Although the Nikon D4s has already appeared at CES and other events earlier this year, Nikon did not provide official information, pictures, specifications or pricing for the camera until now. Today, the top-of-the-line Nikon D4s is finally released and we have the full details on the camera that we are happily sharing with our readers. Similar to the Nikon D3s, the D4s is an incremental update to the D4 with better low-light performance, bigger buffer, faster frames per second and other improvements highlighted below.
If you are like many professional photographers, you may be finding that more and more clients are asking if you can also do video for them when you’re on-site doing a photo shoot. Video can be a “strange new world” and you may be passing up some good opportunities. Most modern DSLRs are quite competent in shooting video, and you can use them to create industrial and commercial productions that are ideally suited for use at corporate functions, in sales presentations, as training aids, and as promotional spots on YouTube…so there is a great opportunity to expand your service offering by including video.
Without a doubt, shooting video with a DSLR can be more complicated than shooting stills, but you can achieve beautiful, creative results by following a few, simple guidelines. And, while you may add more video-related gear over time, you can make some initial, fairly modest investments and get into video production without having to break the bank. If you are a consumer reading this article and you are considering buying a DSLR thinking you can replace your camcorder to shoot family events, don’t bother – a camcorder is much better suited for “family memories” type videos. While I concentrate on shooting video with a Nikon DSLR (since I shoot Nikon), the below article applies to shooting video with any brand DSLR.
My D800 rigged up with Rode VideoMic Pro and iDC System Zero follow focus. The 327RC2 Manfrotto pistol grip is attached to a Cinevate FLT camera slider.
1) Is your DSLR the right tool for the proposed video assignment?
This is the very first question that you need to ask yourself before accepting any video assignment. Generally speaking any assignment where you would be shooting people moving around in a scene (like a wedding for example), especially if autofocus needs to be maintained on specific individuals as they move towards or away from the camera, it is not well suited for DSLR use, and would be best shot with a professional video camera. This is because the auto focus on most DSLRs is slow, somewhat jerky, often hunts a lot, and is noisy. The audible noise from the focusing motor in your camera body and/or lens will transmit readily onto your footage…and it can be a pain to try and filter out. Also, the lenses used on DSLRs do not have power zoom functions so they are cumbersome to use if a lot of in/out zooms are required in the footage. Any assignment that requires the recording of long (30+ minutes), uninterrupted video clips is not suited to DSLR use as your camera is often limited to less than 30 minutes of single clip recording time.
Today Nikon announced the new Nikon D3300 DSLR camera – an update to the existing Nikon D3200 that was released in the spring of 2012. The D3300 is not a huge upgrade over its predecessor. Judging from its specifications, it is mostly a cosmetic release without major innovations, meant to keep Nikon’s entry-level line fresh. The image sensor is supposedly new that increases the native max ISO from 6400 to 12800, although its resolution stayed the same at 24.2 megapixels. The main difference in sensors is the removal of the optical low-pass / anti-aliasing filter, which has now become a trend even on entry-level DSLRs (the Nikon D5300 was also released without a low-pass filter). The D3300 comes with the new EXPEED 4 processor that we have seen earlier on the D5300, which allows the camera to record/process images and video at higher rates. For example, video recording at full 1080p is now possible at 60 frames per second. Continuous shooting frame rate has been increased from 4 to 5 fps and the viewfinder got a slight magnification boost from 0.78x to 0.85x.
In this article, I will show feature differences between the new full-frame Nikon D600 (FX) and the older cropped sensor Nikon D7000 (DX). I have received a number of requests from our readers asking me to provide this comparison, since many photographers are considering to move to the Nikon D600 from their D7000 cameras. Please keep in mind that this Nikon D600 vs D7000 comparison is purely based on specifications. A detailed comparison with image samples and ISO comparisons is provided in the Nikon D600 Review.
Here is another quick specifications comparison between the new Nikon D600 and the D800 that was announced earlier in 2012. I am sure many photographers will be interested in seeing feature differences between the resolution king, the D800, and the $900 cheaper D600. Looks like both cameras are quickly becoming popular among many amateur and professional photographers, so what feature advantages does the former offer over the latter? Let’s take a look in this Nikon D600 vs D800 comparison. Please keep in mind that this comparison is purely based on specifications. A detailed comparison with image samples and ISO comparisons is provided in the Nikon D600 Review right here.
Now that the Nikon D600 is officially out, I am sure many photographers will be interested in seeing feature differences between the old and discontinued Nikon D700 and the new D600. Please keep in mind that this Nikon D600 vs D700 comparison is purely based on specifications. Note: a detailed comparison with image samples and ISO comparisons is provided in the D600 Review.
Forget megapixels of the Nikon D3x or Canon 1Ds Mark III, video is the new super-expensive choice. DSLR videography is changing fast, and Canon is now pushing the limits with its promised EOS-1D C videography-centered camera. Offering Hollywood-ambitious 4k video at 4096×2160 pixel resolution, it also shares most of its specifications with the mainstream flagship Canon 1D X, such as 18 megapixel Full Frame sensor and 12 frames per second still shooting. With the latter costing about $6800, we can, at this time, only guess how expensive this new camera is going to be (guesses are around 10 thousand euro), but one thing is sure – 8 megapixel resolution video is sure to make its way down to lower-end cameras sometime soon and affect photojournalism greatly. I can already hear aspiring videographers rejoice!
Here is the official press release:
The video recording capabilities in DSLRs have been the subject of lively discussions ever since video-capable DSLRs have been introduced (with Nikon D90 being the first). At first, some thought it was unnecessary and too cumbersome to be of any practical use, while others embraced the new possibilities and the small (in comparison to high-end video cameras) price they came with. Regardless, the first full-frame camera to do video (and Full HD, at that) – the Canon 5D Mark II – quickly became very popular among amateur cinematographers that could not afford high-end RED cameras. A compromise, but not a too painful one. Both the D90 and, slightly more so, the 5D Mark II offered a very broad lens selection, good to great low-light capabilities and, more importantly, brought aesthetics and shallow depth of field of modern photography into the world of videography.
You might have already seen this video by Corey Rich on the Nikon D4 when the camera was announced. It profiles some of the best athletes such as Alex Honnold (the guy that “free solo” climbed the Half Dome with his bare hands), showing them in action. Here is the video if you have not seen it:
Now that the Nikon D800 is officially out, I am sure many photographers will be interested in seeing feature differences between the now obsolete Nikon D700 and the new D800. Please keep in mind that this Nikon D800 vs D700 comparison is purely based on specifications. A detailed comparison with image samples and ISO comparisons is already provided in my Nikon D800 Review.