||14.2 MP||16.3 MP||16.05 MP|
|Movie Recording||1920×1080 @ 60p||1920×1080 @ 60i||1920×1080 @ 30p||4096×2160 @ 24p|
|Native Lenses Available||12||11||16||19|
|Third Party Lenses||8||0||33||30|
|Image Quality (10)*||8||5||6||6|
|Autofocus Speed (5)*||5||5||5||5|
|Image Stabilization (5)*||4||4||5||4|
|Manual Focus (5)*||5||3||5||5|
|System Compactness (5)*||4||4||5||5|
|EVF Mil Dots / Quality (5)*||2.36 / 5||1.44 / 4||2.36 / 5||2.36 / 5|
|Build Quality (5)*||5||5||5||5|
|Design and UI (5)*||5||4||5||4|
|Manufacturer Link||Fujifilm X-T1||Nikon 1 V2||OM-D E-M1||Lumix GH4|
Nikon is not the only one feeling generous lately. Fujifilm also has some savings for those looking to purchase a new lens or even a camera, and they are, arguably, more impressive than those offered by Nikon. For example, the extremely popular XF 27mm f/2.8 pancake lens is currently selling for less than half its original price. Other rebates include the X-E1 (body only or kitted with the Fujinon XF 18-55mm f/2.8-4 R OIS lens, it offers the most impressive savings), X-Pro1 and the lower-end bodies, and almost all primes lenses along with the Fujinon XF 55-200mm f/3.5-4.8 R OIS zoom lens.
Fujinon Lens Rebates
Let’s start with the lens savings:
- Fujinon XF 14mm f/2.8 R lens ($699.00, $200 off regular price)
- Fujinon XF 18mm f/2 R lens ($399.00, $200 off regular price)
- Fujinon XF 23mm f/1.4 R lens ($749.00, $150 off regular price)
- Fujinon XF 27mm f/2.8 lens; silver version is here ($199.00, $250 off regular price)
- Fujinon XF 35mm f/1.4 R lens ($449.00, $150 off regular price)
- Fujinon XF 60mm f/2.4 Macro lens ($399.00, $250 off regular price)
- Fujinon XF 55-200mm f/3.5-4.8 R OIS lens ($499.00, $200 off regular price)
Since the newest camera in Fujifilm’s lineup, the X-T1, has already been compared in terms of specifications to the flagship X-Pro1 model, it seems only fair to finish this marathon of comparisons by seeing how it measures up against a model positioned slightly lower in the range. That is, of course, the Fujifilm X-E2 – arguably the best camera overall in the Fujifilm’s range, at least until X-T1 showed up. Naturally, the X-T1, being newer, packs the latest technology, but the X-E2 isn’t exactly old and, considering that $300 price difference, is a serious rival for the higher-end model.
Fuji’s latest cameras have been so good, they rival each other almost as much as other systems. And as we saw in our X-Pro1 vs X-E2 comparison, the oldest current model in the X-mount compact camera system, the X-Pro1, already struggled against its lower-end sibling. In this article, we will compare it against the newest member in Fuji’s line-up of mirrorless cameras, the weather-resistant, DSLR-style Fujifilm X-T1.
The new Fujifilm X-T1 has been greeted with great enthusiasm. Based purely on specifications, the newer camera seems to be at the top in Japanese manufacturer’s line-up, at least until X-Pro2 comes along. In this article, I will compare the new X-T1 mirrorless camera from Fujifilm to Olympus’ top offering, the OM-D E-M1.
The rate at which Fujifilm X-mount compact camera system is growing is simply remarkable. I admit, I am very drawn to the system and really like what Fujifilm is doing (thus pardon any subjectivity that might creep in at times). To think that it was launched such a little while ago and yet already has such a versatile selection of cameras and lenses, it is beyond what we’re used to seeing in modern digital camera market. The two most recent Fujinon lenses – the XF 10-24mm f/4 R OIS and XF 56mm f/1.2 R – filled in what was arguably the biggest gaps in the system. The first one addressed the wide-angle issue in what we think is a very well-sorted package, while the second finally offers both the aperture and focal length suitable for close-up shallow depth-of-field portraiture. We are excited about both these new lenses along with the XF 23mm f/1.4 R and those soon to come.
Alas, they have not yet reached our hands, so the reviews will have to wait a little longer. On the positive side, Fujifilm has decided to treat us with some eye-candy from the widest lens currently available for the X-system. If you’ve been holding back your pre-order fearing it might not be as good a performer as one might hope, these official full resolution image samples should help you with your choice. Images are taken at various focal lengths and aperture values. If they are to be trusted, the XF 10-24mm f/4 R OIS really does perform admirably. Clicking on the images will take you to the full-resolution (several megabytes) file on Fujifilm’s website. The image files also contain EXIF information.
Fujifilm X100s is among the best digital compact cameras for street and candid photography. The useful focal length of 35mm (full-frame equivalent) provides ample versatility in all kinds of environments, aided by the relatively fast aperture of f/2. Despite such commendable specifications, the lens is also very small and makes the whole package appear non-threatening and easy to carry around for long periods. Couple that lens to a large (for a compact camera) APS-C X-Trans sensor and you will soon find that Fujifilm X100s is definitely capable of some very high-quality results, as seen in our review of the camera. What’s at least as important as the camera’s portability is its quietness. Using the camera is basically a silent endeavor courtesy of that whisper-quiet leaf shutter – almost like an electronic shutter, but without the disadvantages. On top of that, what was previously a slow autofocus system (of the original X100) has now been significantly improved for the latest X100s.
The design plays a big part in the camera’s appeal for street photography, too – it is not instantly recognized as a digital camera by most people and, as such, does not raise negative reactions as often, but rather curiosity. Loads of strong points, then. But if there was a slight niggle some of the street photographers had with the X100s, it is that the camera did not come in all-black. Rejoice, because it does now.
This is not meant to be an in-depth review of the Fuji XQ1, because I normally do not like spending time evaluating point and shoot cameras. First, there are too many of them and they recycle every year, sometimes even several times a year. Second, with the rise of the cell phone market with pretty impressive cameras, I just do not see the future of the point and shoot market. And lastly, the XQ1 simply ended up in my hands in error and I did not want to send it back without writing a few words about it.