sRAW Study: WB and Recovery

Nikon D810 Normal Exposure

With the introduction of the Nikon D4S and the D810, Nikon introduced the new sRAW format for saving images. While we have already explained the format in detail in our sRAW format explained article, there were many follow-up questions from our readers, some of whom asked us to provide some image samples from RAW, sRAW and JPEG formats to compare things like white balance recovery and highlight / shadow recovery. In this article, we will explore the sRAW format in detail and show sample images from both controlled lab and outdoor environments, demonstrating what sRAW is capable of delivering when compared to the regular RAW format.

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Lightroom 5.6 and Camera RAW 8.6 Updates Available

Lightroom 5

Adobe rolled out a bunch of updates today to its Creative Cloud platform, including updates to Adobe Photoshop CC, CC 2014, Bridge, Lightroom and Camera RAW. Lightroom has been updated to stable 5.6 version, along with Adobe Camera RAW 5.6. These updates include a number of bugfixes, along with RAW support for the new Nikon D810, Panasonic Lumix AG-GH4 and Panasonic Lumix DMC-FZ1000 cameras. A number of lenses have also been added to this release, including the new Canon EF-S 10-18mm IS and EF 16-35mm f/4L IS USM lenses and a number of Sony Alpha lenses.

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How to Get Accurate Fuji Colors in Lightroom

Camera JPEG vs Adobe RAW

Our readers often ask us if it is possible to get Lightroom to provide the same colors as one would see from camera-rendered JPEG files when shooting in RAW format. Many photographers often choose specific color profiles in their cameras and they get surprised when images are imported into Lightroom and all those changes are lost. You might have noticed when importing files that Lightroom changes the colors immediately after import, when the embedded JPEG files are re-rendered using Adobe’s standard color profiles and settings. As a result, images might appear dull, lack contrast and have completely different colors. I have heard plenty of complaints on this issue for a while now, so I decided to post series of articles for each major manufacturer on how to obtain more accurate colors in Lightroom that resemble the image preview seen on the camera LCD and in camera-rendered JPEG images. In this article, I will talk about getting accurate colors from Fuji mirrorless cameras in Lightroom. Please see our previous articles on getting accurate colors for Nikon, Canon and Sony cameras.

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How to Get Accurate Sony Colors in Lightroom

Camera JPEG vs Adobe RAW

Our readers often ask us if it is possible to get Lightroom to provide the same colors as one would see from camera-rendered JPEG files when shooting in RAW format. Many photographers often choose specific color profiles in their cameras and they get surprised when images are imported into Lightroom and all those changes are lost. You might have noticed when importing files that Lightroom changes the colors immediately after import, when the embedded JPEG files are re-rendered using Adobe’s standard color profiles and settings. As a result, images might appear dull, lack contrast and have completely different colors. I have heard plenty of complaints on this issue for a while now, so I decided to post series of articles for each major manufacturer on how to obtain more accurate colors in Lightroom that resemble the image preview seen on the camera LCD and in camera-rendered JPEG images. In this article, I will talk about getting accurate colors from Sony DSLRs, SLTs and mirrorless cameras in Lightroom. Please see our other articles on getting accurate colors for Nikon, Canon and Fuji cameras.

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The Bureau of Advertising Purity

Photoshop Beauty

“Of all tyrannies, a tyranny sincerely exercised for the good of its victims may be the most oppressive.” It would be better to live under robber barons than under omnipotent moral busybodies. The robber baron’s cruelty may sometimes sleep, his cupidity may at some point be satiated; but those who torment us for our own good will torment us without end for they do so with the approval of their own conscience.”
– C. S. Lewis

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Adobe Announces Creative Cloud Photography Plan for $9.99

Adobe Creative Cloud Photography Offer

After going back and forth with limited time offers (that got extended several times) to lure photographers into its Creative Cloud platform, Adobe finally decided to create a special, permanent plan specifically for photographers for $9.99 per month. Compared to the $49.99 per month “all inclusive” plan, or the $19.99 per month single app plan that sparked a lot of negativity among the photography community, the $9.99 offer from last year attracted a lot of customers for Adobe, increasing the number of subscribers to close to 2 million. Since the program was introduced, close to half a million people signed up for this plan in just the first quarter of 2014. Since then, the program has been attracting even more subscribers, since $9.99 per month price appears to be much more reasonable for the latest and greatest features that Adobe packs in its Creative Cloud platform.

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Lightroom 5.5 and Camera RAW 8.5 Update

Lightroom 5

Today is a big release date for Adobe, because the company is rolling out a few major updates to its Adobe Creative Cloud platform, along with new apps for mobile devices designed for creative professionals and enthusiasts. One of the silent updates that got rolled and did not get much press is the final version of Lightroom 5.5 and Camera RAW 8.5. Adobe was so busy with its new products and updates, that it did not include any information on additional features included in Lightroom 5.5. It seems like the final release is similar to the 5.5 release candidate, where support for additional lenses and cameras were added, as shown below. The most notable bugfixes in this release are: properly reading lossless compressed files from older Nikon DSLRs and correct processing of Fuji X-T1 RAW files when using Dynamic Range 200% and 400% setting. And the most notable feature for Nikon D610 owners is that now there is finally tethering support, although Adobe never mentioned it on their website!

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Adobe Outs Lightroom 5.4 and ACR 8.4 Updates

Adobe Photoshop Lightroom 5.4

We’ve still got quite a lot of catching up to do and this time Adobe grabs our attention with the release of new Adobe Camera Raw and Lightroom versions (which basically is the converter only in a separate package and with some added functionality for processing masses of files quickly). Version 8.4 of ACR and 5.4 of Lightroom bring the usual updates – new camera and lens support, some bug fixes and a few new features on top of that. Happily, Photoshop CS6 users are not left out and their ACR can be updated. That said, only new lens/camera profiles and bug fixes are part of the update, whilst new features seem to be reserved for CC only. Clearly, Adobe wants you to move to CC, but does not yet blatantly force you to do it by ignoring “older” software completely – at least until ACR 9 arrives.

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Adobe’s Silent Exposure Compensation

Adobe Photoshop Lightroom 5

When using Lightroom, you might be wondering why the highlight recovery between different camera models allows for different room. Given the “color of light” (light source color temperature and tint) is the same, the highlight recovery difference depends primarily on baseline exposure compensation applied to a raw file when it is opened in Adobe raw converters (Adobe Camera Raw, ACR; or Lightroom, LR). This baseline exposure compensation is applied behind the scenes, the exposure compensation slider after the file is opened stays at zero. This is Adobe’s way to equalize cameras.

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Lightroom 5.3 and Camera RAW 8.3 Update

Lightroom 5

Today Adobe announced the availability of the final versions of Lightroom 5.3 and Camera RAW 8.3 (the previous version was a release candidate). A number of bugs that were present in Lightroom 5.3 have been fixed, and new camera and lens profiles have been added. No new features have been added, so this is mostly a camera / lens update + bugfix release. For those that recently purchased the Nikon Df, this release provides full RAW support for the camera! Other new cameras that are now supported since the release of the 8.3 RC include the Canon EOS M2, Casio EX-10, Nokia Lumia 1020 and Pentax K-3.

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