Recently when I was investigating ultra-lightweight and portable tripods I came across the Tamrac ZipShot. This tripod is one of the most innovative, lightweight tripod designs to hit the market in some time. The tripod comes in two sizes: the TR404 mini which extends to 28” in height, weighs 9 ounces and folds up to 9” in length. The larger model is the TR406 which extends to about 44” in height, weighs 11 ounces, and folds up to 15”. Both models are weight-rated by Tamrac to support 3 pounds.
This is a review of Weye Feye product (usage with Nikon D800 camera, iPhone 5 & iPad 2). Weye Feye is a wireless and remote control unit for a DSLR. This product is made by a company called “XSories”. I think this is a French company with a subsidiary located in Hong-Kong. Another device providing similar functionality (and known better than Weye Feye) is CamRanger. The primary reason why I started looking at an external camera control unit was pretty simple. Prior to purchasing and using the D800, I was using Olympus E-5 cameras (still use them). Olympus E-5 has a fully articulating LCD screen. Having this fully articulating screen was and is very convenient, as I often take shots with strange angles, especially low to the ground. Most of the semi-pro DSLRs (just about all brands) do NOT have articulating screens. The absence of this functionality on semi-pro and pro cameras actually infuriates me, because it significantly limits the artistic ability of the photographer. Why do I have to get down either on all fours or my stomach or in a crouching tiger position in order to get the shot I need? Please, put articulating screens on these cameras! So when I got my D800, I was searching for a long time for a device that could “replicate” the articulating screen of my E-5s. There are many various add-ons available, but all add significant bulk to the camera, require separate batteries and seem very cumbersome. Most of my photography is done in an external, non-studio environments, so I try to limit the bulk of my equipment.
This is a review of the Leica M7 TTL .72 rangefinder film camera that I used with the Leica 35mm f/2.0 Summicron M Aspherical Manual Focus Lens. I had the two for about a month and had a chance to shoot with the Leica gear in different conditions and shoots. Prior to the M7, I never had a chance to shoot with any Leica gear, but heard so much about them from other photographers and industry peers. So I decided to give Leica a try and see how it would fit my film photography needs. Below is a summary of my findings with the camera.
1) Initial Impressions
I was so excited when the Leica M7 came in the mail. I put up a post on Instagram and Facebook with an image of the camera and most of my friends commented that they were jealous. I noticed that people regard Leica very highly. So, I was excited to see what all the hype was about.
This is a review of the Impact Light Kit Bag. For my studio lighting, I use a set of four Alien Bees heads along with a variety of light stands and modifiers. When I’m shooting on location, I prefer to make as few trips to and from my car as possible, so the fewer bags I have to carry, the better. For the past few years the bag I’ve been using for my lights has served me well, but I wanted to try something a little bigger and see if I could fit even more into it. Let’s see if this bag from Impact is going to work for my needs.
While testing out the Profoto B1 500 flash head, I also had a chance to use one of my favorite light modifiers, a 3 foot octabox (also known as “octa softbox”, “octabank” or just “octa”), known as “3′ RFi Octa Softbox” by Profoto. Although Profoto carries a wide array of light modifiers and accessories in its arsenal of lighting equipment, I specifically wanted to get a smaller octa for outdoors photography. The primary reason was portability without compromising too much on the size. As you may already know, the larger the source of light in flash photography, the softer it is on the subject. The 5 and 7 foot octas were just too big and the smaller rectangular softboxes were too small for my taste. Quality-wise, both octaboxes and softboxes produce equally good quality light – the only difference is catchlight. I prefer to have more round catchlight in my subject’s eyes, rather than a square, so I prefer using octaboxes, umbrellas, parabolic softboxes and beauty dishes for that reason.
When Profoto announced their first truly portable setup with the Profoto B1 500 AirTTL battery powered flash last year, the news immediately caught my attention and I requested to get a sample unit for a review. The reason was fairly simple for me – I got tired of lugging around a huge and heavy battery pack for my Elinchrom Ranger lights when working on remote jobs. Speedlights are great for indoors and low-light environments, but they just do not have the juice to run big light modifiers or overpower the sun in mid-day lighting conditions (unless you use packs of them like Joe McNally does). For these reasons, I have been using big lights for sometime now, but with the huge inconvenience of carrying a heavy portable battery. Although the Profoto B1 lights have less power in comparison with a total of 500 watts, I realized that I rarely go full power with my Elinchrom Rangers anyway, so the B1 was plenty for most of my work. The biggest advantage that I saw in the Profoto B1 was portability – no need for any external power sources! Just attach a battery on the side of the head and you are ready to go. And with a built-in slave trigger, the head can be controlled with a radio or infrared remote units wirelessly.
In this review, I will talk about my experience and impressions with using perhaps the finest tripod head I have seen to date, the Arca-Swiss C1 Cube. Targeted specifically at macro, architecture and landscape photographers that need ultra high precision, with the ability to handle large and heavy cameras, the “Cube” is a very specialized, high-end tool. It has been on the market for a few years and went through several changes. The version I tested is the most current model and this particular review is for the Flip-Lock quick release type head – the one that had the most problems (more on this below). As of today, Arca-Swiss manufactures two types of the Cube: one with the the “Flip-Lock” clamp and one with a “Classic” screw-knob clamp, both of which are capable of securely attaching Arca-Swiss compatible plates, rails and other accessories.
This is an in-depth review of the Linhof 3D Micro Leveling Head with dovetail track, a high-end precision geared tripod head specifically designed for handling medium to large format cameras and other specialized rails for macro and architectural photography. Fitted with an Arca-Swiss compatible screw-knob clamp, this specific version is designed to fit any kind of Arca-Swiss plate or rail (there is also another version of the same head, but with a quick-release “Quickfix” adapter that can be mounted directly to a camera).
After testing out the Manfrotto 405 Pro geared head, I realized that I needed something more precise and stable with no “play” whatsoever. Unfortunately, when it comes to professional gear heads, there are not that many options on the market today. Once you get into the high-end geared head territory, there are only three products on the market – the Arca-Swiss C1 Cube, the Photo Clam Multiflex (which is basically a Korean copy of the Cube) and the Linhof 3D Micro. When I pointed out that I was planning to review the Arca-Swiss C1 Cube and see if it would be suitable for my needs, one of our readers sent me some information about the Linhof 3D Micro and pointed out the fact that it uses an Arca-Swiss compatible screw-knob clamp. This immediately caught my attention, because the C1 Cube has been known to have an odd quick-release clamp that went through several revisions. I always prefer to use screw-knob clamps instead of quick-release versions, because some manufacturers like Really Right Stuff deviate from the original standard, which can create problems. As a result, I decided to test out both the C1 Cube and the Linhof 3D Micro to see which one would best suit my needs.
In this review, I will summarize my findings from about a month of use of both heads and discuss pros and cons of the Linhof 3D Micro, particularly when compared to the Arca-Swiss C1 Cube.
Throughout history, man has sought immortality, whether by the elusive Fountain of Youth, religion, the cloning process, cryogenics, and many other means too numerous to mention. Forever.com is a new business seeking to ensure that you can indeed live forever – at least the digital aspect of your persona. A friend of mine told me about Forever at a recent party. I was intrigued since the company was located in Pittsburgh and founded by a local entrepreneur, Glen Meakem. Meakem founded Free Markets, Inc., after leaving GE Information Services. Free Markets was eventually bought by Ariba.
I have to admit that when I first heard the term “Forever.com,” my mind immediately raced to that cryogenics company, Life Extension, portrayed in the futuristic psychodrama, Vanilla Sky. The concept of Forever.com is quite simple: Over the course of our lives, we will create or acquire many photos and videos from digital and non-digital sources. These documents depict our family history, relationships with friends, chronicle important moments of our lives, and capture our creative efforts, which may be associated with hobbies and professional pursuits. Why not preserve them online granting friends, family, and the public varying degrees of access, along with a transition path for management of your archive during your lifetime and long after you are gone? Forever’s vision of the future can be found in this youtube video. You can also download the iPhone application here.
This is an in-depth review of the Nikon Df, a retro-style digital SLR camera that was announced in November of 2013. The Df is a very controversial release, I would say perhaps the most controversial one in Nikon’s DSLR history. After Nikon teased the public with its short videos that slowly revealed parts of the camera, many were excited to see something completely different than a traditional DSLR. Videos titled “it is in my hands again” and “no clutter, no distractions”, with constant repetition of “Pure Photography”, hinted at a camera that combines old style Nikon film cameras with a modern digital sensor. Nikon “Df”, a “Digital Fusion” of retro style and modern technology, became an instant hit on the Internet and one of the hottest topics of discussion and speculation on photography sites and forums. As we got closer and closer to the release date, enthusiasts from all over the world started speculating on the features of the yet to be released Nikon Df and pointed at possibilities of seeing a mirrorless camera, electronic viewfinder and a myriad of other technologies we now come to expect from modern mirrorless cameras. Film shooters had their own list of must-have features, including a large bright viewfinder with a split focusing screen for easy focusing with old manual focus lenses. In a very short period of time, the Nikon Df, a fusion of technologies, became an over-hyped camera with very high expectations…