Now that it is officially announced, I am sure some of our readers would be interested in seeing how the new Nikon D7100 compares to its predecessor, the D7000. With an improved sensor, high-end autofocus system and other great features, looks like the D7100 will be one heck of a high-end DX camera. The D7000 is no slouch either, with an excellent sensor and great all around performance. Now it is even better. In this Nikon D7100 vs D7000 comparison, I will first go into specifications, then talk about specific features that differentiate the two cameras. Please keep in mind that this comparison is purely based on specifications. Further details, my impressions, ISO comparisons and other useful information will be provided in my upcoming Nikon D7100 Review later this year.
I have just been notified that our friends at B&H are already accepting pre-orders for the Nikon D7100. Here are the links for the body-only and body+kit options:
Nikon D7100 Pre-Order Information
- Nikon D7100 Body Only for $1199 at B&H
- Nikon D7100 kit with Nikon 18-105mm f/3.5-5.6G DX VR for $1599 at B&H
Given its impressive specifications, I expect the D7100 to sell really well with its $1,199 price. The expected availability of the D7100 is March 21, 2013.
These are the same Nikon D7100 image samples as the ones presented at Nikon.com. I am providing these images here in case Nikon websites go down (as they usually do), being too busy serving millions of requests. All EXIF data is attached to the original images.
Please keep in mind that the below images are taken in RAW and simply converted to JPEG via Capture NX 2. No other editing has been done, including sharpening. The images look quite detailed at 100% zoom, looks like lack of an anti-aliasing filter will produce very sharp images. I wonder how Nikon is going to deal with potential moire problems. It will be interesting to see how the D7100 will compare to the D7000 in terms of image quality. This will be revealed in detail in my future Nikon D7100 review.
Nikon has just announced the Nikon D7100, an update to the existing Nikon D7000 camera that was released back in September of 2010. After more than two years of waiting, many DX shooters are quite anxious to see what features Nikon added to the already excellent DSLR. Many Nikon fans and existing D300/D300s owners are also probably wondering if they will soon see an update to the high-end DX line in the form of a D400 that has remained nothing more than another rumor. With today’s Nikon D7100 announcement, we can mark the death of the high-end DX line – read below on the reasons why I think we might never see a D400.
UPDATED WITH PRE-ORDER LINKS.
Having been launched in Europe countries a while earlier, the new Nikon D5200 has just become available in USA, too. The 24 megapixel camera slots nicely between Nikon D3200 and D7000, gaining the latter’s great 39-point AF system. Articulated screen, 1080p/60 video, Expeed 3 image processor ad 100-6400 ISO range completes the attractive package for beginner photographers and those wanting a small, lightweight DSLR.
One notable difference from the previous European introduction is the price. In the first announcement, Nikon claimed a $1,150 MSRP price, which was staggeringly high for such a camera. We were right to doubt such price policy, luckily. The camera will cost around $900 with the 18-55mm VR kit lens. Click here to see image samples from the 24 megapixel APS-C sensor, and here to read our D5200 vs D5100 comparison.
You can pre-order Nikon D5200 from our most trusted reseller, B&H, by following these links:
- Nikon D5200 body only (black) for $796.95
- Nikon D5200 body (black) paired to a 18-105mm VR kit lens for $1,096.95
- Nikon D5200 body (black) paired to a 18-55mm VR kit lens for $896.95
- Nikon D5200 body (bronze) paired to a 18-55mm VR kit lens for $896.95
- Nikon D5200 body (red) paired to a 18-55mm VR kit lens for $896.95
One of the best last generation full-frame cameras, the Canon 5D Mark II, has been officially discontinued. At its time the successor to the original 5D was only rivaled in its popularity by Nikon D700 in the full-frame market. Also, along with Sony A900 and A850, it was the cheapest high resolution full-frame camera (at a time when Nikon D3x would set you back a preposterous $8000) and the first to do Full HD video good enough for Hollywood.
After Nikon D800 was launched, I’ve talked about how D700 is not obsolete. The situation is quite the same with 5D Mark II. It doesn’t have the best AF system, true, but is still used by many professional photographers to deliver stunning images. Very nice high ISO performance coupled to a high amount of resolution and excellent Canon lenses makes 5D Mark II as tempting as it ever was. When you consider it to be better built, with roughly same sensor and AF as the new budget Canon 6D, and for less money at that, the 5D Mark II is one of the best and cheapest ways into full-frame territory.
Fetch it new while stock lasts from our most trusted reseller, B&H, for a bargain $1599 (with $400 instant savings when added to cart). You will find great deals in the used market, too. If you’ve never bough used gear, read our detailed guide on “How to Buy Used DSLR Cameras”.
One of the requests we have been getting lately from some of our readers has been to provide more simple and easy to understand photography techniques. So far this year we have covered a lot of complex topics that are for more advanced users, thanks to such new fine tools as the Nikon D800. So for the remainder of the year, we decided to focus on photography basics again, covering simple and basic techniques and tips for beginners. In this article, I will go over the focus and recompose technique, which can be quite useful when photographing in various environments – whether shooting in low-light situations, or composing your shots with the subject in the corner of the frame. I personally use this technique quite a bit in event photography and it saved me a number of times when the light conditions were extremely poor and my camera could not properly focus.
1) What Recomposing Means
Before I talk about this technique, let me first explain what the word “recompose” stands for in photography. When you take a picture, you carefully frame your shot and place your subject somewhere in the frame before you take a picture. In other words, you compose the shot. Recomposing simply means framing your shot first (for example to acquire focus), then moving your camera to re-position your subject somewhere else in the frame.
In this article, I will show feature differences between the new Nikon D5200 the previous generation D5100 (see our Nikon D5100 Review). What does the updated D5200 bring to the table and what are the key differences? Let’s take a look! Please keep in mind that this Nikon D5200 vs D5100 comparison is purely based on specifications. A detailed comparison with image samples and ISO comparisons will be provided in the upcoming Nikon D5200 review.
Nikon has just announced the D5200 DSLR, an update to the Nikon D5100 that we reviewed last year. The Nikon D5200 is an upper entry-level DSLR that comes with a similar 24MP CMOS sensor as on the D3200, but with a more improved Multi-CAM 4800DX AF system and metering system from the D7000. This is a surprising move by Nikon, since it seems like it is pushing more advanced features to basic DSLRs. This could also mean that the upcoming Nikon D7100 might have a better AF system, perhaps the same 51-point AF system used on the D800/D4 cameas (or somewhere in between). The feature gap between different DSLRs seems to be shrinking, probably due to the pressure from the mirrorless market. Next year will be interesting – will we see a D7100, a D400, or both?
If you are wondering about how to calibrate lenses, this article has detailed explanations and different methods of AF fine tuning. Due to the nature of the phase detect autofocus system that is present on all SLR cameras, both cameras and lenses must be properly calibrated by manufacturers in order to yield sharp images. Various factors such as manufacturer defects, sample variation, insufficient quality assurance testing/tuning and improper shipping and handling can all negatively impact autofocus precision. A lot of photographers get frustrated after spending thousands of dollars on camera equipment and not being able to get anything in focus. After receiving a number of emails from our readers requesting help on how to calibrate lenses, I decided to write this tutorial on ways to properly fine tune focus on cameras and lenses. Lens calibration is a complex topic for many, so my goal is to make this guide as simple as possible, so that you could manage the process by yourself, while fully understanding the entire process. In addition, I strongly recommend to follow these tips every time you purchase a camera or a lens in order to identify and address any potential focusing issues. But I have to warn you – this article is NOT for beginners. If you just got your first DSLR, you might get very quickly frustrated with the calibration process.
1) Why Calibrate?
Why is there a need to calibrate lenses? With the release of new, high-resolution cameras like Nikon D800, it seems like calibration is becoming an important and hot topic. Why is that? As I have explained in a number of my photography articles and reviews, while the increase of megapixels in our cameras has a number of benefits (see benefits of high resolution cameras), it can also expose potential focus problems. A slight focus issue might not be as noticeable on a 10-12 MP sensor, but will be much more noticeable on a 25+ MP sensor (assuming both sensors are of the same size). Especially when viewed at 100%, which is what we, photographers unfortunately like to do too much. Hence, the need for a properly calibrated camera setup today is bigger than ever.