Ted Kozak’s Photographic Stories

Talking to Tadas Kazakevičius (in case you are having a hard time spelling that, he’s just as well known as Ted Kozak), a young Lithuanian portraitist, was precisely one of those times when you think you have a million questions to ask. But then you meet him at a restaurant for a glass of cold bread kvass and a pizza only to realize you’ve suddenly forgotten all of them. What do you ask a person who’s work you admire so much, you think he’s one of the future classics of his generation? Where do you start? “Don’t be nervous”, he told me. “Why should you be?” True. Why should I be? But then, whilst talking about his street portraits, he answered his own question: “Even after all the portraits that I took of strangers, each time I attempt to approach a person on the street, I need to bring myself to do it. It’s scary.”

© Tadas Kazakevičius. After swimming

“After swimming”, winner of the 2014 Lithuanian Press Photography “Golden Frame” award

But we are getting ahead of ourselves. There’s so much to talk about – film, digital, people and their stories… And now I answer my question. Where do we start? Well, none of us is born with a camera, and so it is always interesting to learn how it all began for the talented among us.

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The Weston Dream

She posed atop a sand dune with wind-gnarled cypress trees clinging to a rocky precipice in the distance. She was nude of course, and sitting on a bedpan. A dead pelican lay at her kelp-entwined feet. In one hand she held a nautilus, in the other the most sensuous bell pepper that had ever grown. As I adjusted my 8×10’s tilts and shifts she gave me that glance – just 1/60th of a second, but in that moment I knew there would be more tilting and shifting later as her aperture and my shutter speed would dance in perfect rhythm. I stopped the lens down to f/64, then…I woke up.

Verm Cypress Point Lobos

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What I Have Been Up To

A while ago, Nasim went to London to spend some time with his family and meet up with some of our dear readers. You might have noticed that, for a couple of weeks, he did not have much time to work on articles, certainly not as much as usual. You might also have noticed my own absence for the last couple of months at least. We did not plan to take vacation at the same time. It just so happened that I, too, have been extremely busy at the time, hence no new Lightroom or composition-related articles coming out. My time away, however, was rather less glamorous than that of my friend’s. And less relaxing, let alone fun or enthusiastically met. In fact, it was somewhat of a nightmare at times, a blur of nights and days turning into long, long weeks of never-ending stacks of books, articles and albums. How I missed my job! Although rationally I understand it is not, in the moments of weakness writing articles seemed like a much simpler endeavour. Certainly much more fun.

Homeless (2)

I am happy to say, though, that in the end the result is just as pleasing and satisfactory to me as Nasim’s trip was to him, even if the process was nerve-wrecking. I expect at this point you are rather curious what I am on about. Well, just a few hours ago I received my Bachelor’s degree. Yes, I am now officially an educated man with a Faculty of Arts diploma, cheers! But that’s not very interesting. Let’s be fair, as challenging as it was writing some 40 pages of theory and spending even more time photographing, it’s no doctoral dissertation, Bachelor’s degree is merely the first, smallest of steps up an educational skyscraper. It is also rather common in my country where most people seek a degree right after finishing high school (generally at the age of 19). What I hope is a little more interesting are these portraits, some of which make up the creative part of my thesis.

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Interpreting Fine Art Photography

Update: this article seems to have spawn a number of different opinions. Which, we must admit, makes us rather happy – discussion, as someone much brighter than me has said, is an exchange of knowledge. More importantly, argument is an exchange of ignorance. While the photograph described at the beginning of this article is not actually all that important for the said discussion, a lot of our readers have expressed their curiosity and wish to see the reason for this article popping up in my head. And no matter how tastefully and subtly done, please do note it contains nudity, and if that is something you’d prefer your children not to see – or something you would prefer not to see yourself – take caution. For the rest, click here and enjoy.

Several weeks ago, I came upon what I think was a magnificent black-and-white photograph. It portrayed a young, rather skinny woman laying graciously on the ground somewhere in a forest clearing, naked. She was lying on her side, half curled up around a large, moss-covered rock. So different from it in most every way possible – warm, alive, sensitive – she was embracing it gently. The photograph was taken from directly above the young woman and, through the use of loose central composition, negative space and beautiful natural light, she, as the main subject, would instantly draw the viewers eye, her skin so pale and bright against what must have been dark green, brown Autumn foliage. While I will not be publishing this photograph here for obvious reasons (Photography Life is 100% child-safe and will always remain so), I must note there was not a hint of erotica about the photograph. Rather, a very subtle, tasteful tribute to the human body. Fine art. Pure, light. Airy somehow. I called it sensual at first, but many misunderstood me, or perhaps I chose the wrong word. Sensuous is a much better fit. I could not help but admire it for what seemed like hours. And then I read a comment left by one of the viewers: “This is not a portrait. It is a piece of fine art nude photography”, – he stated.

Interpreting Fine Art Photography

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Interview with a Fine Art Photographer Oleg Oprisco

Today we are bringing you a whimsical world of Oleg Oprisco‘s fine art photography. The depth of Oleg’s work and the idea behind each, thoughtful shot prompted me to share his creations with you. I reached out to him with multiple questions and he gladly agreed to share his knowledge with the readers of Photography Life.

Oleg teaches multiple workshops every year and is a great educator. He promised to appear in Photography Life more to share tips about his line of photography and if you have any questions for Oleg, leave them in the comment section below.

Oleg Oprisco (24)

Tell me a little about yourself, your childhood, where you live and how you started in the craft of photography?
Hi there! Everything started when I was sixteen and got a job at a photolab in a little city called Lvov, located in western Ukraine. During my three years of working at the lab, I mastered all the stages of printing film and digital photography, and all the peculiarities of working with color.

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