Yesterday, while thinking about the upcoming wedding that I have to shoot, I glanced at my trusty old D700. The rubber is coming off in places and needs to be glued back on, nothing serious. Two of the batteries that I have need replacing. The plastic screen protector has a few minor scratches on it, but would you expect anything else? No. Those are just minor signs of careful use. In every single way, it’s a damn good camera. And then I wondered, would I recommend it to a beginner looking for an affordable entry into the full-frame world? Oh yes, definitely. And it’s not the only one. So if you are a beginner – either to DSLRs or digital photography – and want to potentially improve the quality of your family pictures, to, perhaps, photograph your son’s football games with more confidence or even start your own photography business, there are a lot of used, older cameras you could go for and not regret it. Let us glance through some of them.
After I have published my Canon 6D review, a number of our readers asked if there was a way to show a comparison between dynamic range performance of a Canon DSLR and and a Nikon DSLR side by side with image samples. Since the Canon 6D has the largest dynamic range in Canon’s line (higher than 5D Mark III), it was a good candidate for such a comparison. On the Nikon side, I used my Nikon D800E, since it has the same base ISO of 100. Since there was a brightness difference between the two cameras (as noted in the above-mentioned review), I compensated the shutter speed accordingly to make it a fair game. The results are quite interesting to look at, showing visible advantage on behalf of Nikon when compared to Canon. The intent of this article is not to spark another Nikon vs Canon debate, as I personally find such discussions useless. This is done as a case study to analyze recovery options between the two brands when shooting in the field.
Let’s take a look at our base exposure, with no adjustments on both cameras (Left: Nikon D800E, Right: Canon 6D):
Although the Canon 6D has now been out for almost two years, I never had a chance to review it. Since the new Sigma 50mm f/1.4 Art series lens was initially available only for the Canon mount, I requested the Canon 6D with the lens from our trusted partner B&H Photo Video. My aim was to review both, as I had been planning to review the 6D for a long time now. Ever since I reviewed the Canon 5D Mark III, our readers have been asking us to test out other Canon DSLRs, including the 6D. So this was a good opportunity to catch up, although quite late. Well, better late than never, I guess! Instead of covering everything in much detail though, I will be mostly summing things up based on my three month experience with the camera and feedback from others – I don’t think there is a need to spend a lot of time on this, especially after the camera has been in the market for so long and reviewed by so many people.
After we’ve published our series on recommended settings for Nikon D600 / D610 and D800 / D800E DSLRs, we received a lot of requests from our readers to provide similar information for Canon and Sony cameras. While using someone else’s camera settings is probably not the best way to achieve the best results in every situation, we understand that many different menu options can be rather overwhelming for those who are just starting out. Therefore, the below information is provided as a guide for those that struggle and just want to get started with a basic understanding of important menu settings.
Instead of dedicating a whole post to every news revolving around photography, we decided to write a weekly article, which will include some fun finds from the photography blogging sphere.
1) Photographs and Memories
The other day I asked my mother-in-law if she had any photos of my husband as a baby. I love looking at other people’s photos, especially from childhood. You can learn so much by just looking at a simple portrait. The conversation started, because I wondered if I had enough photos of my own children’s early days. You see, regardless of being a photographer, I like to enjoy many things as they happen, without a camera. You’ve probably read about putting down our cameras and actually remembering memories from our initial archives a.k.a. brain cells. If you haven’t read the article yet, check it out.
Although I am still not fully convinced of the notion portrayed in the above article, I tend to follow the logic it pushes forward. I have a cure for my situation though – someone else usually holds the camera. That conveniently keeps me minding my own business and stops me from taking ‘selfies’ with my children.
Along with the 16-35mm f/4L IS USM lens, Canon has also introduced a budget wide-angle lens for its EF-S mount, the Canon 10-18mm f/4.5-5.6 IS STM. At a very compact size, image stabilization and just 240 grams of weight, the Canon 10-18mm will be an interesting choice for Canon’s APS-C line of cameras like 7D, 70D and Digital Rebel series. With an equivalent field of view of 16–28.8mm relative to full-frame, the lens will offer great ultra wide angle coverage. And with its MSRP price of just $299, it will be a great choice for beginners and enthusiasts interested in landscape, travel, architecture and everyday photography.
I am finally back in Denver after a three week-long trip to the UK and I am trying to catch up with all the news and announcements that we’ve missed. The first news items are related to Canon lens announcements from last week. Canon announced the EF 16-35mm f/4L IS USM image-stabilized full-frame lens for enthusiasts and professionals who want something cheaper than the EF 16-35mm f/2.8L II USM. Usually, f/4 lenses are lighter and smaller than their f/2.8 counterparts. However, the difference between the 16-35mm f/4L and 16-35mm f/2.8L is not as big – the former is just a tad thinner and weighs 20 grams lighter in comparison. The three biggest differences are obviously the smaller maximum aperture of f/4, $500 price difference and image stabilization. With a very similar optical design featuring the same number of elements and groups, 2 Ultra-low Dispersion (UD) and 3 Aspherical elements, the 16-35mm f/4L IS seems to challenge its big brother in a number of ways, even in optical performance.
One of the frequently asked questions by our readers when we post information on Zeiss lenses (which are often optically stellar), is why Zeiss does not make autofocus lenses for DSLR cameras from Nikon and Canon. As you may already known, Zeiss is currently making autofocus lenses only for two specific mounts – Sony E (for NEX / Alpha series mirrorless cameras) and Fuji X. This line of autofocus lenses labeled as “Touit” is limited to a few lenses at the moment, with full autofocus capability and compatibility with both Sony and Fuji mirrorless cameras. So one might naturally ask why Zeiss has finally started making autofocus lenses and wonder if it has plans to start developing autofocus lenses for Nikon and Canon mounts. Although I have known the reason behind this for a while now, I decided to ask the question again from the Zeiss team at the Photo Plus show in NY last year. Specifically, I wanted to find out if Zeiss is planning to change their strategy in the future in regards to DSLR lenses.
There is a lesson here for all, especially when purchasing expensive gear. Expensive is a relative term with a value that varies per individual and can’t be generalized, the stuff being said here applies to all values of items. It comes down to how much value the item has to you and whether you are willing to risk that value versus the warranty programs being offered. Obviously the bigger the expense, the higher the risk.
I usually always buy my all of my camera gear right here in the US of A, because that is where I live and I like to go buy the expensive stuff in person at a Hunts Photo and Video store to make sure it arrives safely.
Just wanted to post a quick reminder that the Nikon and Canon Lens and Speedlight rebates will be expiring in just two days and will not come back, probably till the holiday season at the end of the year. Nikon has already extended its rebate program until the end of March and with the end of the tax season, it will also end the rebates. As you may already know, there are two types of rebates taking place right now – lens-only rebates and camera combo rebates. I won’t go over these rebates in detail and provide my recommendations, because I have already done that in the previous article.
If you are a Canon shooter, you can still take advantage of the killer promotions for the Canon 24-70mm f/2.8L II USM and Canon 70-200mm f/2.8L IS II USM, both of which get double promotions. Basically, the 24-70mm f/2.8L gets an instant $300 rebate and you can shave another $200 off the price with a mail-in rebate, bringing it down to $1799 (total $500 off). The 70-200mm f/2.8L IS II gets a $140 instantly off and you will also get a $200 mail-in rebate, so you pay $2159 for it.