Our friends at B&H are selling some Nikon-refurbished cameras at great prices, so I wanted to share those deals with our readers. The Nikon D610 is already available at a great price of $1,749 for a refurbished model, as well as the Nikon D7100, which you can buy now for $939. As before, the Nikon D800 is also available at $2,399 and there are a few other options for refurbished lenses. Please note that a manufacturer-refurbished item means that the camera was returned by a customer (sometimes due to flaws and other times for no reason / dissatisfaction) and the manufacturer thoroughly re-inspected the item, fixed any potential issues and put it for sale it at a significantly lower price. Just like with any new item, B&H provides a 30-day warranty for refurbished stock, so you can return the item if you are not happy with its condition. In addition, there is a 90-day manufacturer warranty in case anything goes wrong, so you can send it back to Nikon for free repair. If you would like to find out more about refurbished gear, check out this article at B&H.
Although plenty of information was already provided in our Nikon D4s announcement post, many current D4 owners might be wondering how their cameras compare to the newly announced Nikon D4s. In this comparison article, I will provide information about both cameras, along with my analysis of the main differences. I do not yet have a review sample of the Nikon D4s to do more in-depth side-by-side comparisons, so I decided to write about differences in specifications between the two. More details about the D4s will be published in my upcoming Nikon D4s review.
Although the Nikon D4s has already appeared at CES and other events earlier this year, Nikon did not provide official information, pictures, specifications or pricing for the camera until now. Today, the top-of-the-line Nikon D4s is finally released and we have the full details on the camera that we are happily sharing with our readers. Similar to the Nikon D3s, the D4s is an incremental update to the D4 with better low-light performance, bigger buffer, faster frames per second and other improvements highlighted below.
I was wrong – Hasselblad seems to be determined to continue its partnership with Sony in ways we find somewhat…questionable. They have recently announced their third rebranded Sony camera, the Hasselblad HV. This time it is not based on Sony’s mirrorless system, however, but is built around their flagship DSLR/SLT camera, the A99. As with Hasselblad Lunar, which we failed to understand, the changes are purely cosmetic – the sensor and all other internal bits are exactly the same between the two. And, as with Lunar, the new HV carries a premium price tag of, wait for it, around $11,500 for the camera body with the Zeiss 24-70mm f/2.8 lens. Interested?
Overview and Key Specifications
Let’s now forget about the price for a little bit and run through the official specs derived from Sony’s website. At the heart of the camera there is a 24.3 megapixel full-frame sensor courtesy of Sony. It is exactly the same as in the SLT-A99, Sony A7 and the RX1, and very similar to that found in the Nikon D600/D610 cameras. This sensor is among the best full-frame units in the industry, so high image quality is a given with the new Hasselblad HV. What is important to mention is that, much like the rest of Sony’s current SLT camera range, the HV is not actually a DSLR. Instead of a traditional DSLR mirror mechanism from manufacturers such as Nikon and Canon, the camera features a translucent mirror (also known as pellicle mirror). Which means part of the light coming through the lens is reflected towards the phase-detect AF module, but the bigger part goes straight through towards the sensor whilst the mirror remains static during exposure. This also means there is no optical viewfinder – an EVF is used instead. The OLED EVF is, no doubt, one of the best units in the industry and is as sharp as you would hope it to be with 2,360k dots. The magnification is 0.71x, so it is not as big as newest EVF cameras, such as the Fujifilm X-T1, but still pretty impressive in its own right.
With the proliferation of all kinds of gadgetry not only for everyday needs, but also for needs we thought we would never have, the camera market sadly seems to be moving in the same direction. Actually, it is already half way there. New cameras, lenses and accessories keep popping up every few months and come in all shapes, forms and colors. The camera market seems to be experiencing the same over-saturation that other electronics companies are seeing today. People do not want to buy new TVs anymore, so manufacturers are trying to find new ways to sell more TVs by adding more features. The approach is built on typical consumerism – make something look shiny and more interesting than it was before and it might lure people into buying it every year. Camera companies are sadly following exactly the same practice. Announcements are becoming more important than the products themselves, so manufacturers are pushing more redundant choices year after year just to make headlines.
Today Nikon announced the new Nikon D3300 DSLR camera – an update to the existing Nikon D3200 that was released in the spring of 2012. The D3300 is not a huge upgrade over its predecessor. Judging from its specifications, it is mostly a cosmetic release without major innovations, meant to keep Nikon’s entry-level line fresh. The image sensor is supposedly new that increases the native max ISO from 6400 to 12800, although its resolution stayed the same at 24.2 megapixels. The main difference in sensors is the removal of the optical low-pass / anti-aliasing filter, which has now become a trend even on entry-level DSLRs (the Nikon D5300 was also released without a low-pass filter). The D3300 comes with the new EXPEED 4 processor that we have seen earlier on the D5300, which allows the camera to record/process images and video at higher rates. For example, video recording at full 1080p is now possible at 60 frames per second. Continuous shooting frame rate has been increased from 4 to 5 fps and the viewfinder got a slight magnification boost from 0.78x to 0.85x.
TOKYO – Following on the heels of the revolutionary Nikon DF, the Nikon Corporation is pleased to announce the fashionable DFB – the Burberry Edition, a Nikon FX digital SLR camera. The stylish DFB literally screams “Do more with less, but look sharp while doing it!” The DFB features the beloved 12.1 MP sensor from the Nikon D3 and D700. The file sizes produced by the DFB will be a welcome relief to those who demand smaller file sizes and less photographic detail, and are genuinely concerned about conserving hard drive space.
DSLR cameras by design have some inherent flaws and limitations. Part of it has to do with the fact that SLR cameras were initially developed for film. When digital evolved, it was treated just like film and was housed in the same mechanical body. Aside from the circuitry required for a digital sensor and other electronics, new digital film media and the back LCD, the rest of the SLR components did not change. Same mechanical mirror, same pentaprism / optical viewfinder, same phase detection system for autofocus operation. While new technological advances eventually led to extending of features of these cameras (In-camera editing, HDR, GPS, WiFi, etc), DSLRs continued to stay bulky for a couple of reasons. First, the mirror inside DSLR cameras had to be the same in size as the digital sensor, taking up plenty of space. Second, the pentaprism that converts vertical rays to horizontal in the viewfinder also had to match the size of the mirror, making the top portion of DSLRs bulky.
I am working on a couple of articles related to the new Nikon Df camera (see the announcement / overview and pre-order options) and I decided to post a size comparison between Nikon’s most current line of full-frame DSLR cameras. Starting from the left, we have the flagship Nikon D4, then the Nikon D800, followed by the Nikon D610 and finally, the new Nikon Df (click on the image for a much larger version):
As you can see, the Nikon Df has a similar size as the Nikon D600 / D610 in terms of height. When looked at the top, it is thinner due to a smaller grip and less protruding pentaprism / flash area. Weight-wise, it is about 50 grams lighter.
Without a doubt, Nikon has created a lot of hype around the upcoming Nikon Df camera. With five teaser videos that talk about “pure photography”, Nikon has spiked interest among the photography community, including our team at Photography Life. Many of us, especially those that shoot event, wedding and portrait photography have been desperately waiting for a true Nikon D700 replacement. Something with a good number of pixels, but not too many (yes, those D800 files are huge!). Something that can produce very low noise images at high ISOs. Something that is fast with a solid build, but does not come with a huge price tag and a heavy body. Nikon finally answered those calls with the Nikon Df. Read on to find out what we think about this remarkable camera.
What makes the Nikon Df remarkable? I have used this word a few times already, because I think the Nikon Df will be even a bigger hit than the Nikon D800. If you remember from February of 2012, we covered the Nikon D800 release extensively. From what we saw, being world’s first 36 MP full-frame camera, the Nikon D800 created a lot of interest – mostly from landscape, architecture and studio photographers that needed more than the 12 or 16 MP that Nikon was traditionally using on its DSLRs. However, many portrait photographers, especially pros that come back from events with thousands of images felt that the D800 was too much of a camera for them (yes, the D800 files are huge!). From Nikon’s new product positioning, it was pretty clear that the D700 was a mistake never to be repeated again – Nikon did not want to compromise the sales of its high-end line in the future (and the D700 did lower D3 sales significantly). But Nikon knew very well that it left a gap in its high-end DSLR line. Instead of coming up with yet another DSLR, Nikon decided to take a very different route. Why not take the much wanted Nikon D4 sensor, put it in a retro body to appeal portrait photographers (especially the group that loves shooting film), strip it down to a bare minimum without bells and whistles like video that are of no interest to most photographers, and market it as a fusion of DSLR and early SLR/rangefinder Nikon cameras? That’s how the Nikon Df was born.