Lifepixel Adds Anti-Alias Filter Removal Service

Lifepixel, perhaps best known for its high quality infrared digital camera conversions, recently added a new service to its list – removing your DSLR’s anti-aliasing filter. The price varies between $400-500 depending on your specific camera model. The notion of removing a DSLR’s anti-aliasing feature is not new. Maxmax.com has been doing this for years. Anti-alias filter removal, in the digital camera arena, has been thought of in a similar manner to overclocking your PC (before some manufacturers eliminated this capability) or perhaps souping up your car’s engine via a special engine conversion kit – a bit risky but capable of producing good effects. Why is this “risky” with respect to your DSLR? Voiding the warranty for one. Benefits? A sharper image.

With the non-stop onslaught of higher megapixel sensors and technology price reductions, I suspect many people lost interest in the idea of removing their DSLR’s anti-aliasing filter, if they ever contemplated it to begin with. As you may recall from some of the D800 articles on Photography Life, the anti-aliasing filter was introduced to reduce the effects of moire created when photographing subjects with fine, repeating patterns. The anti-aliasing filter accomplished this by slightly diffusing the image, which also slightly reduced sharpness. With the introduction of the Nikon D800E, however, Nikon once again raised this issue to the forefront by offering a camera model with the anti-aliasing filter removed as a product – not as a after-market service. Lifepixel, being one of the premier camera modification service providers, saw an opportunity to capitalize on the new-found interest and market for an anti-aliasing filter removal service. So for a mere $400-$500, you can have your DSLR’s anti-aliasing filter removed and be assured of maximizing your sensor’s resolution. Below is an example discussed by Nasim in his review of the D800 and D800E.

Nikon D800 vs D800E Low-Pass Filter

Chasing Sharpness

I know what some of you may be thinking, “Gee, that seems like a lot of money to gain a bit of sharpness.” Perhaps. But if life has taught me one lesson, it is this – never, ever underestimate people’s willingness to spend money to get a bit of an edge, however slight. That is not a criticism of my fellow man, but merely an observation regarding human nature. I recall when some of us found out about the ability to overclock our PCs. Despite the warnings about “frying” our machines, many of us marched ahead anyway. We were determined to soak up every speed advantage we could find. And while I never ended up turning my PC into a smoldering hunk of silicon and metal, quite a few of my DIY colleagues that were not so lucky!

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New Canon Lenses

In this article, I will talk about new Canon lenses – the 24-70mm f/4L IS and 35mm f/2 IS – and compare them both to most direct alternatives within Canon lens lineup. Both lenses have been very recently introduced and are best on full-frame cameras, such as the 5D series and the 6D, but will work well with APS-C sized sensors, too. By further implementing IS into new lenses, Canon is making them very tempting for photographers and aspiring videographers, but are advantages of new optics and IS worth the high asking price? A difficult question to answer, as Sigma and Tamron are now offering very well priced and high quality alternatives for both lenses. Lets see what Canon has released for its DSLR customers.

1) 24-70mm f/4L IS Lens

New Canon LensesThis lens was a huge surprise for me. The first thing I thought when it was announced – would I like a 24-105mm f/4L IS lens, but with a shorter focal length at the long end and for a lot more money? $1499, to be precise. I doubt first answer to come to your mind is “Yes, please!”. Obviously, it will have stellar optical performance with Canon’s latest Hybrid IS on top, but the old 24-105mm F/4L IS is no slouch, either. It is also a very popular lens and can be had for about $850 in the used market, brand new. Professionals use it for PJ work, as well as weddings. It’s also great for street photography and as a very versatile, lightweight travel lens. So what exactly does this new and, I must say, expensive addition to Canon L optics lineup offer? In a word – macro.
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Nikon D600 vs Canon 6D

With Canon having recently announced its take on budget DSLRs, the Canon 6D, the most obvious rival just happens to be the brand new Nikon D600. We’ve already seen how the latter stacks up, at least on-paper, with such great cameras as D700 and D800, but neither of those cameras were direct rivals. Priced at the same relatively low price for a full-frame sensor camera, $2099 body only, Canon 6D is as direct a rival as it can get. Lets see how it measures up against its Nikon counterpart spec-wise. Please keep in mind that this Nikon D600 vs Canon 6D comparison is purely based on specifications. A detailed comparison with image samples and ISO comparisons will be provided in the upcoming Canon 6D Review.

UPDATE: there has been a misleading set of specifications spread throughout the internet, indicating that the top shutter speed of Canon 6D is 1/8000th of a second. It’s incorrect – according to official Canon specifications, the top shutter speed of their newly announced “budget” full-frame camera is 1/4000th of a second.

D600 vs 6D

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Canon 6D Pre-Order Links

Usually, it takes Canon a while to start delivering some of their cameras. Hopefully, 6D will not take long to reach owners. Our most trusted reseller, B&H, is already taking pre-orders.

Canon EOS 6D front

Canon EOS 6D Pre-Order Information

  • Canon 6D body only from B&H ($2099)
  • Canon 6D + 24-105mm f/4 USM L lens from B&H ($2899)
  • Canon 6D Full-Frame DSLR Announcement

    Canon EOS 6D

    Canon has just announced its latest DSLR and a direct competitor to the already highly popular D600. The Canon EOS 6D offers a new 20.2 megapixel full-frame sensor, 11-point autofocus system with one cross-type sensor, 3.2″ 1.04 million dot screen and 4.5 frames per second. According to Canon, 6D is similarly sized as it’s sister, APS-C sensor EOS 60D, and it sure look similar – add a taller prism and take pop-up flash compartment. Use of old autofocus system might not sound too good, but Canon promises it’s their most sensitive AF system to date (which should probably include 1DX and 5DIII), offering reliable AF in -3EV (moonlight). The 6D also boasts in-build GPS and WiFi capability.

    Canon EOS 6D top

    Nasim will prepare a thorough review as soon as he has enough experience with the camera, so stay tuned!

    Specifications

    1. Sensor: 20.2 MP CMOS
    2. Sensor Size: 36 x 24mm
    3. Resolution: 5472 x 3648
    4. Native ISO Sensitivity: 100-25,600
    5. Boost Low ISO Sensitivity: 50
    6. Boost High ISO Sensitivity: 51200, 102400
    7. Processor: Digic 5+
    8. White Balance presets: 6
    9. Dust Reduction: Yes
    10. Weather Sealing/Protection: Yes
    11. Body Build: Magnesium Alloy with Plastic top plate
    12. Shutter: 30s-1/4000s
    13. Storage: 1 SD/SDHC/SDXC slot
    14. Viewfinder Coverage/Magnification: 97%/0.71x
    15. Speed: 4.5 fps
    16. Metering Modes: Multi, Center-weighted, Spot, Partial
    17. Metering Sensor: 63-Zone Dual Layer
    18. Built-in Flash: NO
    19. Flash sync speed: 1/180s
    20. Autofocus options: Contrast Detect (sensor), Phase Detect, Multi-area, Selective single-point, Single, Continuous, Face Detection, via Live View
    21. Autofocus System: 11-point with one cross-type (center point), sensitive down to -3EV
    22. LCD Screen: 3.2 inch diagonal with 1,040,000 dots
    23. Video capabilities: h.264 with mono mic and speakers, manual controls, 1920 x 1080 (29.97, 25, 23.976 fps), 1280 x 720 (59.94, 50 fps), 640 x 480 (25, 30 fps)
    24. In-Camera HDR Capability: Yes
    25. GPS/WiFi: built-in/built-in
    26. Connectivity: USB 2.0 (480 Mbit/sec), HDMI Mini, WiFi (built-in), remote control with N3 type contact, Wireless Controller LC-5, Remote Controller RC-6
    27. Battery Type: Lithium-Ion LP-E6 rechargeable battery & charger
    28. Weight: 770 g (1.70 lb / 27.16 oz) with battery
    29. Price: $2099 body only

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    Canon EOS 7D Firmware Update v2.0

    As we have seen recently, most new cameras seem to have flaws when they are first launched into production. Aside from rare hardware flaws that often require recalls and part replacements, many newly introduced cameras often suffer from software issues that can be later fixed via camera-specific software updates, known as “firmware”. We’ve had such updates for almost any DSLR, and also some flash units (like Nikon SB-900) and lenses, too. One of the most significant firmware updates, for instance, was released by Fujifilm for their highly regarded, yet also rather buggy (at launch) X100 camera, which has been significantly improved thanks to those updates. Ever since, Fujifilm has gained a lot of respect from its customers for showing how much they care about improving their products even after release – many hope and believe the Fuji X-Pro1 updates will follow with plenty of improvements as well.

    While it is somewhat expected that camera bugs are addressed via firmware updates, most manufacturers do not bother with additional updates once the biggest issues are taken care of. As digital cameras are getting more complex with different picture/movie modes and many new in-camera editing functions, those innovations are typically pushed to newer camera models. Even if older cameras have enough processing power and memory, manufacturers want consumers to buy a newer product instead.

    Canon 7D

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    Canon EOS M Compact System Camera Announced

    On July 23, London, UK, Canon has finally announced its mirrorless system to compete with Nikon 1, Sony NEX, Samsung NX and other brand offerings. Having neglected this market share for about 4 years now since the introduction of the first Micro Four Thirds camera, the Panasonic Lumix DMC-G1 (which may not have been the first camera to lack a moving mirror and an optical viewfinder, but offer interchangeable lens mount, but it sure was the first to really spark an interest in such a design), Canon seems to have finally admitted the potential behind affordable, small, interchangeable lens, high image quality cameras, and stepped up to the challenge. Lets see what the last DSLR manufacturer to enter this segment has to offer.

    Canon EOS M front view

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    Colorado Wildfires

    It has been unusually stormy this summer so far in Denver. After all the mega hail storms, nasty winds and lots of rain, we are now experiencing very hot temperatures above 90 degrees Fahrenheit. And with the lack of snow in snow peaks this year, storms and high winds sparked up wildfires in various places, destroying forests and people’s homes. So far, it has been one of the worst seasons for Colorado – wildfire near Fort Collins alone has already consumed close to 60 thousand acres of woodland. Overall, it is a pretty sad situation for us Coloradans…

    Sunset Lamps

    This terrible weather and sudden changes in temperatures are creating unusually beautiful skies… I captured the above image a couple of weeks ago, right after we experienced golf-size hail in some areas of Colorado.

    Captured with the Canon 24mm f/1.4L on the Canon 5D Mark III. Lightroom 4 adjustments: Clarity +50, Saturation +15, Camera Standard profile.

    Novoflex Nikon to Canon Lens Adapter Review

    This is a review of the Novoflex Nikon to Canon Lens Adapter, also known as “Novoflex EOS/NIK-NT Lens Adapter”. This lens adapter is designed to be used specifically with Nikon G lenses that have no aperture rings. While most generic lens adapters can be easily used with older non-G Nikon lenses and you can easily control aperture by just rotating the aperture ring on the lens, there is no way to control aperture on all modern “G” type lenses with such an adapter. So if you used a generic lens adapter, you would be limited to shooting at minimum aperture of the lens (default) and there would be no physical way to adjust it while the lens is attached to the camera. To allow manual change of aperture on these types of lenses, Novoflex specifically designed an adapter with an aperture lever. In this review, I will talk about the pros and cons of using the Novoflex adapter and my overall experience with it when mounting Nikon lenses on Canon DSLRs.

    Novoflex Nikon to Canon Lens Adapter

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    Use Nikon Lenses on Canon DSLRs

    While testing some Canon EF lenses on the Canon 5D Mark III, I decided to try to compare the lenses to the latest Nikon lenses and see how they perform side by side. First, my plan was to mount Nikon lenses on the D800 and Canon lenses on the 5D Mark III and look at images at 100% view, but then I realized that it would be tough to do a fair comparison, since the cameras are different. That’s when I thought about using Nikon lenses on a Canon DSLR with an adapter. I knew that it was possible, since some people love mounting the Nikon 14-24mm f/2.8G on Canon cameras. In this article, I will share my thoughts and experience on using Nikon lenses on Canon DSLRs.

    Nikon 50mm f/1.4 with Novoflex Canon Adapter

    1) Can Nikon lenses be mounted on Canon DSLRs?

    As I have said above, yes, you can mount all Nikon F mount lenses (even the latest “G” type lenses without an aperture ring) on any Canon DSLRs – you will need a Nikon to Canon lens adapter to do that. There are plenty of options available from different brands. Generic adapters can be bought for less than $20, but those will only work with older Nikkor lenses with aperture rings. For “G” type lenses, you will need specialized adapters that could cost up to $300 USD.

    2) Can Canon lenses be mounted on Nikon DSLRs?

    No, Canon lenses cannot be mounted on Nikon DSLRs. Technically it is possible to design an adapter to do it, but you will not be able to focus to infinity. This is due to the fact that Nikon DSLRs have a longer distance between the lens flange and the sensor (focal plane), which would make Canon lenses behave almost like extension tubes. Nikon has a flange focal distance of 46.5mm, while Canon’s EF mount is 44mm as can be seen in this chart. So while a 2.5mm thick adapter could be used on Canon DSLRs, it would be impossible to go in reverse direction on Nikon DSLRs.

    3) Why Do It?

    So, why mount a Nikon lens on a Canon DSLR? Normally, you would not want to. Nikon lenses are designed to be used with Nikon DSLRs and Canon lenses are also specifically designed to be used with Canon DSLRs. At times, however, there might be a need to do it. Here are some reasons I could think of:

    1. You shoot with both Nikon and Canon DSLRs and you have some good Nikon lenses that you want to be able to use on your Canon DSLR. You do not feel like buying a similar lens from Canon, so buying an adapter would be a cheaper alternative.
    2. You shoot videos on a Canon DSLR and you want to be able to change lens aperture silently using an adapter, rather than rotating the lens aperture ring or the dial on the camera.
    3. You really love the Nikon 14-24mm f/2.8G and want to use it on your 5D Mark III.
    4. You converted from Nikon to Canon and you still have some classic Nikkor lenses that you do not want to part with. Using them with an adapter on a Canon DSLR sounds like a good option.
    5. You just want to do it for fun!

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