I recently witnessed how a friend of mine got robbed by an online camera store called AjRichard based out of New York, USA when he purchased a Canon 5D Mark II. The camera was out of stock for a few weeks in every single local and online store he trusted and he could not wait any longer. That’s when he decided to expand his search and see if he could find an Internet store that had the 5D MKII in stock. He eventually ended up on Nextag.com looking at a list of merchants with “in stock” indicators. The top sellers all had very high ratings and he noticed that some of the sellers were advertising the 5D MKII at lower than the $2,500 “normal” rate that everybody else sells for. The top result was AjRichard.com and with over 1,000 reviews, 5 star rating and a “Trusted Seller” status, he decided to take the plunge and order the camera at just $2,350 – a really good deal he thought he was getting. The sad part is, he felt something was not right while making the purchase and still did it, thinking that his credit card company would protect him in case something went wrong. Next day, he got a call from AjRichard sales rep, who told him that camera battery and charger were not included in the $2,350 price and convinced him to buy those, along with some accessories he did not need. The order went up to $2,629 and he was promised free three day shipping. He needed the camera ASAP, so he agreed to complete the transaction and paid in full. Here is what his order looked like:
I recently received an email from one of our readers about photographing weddings with an entry-level DSLR (Nikon D3000) and an 18-55mm f/3.5-5.6 kit lens. The request was to help out in understanding how to photograph weddings, figuring out the right camera settings and proper posing. Without much thinking, I responded to the query by saying that he/she should not photograph the wedding and perhaps leave the task to someone who knows what equipment to use and more importantly, how to use it. I never got a follow up email after that, but I have been thinking about the email ever since. I then remembered watching this video a while ago:
Now that the Nikon D5100 is announced, many first time buyers will be wondering which one to get – the Nikon D3100 or the Nikon D5100. I decided to put together a quick comparison between the two cameras in this “Nikon D3100 vs D5100” article to hopefully make it easier for our readers to decide which DSLR to go with.
When it comes to cleaning SLR camera lenses, photographers use different methods that work for them. In this article, I will show you my way to clean DSLR camera lenses. I often get emails and comments from our readers, who ask to provide detailed information on this process, so I am including a detailed article along with an accompanying video to thoroughly explain the process. Cleaning lenses is a fairly straightforward process and is almost risk-free, as long as you are using proper tools for the job. If you are impatient and want to see the video where I show the entire process of cleaning a lens, skip all the way down. I hope you find the below article and video useful.
Whether you are using an entry-level DSLR like Nikon D3100 or a top of the line DSLR like Nikon D3x, there is a special button on the back of your camera labeled “AE-L / AF-L” that can be quite useful in many situations. After I wrote the Autofocus Modes article, I received several requests from our readers, asking me to explain what the AE-L / AF-L button does, when it should be used and how it can be combined with different autofocus modes. In this article, I will try to go through this button in depth and explain how I personally use it on my cameras.
On April 5, 2011, Nikon launched the Nikon D5100 DSLR, an expected replacement for the Nikon D5000 that was introduced first in April of 2009. As a upper-entry-level DSLR, the Nikon D5100 stands above entry-level Nikon D3100 and below the semi-professional Nikon D90 and D7000 cameras. The changes from Nikon D5000 are significant – not only does the D5100 get the much improved 16.2 MP sensor from the excellent Nikon D7000, but it also comes with a side-articulated 3 inch swivel LCD with 920,000 pixels (the Nikon D5000 had a bottom-articulated 2.7 inch swivel LCD with only 230,000 pixels), full 1080p HD video recording and a completely redesigned camera body.
This long overdue review of the Nikon D3100 is based on my 30 day experience with the camera. I get plenty of comments and emails from our readers asking about the D3100 and whether they should buy it over the older Nikon D3000 and Nikon D5000 cameras, so I decided to post a review of the camera with some sample images and comparisons with other Nikon DSLRs to hopefully make it easier for our readers to make the right choice. Please note that the sample images provided below are “test” shots that have not been heavily modified in post-processing.
This long overdue review of the Nikon D7000 is based on my 3+ month experience with multiple samples of the camera. Due to my busy schedule and a very high demand on the D7000, I was not able to obtain a copy earlier to test. I actually thought it was a good thing to wait, because I did not want to get one from the initial production (which seemed to be rushed, resulting in lots of bad samples out there). Ever since the Nikon D7000 was released, I have been getting many questions from current and potential buyers, asking about backfocus issues, overexposed images, bad video quality, autofocus problems, image quality at low and high ISOs and hot pixels. For this review, I made a note to myself to test the camera against each of the listed potential problems and report on my findings.
Most modern digital SLR cameras are equipped with advanced autofocus systems that are often hard to understand. Whether you are shooting with an entry-level or professional DSLR, knowing how to use autofocus system effectively is essential to get sharp images. A badly-focused, blurry image can ruin a photograph and you cannot repair it in post-processing. Some professionals often end up converting their images to black and white, to hide their focusing problems. If you learn how to focus correctly, you do not have to resort to such measures and you can deliver much better results to your clients and family. Simply put, accurate focus translates to sharper images and that is something everyone is looking for in photographs today. I know some photographers will argue with me on this, saying that sometimes image blur yields a “creative” look, but it is one thing when you do it on purpose and another, when you consistently mess up just because you don’t know how to focus well with your camera. Once you learn how to properly focus with your camera, you can then decide whether you want to blur something on purpose.
Instead of creating another post, I updated the “How to get the best out of your pop-up flash” article to include plenty of information and a new video on Nikon’s Commander Mode on semi-pro and pro-level Nikon camera bodies. Information on how to set up the built-in pop-up camera flash to be a commander, as well as configuring Nikon speedlights (SB-600, SB-700, SB-800 and SB-900) is also included.