It seems that many photographers go through a certain cycle of mistakes and errors during their photography journeys and careers. Some of these mistakes and photography “sins” have become so predictable, that it is usually easy to identify one’s level simply by looking at their recent work. During my past workshops and one-on-one sessions, I have seen many images that could have been great, if it was not for one or more of the typical mistakes outlined below. I have personally made many of these mistakes in the past and some of them I am still guilty and ashamed of even today, although I continuously work hard on getting rid of them. The article below is not meant to offend or criticize anyone. Although it might sound a bit arrogant or snobby, that is certainly not the intent – in fact, most of the images presented below are mine.
A while ago, Nasim went to London to spend some time with his family and meet up with some of our dear readers. You might have noticed that, for a couple of weeks, he did not have much time to work on articles, certainly not as much as usual. You might also have noticed my own absence for the last couple of months at least. We did not plan to take vacation at the same time. It just so happened that I, too, have been extremely busy at the time, hence no new Lightroom or composition-related articles coming out. My time away, however, was rather less glamorous than that of my friend’s. And less relaxing, let alone fun or enthusiastically met. In fact, it was somewhat of a nightmare at times, a blur of nights and days turning into long, long weeks of never-ending stacks of books, articles and albums. How I missed my job! Although rationally I understand it is not, in the moments of weakness writing articles seemed like a much simpler endeavour. Certainly much more fun.
A few months ago, I started the Mastering Composition series of articles. The goal of these articles was not only to give some useful composition tips for beginners, but to also engage our readers with small assignments. The assignment given to you in the first article of the series has already been addressed in the recent discussion. In this short article, we will address the assignment given in the “Open and Closed Composition” piece.
As I was working on the “Composition in Photography: Assignment Discussion” article and upcoming Lightroom Crop Tool article last night, I came across a feature in Lightroom that I had not previously used. I love it when that happens. Realizing that the software tool I enjoy using and find to be very versatile is actually even more functional than I thought, is pure joy. In this article, I will teach you how to quickly check your composition in Lightroom against known rules and guidelines, such as the Golden Ratio or the Rule of Thirds (and, yes, these are indeed two separate things), by overlaying the image with them.
A few months ago, I started working on our “Mastering Composition” series articles. The idea behind them was to cover all the basics of composition in photography (and, consequently, visual arts in general) starting with some extremely simple concepts, and also provide assignments for beginner photographers to make the educational process fun and engaging. With some luck and effort from our side, the project would gain momentum and we’d be able to not only touch more advanced composition rules / theories and discuss specific examples sent in by our readers (eventually), but also organize a few online and offline workshops along the way. Unfortunately, after writing just two articles, I had to put the project on a bit of a hold. Even worse, I did not assess the assignment results for a very long time. This assignment discussion is long overdue and it is about time I fixed my mistake! In this article, I will discuss the task and the answers provided by our readers under the first article of the series.
In the first article of our Mastering Composition series, we discussed the definition of the term “composition”. We also outlined the main goal of composition and talked about why it is such an important part of any work of art. As we dive deeper, it is necessary to define two discrete types of composition with photographic context in mind. One such type is called “open composition”, while the other one, predictably, “closed composition”. These two types are further split into several smaller branches. Our readers have already mentioned some of them previously, such as symmetrical composition. These subtypes will be discussed in separate articles over the next few weeks. As before, an assignment for beginners is waiting for you to participate in at the end of the article.
With the first article in our new Mastering Composition series, it is only fitting that we start off by discussing the very definition of our main topic. In this article for beginner photographers, I will outline the general meaning of the term “composition” in art. I will also briefly discuss the goal of composition, define what a good composition is and why it is such an important part of any work of art. At the end of the article I will provide you with a simple question that is also a hint on what is to come in future articles.