Interpreting Fine Art Photography

Update: this article seems to have spawn a number of different opinions. Which, we must admit, makes us rather happy – discussion, as someone much brighter than me has said, is an exchange of knowledge. More importantly, argument is an exchange of ignorance. While the photograph described at the beginning of this article is not actually all that important for the said discussion, a lot of our readers have expressed their curiosity and wish to see the reason for this article popping up in my head. And no matter how tastefully and subtly done, please do note it contains nudity, and if that is something you’d prefer your children not to see – or something you would prefer not to see yourself – take caution. For the rest, click here and enjoy.

Several weeks ago, I came upon what I think was a magnificent black-and-white photograph. It portrayed a young, rather skinny woman laying graciously on the ground somewhere in a forest clearing, naked. She was lying on her side, half curled up around a large, moss-covered rock. So different from it in most every way possible – warm, alive, sensitive – she was embracing it gently. The photograph was taken from directly above the young woman and, through the use of loose central composition, negative space and beautiful natural light, she, as the main subject, would instantly draw the viewers eye, her skin so pale and bright against what must have been dark green, brown Autumn foliage. While I will not be publishing this photograph here for obvious reasons (Photography Life is 100% child-safe and will always remain so), I must note there was not a hint of erotica about the photograph. Rather, a very subtle, tasteful tribute to the human body. Fine art. Pure, light. Airy somehow. I called it sensual at first, but many misunderstood me, or perhaps I chose the wrong word. Sensuous is a much better fit. I could not help but admire it for what seemed like hours. And then I read a comment left by one of the viewers: “This is not a portrait. It is a piece of fine art nude photography”, – he stated.

Interpreting Fine Art Photography

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Interview with a Fine Art Photographer Oleg Oprisco

Today we are bringing you a whimsical world of Oleg Oprisco‘s fine art photography. The depth of Oleg’s work and the idea behind each, thoughtful shot prompted me to share his creations with you. I reached out to him with multiple questions and he gladly agreed to share his knowledge with the readers of Photography Life.

Oleg teaches multiple workshops every year and is a great educator. He promised to appear in Photography Life more to share tips about his line of photography and if you have any questions for Oleg, leave them in the comment section below.

Oleg Oprisco (24)

Tell me a little about yourself, your childhood, where you live and how you started in the craft of photography?
Hi there! Everything started when I was sixteen and got a job at a photolab in a little city called Lvov, located in western Ukraine. During my three years of working at the lab, I mastered all the stages of printing film and digital photography, and all the peculiarities of working with color.

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