On July 23, London, UK, Canon has finally announced its mirrorless system to compete with Nikon 1, Sony NEX, Samsung NX and other brand offerings. Having neglected this market share for about 4 years now since the introduction of the first Micro Four Thirds camera, the Panasonic Lumix DMC-G1 (which may not have been the first camera to lack a moving mirror and an optical viewfinder, but offer interchangeable lens mount, but it sure was the first to really spark an interest in such a design), Canon seems to have finally admitted the potential behind affordable, small, interchangeable lens, high image quality cameras, and stepped up to the challenge. Lets see what the last DSLR manufacturer to enter this segment has to offer.
It has been unusually stormy this summer so far in Denver. After all the mega hail storms, nasty winds and lots of rain, we are now experiencing very hot temperatures above 90 degrees Fahrenheit. And with the lack of snow in snow peaks this year, storms and high winds sparked up wildfires in various places, destroying forests and people’s homes. So far, it has been one of the worst seasons for Colorado – wildfire near Fort Collins alone has already consumed close to 60 thousand acres of woodland. Overall, it is a pretty sad situation for us Coloradans…
This terrible weather and sudden changes in temperatures are creating unusually beautiful skies… I captured the above image a couple of weeks ago, right after we experienced golf-size hail in some areas of Colorado.
This is a review of the Novoflex Nikon to Canon Lens Adapter, also known as “Novoflex EOS/NIK-NT Lens Adapter”. This lens adapter is designed to be used specifically with Nikon G lenses that have no aperture rings. While most generic lens adapters can be easily used with older non-G Nikon lenses and you can easily control aperture by just rotating the aperture ring on the lens, there is no way to control aperture on all modern “G” type lenses with such an adapter. So if you used a generic lens adapter, you would be limited to shooting at minimum aperture of the lens (default) and there would be no physical way to adjust it while the lens is attached to the camera. To allow manual change of aperture on these types of lenses, Novoflex specifically designed an adapter with an aperture lever. In this review, I will talk about the pros and cons of using the Novoflex adapter and my overall experience with it when mounting Nikon lenses on Canon DSLRs.
While testing some Canon EF lenses on the Canon 5D Mark III, I decided to try to compare the lenses to the latest Nikon lenses and see how they perform side by side. First, my plan was to mount Nikon lenses on the D800 and Canon lenses on the 5D Mark III and look at images at 100% view, but then I realized that it would be tough to do a fair comparison, since the cameras are different. That’s when I thought about using Nikon lenses on a Canon DSLR with an adapter. I knew that it was possible, since some people love mounting the Nikon 14-24mm f/2.8G on Canon cameras. In this article, I will share my thoughts and experience on using Nikon lenses on Canon DSLRs.
1) Can Nikon lenses be mounted on Canon DSLRs?
As I have said above, yes, you can mount all Nikon F mount lenses (even the latest “G” type lenses without an aperture ring) on any Canon DSLRs – you will need a Nikon to Canon lens adapter to do that. There are plenty of options available from different brands. Generic adapters can be bought for less than $20, but those will only work with older Nikkor lenses with aperture rings. For “G” type lenses, you will need specialized adapters that could cost up to $300 USD.
2) Can Canon lenses be mounted on Nikon DSLRs?
No, Canon lenses cannot be mounted on Nikon DSLRs. Technically it is possible to design an adapter to do it, but you will not be able to focus to infinity. This is due to the fact that Nikon DSLRs have a longer distance between the lens flange and the sensor (focal plane), which would make Canon lenses behave almost like extension tubes. Nikon has a flange focal distance of 46.5mm, while Canon’s EF mount is 44mm as can be seen in this chart. So while a 2.5mm thick adapter could be used on Canon DSLRs, it would be impossible to go in reverse direction on Nikon DSLRs.
3) Why Do It?
So, why mount a Nikon lens on a Canon DSLR? Normally, you would not want to. Nikon lenses are designed to be used with Nikon DSLRs and Canon lenses are also specifically designed to be used with Canon DSLRs. At times, however, there might be a need to do it. Here are some reasons I could think of:
- You shoot with both Nikon and Canon DSLRs and you have some good Nikon lenses that you want to be able to use on your Canon DSLR. You do not feel like buying a similar lens from Canon, so buying an adapter would be a cheaper alternative.
- You shoot videos on a Canon DSLR and you want to be able to change lens aperture silently using an adapter, rather than rotating the lens aperture ring or the dial on the camera.
- You really love the Nikon 14-24mm f/2.8G and want to use it on your 5D Mark III.
- You converted from Nikon to Canon and you still have some classic Nikkor lenses that you do not want to part with. Using them with an adapter on a Canon DSLR sounds like a good option.
- You just want to do it for fun!
I have just updated the Fuji X-Pro1 Review with detailed camera comparisons with the Canon 5D Mark III and Nikon D800. RAW support has finally become available with the latest updates from Adobe for both Lightroom and Photoshop, so I was able to extract RAW files from all cameras to do a comprehensive analysis. My findings? The Fuji X-Pro1 RAW images look as impressive as the JPEG images. Despite the fact that I down-sampled the Nikon D800 and Canon 5D Mark III images, which should give them an advantage in terms of handling noise, the pixel level quality of the Fuji X-Pro1 sensor is still superior at low ISOs! At first, I thought that I did something wrong in Lightroom – maybe accidentally applied noise reduction to Fuji X-Pro1 images. However, after looking through the images in detail and resetting to RAW file defaults, I was surprised to find out that the Fuji X-Pro1 RAW files indeed looked cleaner. Here is an example comparison at ISO 200 between the Fuji X-Pro1 and the Canon 5D Mark III:
Take a look at noise levels on both crops and compare noise levels on the second DVD from the bottom. The output from the X-Pro1 looks cleaner!
This is an in-depth review of the new Canon 5D Mark III, a highly anticipated DSLR update to the Canon 5D Mark II that was released back in 2008. Built on the success of the 5D Mark II and featuring the most advanced autofocus system Canon has released to date from its EOS-1D X line, the Canon 5D Mark III is a rather promising upgrade to the 5D line. With an enhanced image sensor with ISO 100 to 25,600 native ISO range, fully weather-sealed camera body, 6 fps burst shooting speed and dual card support, the 5D Mark III seems to target all kinds of photography – from landscapes and fashion to sports and wildlife photography. In this review, I will not only provide detailed information about the camera, but will also compare it to the older Canon 5D Mark II, the Nikon D3s and the new Nikon D800.
We rarely get to see extraordinary people in our everyday lives. Have you had one of those moments when you saw a stranger that you really wanted to take a picture of? I am sure you have. So what did you do? Did you just photograph the person from afar without them knowing, try to talk that person into being your 30 second model or perhaps you might have tried to sneak up and take a picture? Or even worse, maybe you did not take a picture at all? I guess it has to do with our personality. If you are of shy type with a low confidence level (often a photography rookie), you might be even afraid to ask. That dreaded “No” can be quite discouraging to say the least and many of us don’t even bother to ask for that very reason.
I once asked a big tattooed guy to take his picture, because he had a very colorful outfit that looked very interesting with his tattoos. With plenty of anger on his face, his response was that he would break my camera if I even tried. Oh well, not everyone is approachable for sure! It certainly sounded very discouraging, but did it make me give up on asking? Of course not. I have asked many people since then. And I have photographed many of them, some of which later became my clients.
While doing a short photo walk with the Canon 5D Mark III in Disney Downtown, I came across an Italian guy, who danced away to tunes played by local artists. His dancing was not very good (meaning, he is not a professional dancer or anything), but the way he was dressed and he moved attracted a lot of people:
As you may already know, the very first batches of the Canon 5D Mark III had a manufacturing defect, where light would leak through the top LCD panel as shown in this and this videos. After a thorough investigation, Canon confirmed that the camera indeed had a problem, so it issued an official statement that it would fix the issue if you send the camera to Canon (free of charge).
Folks at LensRentals.com had a chance to disassemble both an original and a “fixed” Canon 5D Mark III and they discovered that Canon used a black tape over the camera components, which essentially takes care of the problem completely. Here is a picture of the black tape covering the components:
I have been super busy working on a couple of big projects lately and this weekend I helped out Lola with her bridal work. While setting up the lights, I decided to try out and shoot with three different cameras – the Nikon D800 (see the recently published review of the Nikon D800), the Canon 5D Mark III (a full review is coming up in a couple of weeks) and the Fuji X-Pro 1 (also coming up for a review soon).
The Nikon and the Canon experience was very similar, both were stellar in terms of color, sharpness and autofocus accuracy. The Fuji X-Pro 1 produced beautiful images with great-looking skin tones, but was rather disappointing in terms of autofocus – it just could not seem to lock well to my subject in indoors environment. I will be writing about my overall impressions of the Fuji X-Pro 1 soon, but to give you a short version, I am rather disappointed by it. To be honest, I was more excited about the Fuji X-Pro 1 than I was with the Canon and Nikon cameras, because I was really hoping for a mirrorless camera that could be a great alternative to the higher-end APS-C sensor DSLRs. The Fuji X-Pro 1 just seemed to have so much potential… I guess it will be a while until we see something that good. Perhaps the second or third generation of the X-Pro? Or the upcoming Canon mirrorless?
Here is a fun game for you – all three of the below images were shot with either the Nikon D800, the Canon 5D Mark III or the Fuji X-Pro 1. Care to guess which one is which?
Forget megapixels of the Nikon D3x or Canon 1Ds Mark III, video is the new super-expensive choice. DSLR videography is changing fast, and Canon is now pushing the limits with its promised EOS-1D C videography-centered camera. Offering Hollywood-ambitious 4k video at 4096×2160 pixel resolution, it also shares most of its specifications with the mainstream flagship Canon 1D X, such as 18 megapixel Full Frame sensor and 12 frames per second still shooting. With the latter costing about $6800, we can, at this time, only guess how expensive this new camera is going to be (guesses are around 10 thousand euro), but one thing is sure – 8 megapixel resolution video is sure to make its way down to lower-end cameras sometime soon and affect photojournalism greatly. I can already hear aspiring videographers rejoice!
Here is the official press release: