Although the Canon 6D has now been out for almost two years, I never had a chance to review it. Since the new Sigma 50mm f/1.4 Art series lens was initially available only for the Canon mount, I requested the Canon 6D with the lens from our trusted partner B&H Photo Video. My aim was to review both, as I had been planning to review the 6D for a long time now. Ever since I reviewed the Canon 5D Mark III, our readers have been asking us to test out other Canon DSLRs, including the 6D. So this was a good opportunity to catch up, although quite late. Well, better late than never, I guess! Instead of covering everything in much detail though, I will be mostly summing things up based on my three month experience with the camera and feedback from others – I don’t think there is a need to spend a lot of time on this, especially after the camera has been in the market for so long and reviewed by so many people.
Warm greetings to my fellow Photography Life readers! My name is Sharif and I am the photographer behind Alpha Whiskey Photography. I have been very kindly asked by Nasim to write an article for Photography Life, which has proved to be an excellent resource for photographers all over our planet. Nasim specifically invited me to write about my experience with my Olympus Micro Four Thirds mirrorless camera, the lenses I choose to use with it, and why I prefer it to my DSLR system, along with some examples of images I have produced with it.
There is a lesson here for all, especially when purchasing expensive gear. Expensive is a relative term with a value that varies per individual and can’t be generalized, the stuff being said here applies to all values of items. It comes down to how much value the item has to you and whether you are willing to risk that value versus the warranty programs being offered. Obviously the bigger the expense, the higher the risk.
Our friends at B&H are selling some Nikon-refurbished cameras at great prices, so I wanted to share those deals with our readers. The Nikon D610 is already available at a great price of $1,749 for a refurbished model, as well as the Nikon D7100, which you can buy now for $939. As before, the Nikon D800 is also available at $2,399 and there are a few other options for refurbished lenses. Please note that a manufacturer-refurbished item means that the camera was returned by a customer (sometimes due to flaws and other times for no reason / dissatisfaction) and the manufacturer thoroughly re-inspected the item, fixed any potential issues and put it for sale it at a significantly lower price. Just like with any new item, B&H provides a 30-day warranty for refurbished stock, so you can return the item if you are not happy with its condition. In addition, there is a 90-day manufacturer warranty in case anything goes wrong, so you can send it back to Nikon for free repair. If you would like to find out more about refurbished gear, check out this article at B&H.
Although plenty of information was already provided in our Nikon D4s announcement post, many current D4 owners might be wondering how their cameras compare to the newly announced Nikon D4s. In this comparison article, I will provide information about both cameras, along with my analysis of the main differences. I do not yet have a review sample of the Nikon D4s to do more in-depth side-by-side comparisons, so I decided to write about differences in specifications between the two. More details about the D4s will be published in my upcoming Nikon D4s review.
Although the Nikon D4s has already appeared at CES and other events earlier this year, Nikon did not provide official information, pictures, specifications or pricing for the camera until now. Today, the top-of-the-line Nikon D4s is finally released and we have the full details on the camera that we are happily sharing with our readers. Similar to the Nikon D3s, the D4s is an incremental update to the D4 with better low-light performance, bigger buffer, faster frames per second and other improvements highlighted below.
I was wrong – Hasselblad seems to be determined to continue its partnership with Sony in ways we find somewhat…questionable. They have recently announced their third rebranded Sony camera, the Hasselblad HV. This time it is not based on Sony’s mirrorless system, however, but is built around their flagship DSLR/SLT camera, the A99. As with Hasselblad Lunar, which we failed to understand, the changes are purely cosmetic – the sensor and all other internal bits are exactly the same between the two. And, as with Lunar, the new HV carries a premium price tag of, wait for it, around $11,500 for the camera body with the Zeiss 24-70mm f/2.8 lens. Interested?
With the proliferation of all kinds of gadgetry not only for everyday needs, but also for needs we thought we would never have, the camera market sadly seems to be moving in the same direction. Actually, it is already half way there. New cameras, lenses and accessories keep popping up every few months and come in all shapes, forms and colors. The camera market seems to be experiencing the same over-saturation that other electronics companies are seeing today. People do not want to buy new TVs anymore, so manufacturers are trying to find new ways to sell more TVs by adding more features. The approach is built on typical consumerism – make something look shiny and more interesting than it was before and it might lure people into buying it every year. Camera companies are sadly following exactly the same practice. Announcements are becoming more important than the products themselves, so manufacturers are pushing more redundant choices year after year just to make headlines.
Today Nikon announced the new Nikon D3300 DSLR camera – an update to the existing Nikon D3200 that was released in the spring of 2012. The D3300 is not a huge upgrade over its predecessor. Judging from its specifications, it is mostly a cosmetic release without major innovations, meant to keep Nikon’s entry-level line fresh. The image sensor is supposedly new that increases the native max ISO from 6400 to 12800, although its resolution stayed the same at 24.2 megapixels. The main difference in sensors is the removal of the optical low-pass / anti-aliasing filter, which has now become a trend even on entry-level DSLRs (the Nikon D5300 was also released without a low-pass filter). The D3300 comes with the new EXPEED 4 processor that we have seen earlier on the D5300, which allows the camera to record/process images and video at higher rates. For example, video recording at full 1080p is now possible at 60 frames per second. Continuous shooting frame rate has been increased from 4 to 5 fps and the viewfinder got a slight magnification boost from 0.78x to 0.85x.
TOKYO – Following on the heels of the revolutionary Nikon DF, the Nikon Corporation is pleased to announce the fashionable DFB – the Burberry Edition, a Nikon FX digital SLR camera. The stylish DFB literally screams “Do more with less, but look sharp while doing it!” The DFB features the beloved 12.1 MP sensor from the Nikon D3 and D700. The file sizes produced by the DFB will be a welcome relief to those who demand smaller file sizes and less photographic detail, and are genuinely concerned about conserving hard drive space.