Suuthe and small creativity in short time

Suuthe

While Nasim is working on another big article about DSLR autofocus systems (shhh, I didn’t tell you that), I decided to write another quick post on a recent photo shoot. I had an opportunity to photograph this beautiful lady, Mari Carlin Dart and her skin care line, Suuthe recently. The session was supposed to last no more than 45 minutes and I only needed a couple of good images for an upcoming advertisement book called “CRAVE“.

First of all, let me introduce Suuthe. It is an all organic skin repair cream company which started with Mari searching for ideas to cure her son’s eczema problem. Without being able to find a solution from doctors for her son Peter’s aching problem, she decided to look further and work on something natural and effective. That’s how Suuthe came to live. As a mother of two children who suffered from eczema for a while, I wish I have met Mari earlier! If you know anyone like that, tell them to check out this wonderful product.

Here is how the photo session unfolded. All of the images were taken with the Nikon D700 body and a single Nikkor 50mm f/1.4G lens (my favorite as always).

Denver-Suuthe #1

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Flash Photography Example: Hello Gorgeous!

Hello Gorgeous #15

Alright, since this week is dedicated to Flash Photography, I decided to post a series of photo shoots I worked on recently. It is always good to be able to use natural/ambient light if it is available. In a very low-light situation, especially if you are photographing moving subjects, it is nearly impossible to properly expose the set without having your moving subjects blurry. This particular shoot was done for the CRAVE Book, to highlight female entrepreneurs. “Hello Gorgeous” is the name of the mobile manicure and pedicure company, run by two amazing individuals – Hani and Kent.

I used my trusty Nikon D700, Nikkor 24-70mm f/2.8 for wide-angle shots, Nikkor 50mm f/1.4G for detail shots, two SB-900 Speedlights, three Pocket Wizard transmitters/receivers and just one 30-inch umbrella. Everything was shot in Manual mode to give me consistency and control over flashes and the entire process.

It was an on-location photo shoot and I was informed beforehand that the apartment would have glass and concrete walls all around. The only light available was the 3 chandeliers that you see in the first left image. I also had very little ambient light coming from the far kitchen, to the right of the chairs.

Hello Gorgeous #1

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