In the beginning of 2012, I knew I wanted to buy a Polaroid camera. There is something so irresistibly fun about taking a photograph and having the print in front of you instantaneously. I considered several options, but ultimately decided on the Polaroid 180 Land Camera with a 114mm Tominon Lens.
As my first post here on Photography Life, I thought I would write a bit about why I shoot film as a wedding photographer.
I started my career in photography in 2008 as a digital shooter. Since it was the digital age, it didn’t even cross my mind to shoot film. I had some preconceived notions about it — at the time I thought film was old, outdated, and produced inferior images compared with digital. But the more I learned about film, the more I realized I needed to take a second look.
Let me start by saying that I’m a digital camera junkie. I love technology. I love everything about working with digital images… the number of images that can fit on a tiny memory card, the sharpness and amount of detail that can be captured with good bodies and lenses, the instant gratification that comes from looking at an LCD screen and the amount of flexibility available while editing. Why, then, would I ever want to shoot film instead of digital?
First off, this is not a film vs. digital debate. Some people like shooting film, others prefer digital. Each has its own unique benefits. Each also has a downside. I’m not trying to defend either medium of photography. I think everyone should shoot with whatever makes them happy. Instead, I want to tell you why I started shooting film last year and why I’m still shooting it today.
About a year ago I was browsing the stalls of an antique shop and came across a Yashica-D twin lens reflex (TLR) camera. For some reason I felt compelled to buy it and shoot a few rolls of film. Having never used a TLR before, the first time I opened the lens shade and looked inside I was mesmerized by what I saw. I became infatuated with peering down through the ground glass viewfinder at the reversed image of what was in front of me. While I metered for my exposure and slowly focused and composed each shot, I found myself really paying attention to my composition and waiting for the perfect moment to trip the shutter. After all, I only have 12 shots per roll of 120 film. Each shot has to count!