On March 5 of 2013, Nikon released the AF-S NIKKOR 80-400mm f/4.5-5.6G VR, the long awaited update to the 80-400mm f/4.5-5.6D VR that was released over 13 years ago as Nikon’s first lens to sport image stabilization (Vibration Reduction) technology. I have been impatiently waiting for this lens update for quite some time now for a number of reasons. First, it is the only Nikon budget lens that can reach 400mm focal length without teleconverters. Second, it is a very versatile lens with a huge zoom range, which can be quite useful for outdoor sports and wildlife photography. Third, it is a relatively lightweight lens one could hand-hold for extended periods of time, especially when compared to any of the Nikon super telephoto lenses. And lastly, the old Nikon 80-400mm VR had a very slow autofocus motor and it was almost unusable for anything that moves, making the Nikon 300mm f/4D pretty much the only “budget” telephoto choice. So this much-needed, long overdue update was certainly welcomed by many of us Nikon shooters.
Studio backdrops are a great way to transform a space. There are all different sorts of backdrops but I wanted a backdrop that folds up easily and doesn’t require lugging around a bulky backdrop stand. I also own some paper roll backdrops and it is so tough bringing out of the studio. What I like about this backdrop is that compact when stored, but unfolds to be the perfect size backdrop for shooting portraits. This is a review of the Impact Super Collapsible Background.
A reflector is a light shaping tool. When shooting indoors, I often like to have a reflector handy to bounce light back onto my subject. For example, if my subject is standing next to a window there is more light on one side, than the other side. A reflector is helpful to soften the contrast of the window light. Reflectors can be used to bounce studio lighting as well. This is a review for Impact’s Reflector Panel.
1) Initial Thoughts
I love the size of this reflector. It’s quite large, 35″ x 70″ and is the perfect size for portraits. I used it length wise, and it pretty much covered the entire height of my subject. It folds up nicely for easy storage. There are two different reflective fabrics that come with it– one is white/black combination and the other is a gold/silver combination. I use the white/black combination the most, as that combo yields the most desirable results for me.
This is an in-depth review of the Nikon D7100 DSLR that was announced on February 20, 2013, along with the Nikon WR-1 wireless remote controller. Although I have been shooting with the Nikon D7100 for about two months now, I specifically postponed the review, because I wanted to thoroughly test it and also make sure that I test at least two samples of the camera. I have been very concerned about Nikon’s latest rushed product launches with dust, oil and autofocus issues, so my intent was to examine the camera in detail and test all of its capabilities in various environments for this review.
After taking a long nap with 12-16 MP DX and FX cameras and letting Canon take the resolution throne with practically every newly announced camera, Nikon finally struck hard last year, when it announced the 36 MP full-frame Nikon D800 camera. Ever since, Nikon has been on a megapixel roll bringing one high resolution camera after another and not letting its competition come close. As of today, the whole DX line-up from entry-level to high-end cameras features 24 MP APS-C sensors, and the undisputed resolution king, the Nikon D800, still has no equivalent on the market. Looking back, Canon always had the edge over Nikon in resolution; it seemed like Nikon preferred pixel quality over quantity.
This is a review of the Impact Reversible Muslin Background. When I’m shooting portraits in the studio or on location, I sometimes want to use a backdrop that is not a seamless paper. Why? Seamless can be too uniform in color and also difficult to transport. I have always wondered what it would be like to shoot some portraits on a muslin background with subtle color variations, so I decided to grab one of these made by Impact and try it out.
In the beginning of 2012, I knew I wanted to buy a Polaroid camera. There is something so irresistibly fun about taking a photograph and having the print in front of you instantaneously. I considered several options, but ultimately decided on the Polaroid 180 Land Camera with a 114mm Tominon Lens.
I was eagerly awaiting my Think Tank Retrospective 30 Shoulder Bag for an upcoming trip. I knew I HAD to have it for this trip to keep my gear securely organized and safe! While I am a big fan of Think Tank and already have their Airport Take Off and their waist system (to be reviewed in the future), I did not have any sort of professional shoulder bag for carrying my camera gear. Previously, I had taken a large purse and affixed some foam for protecting my camera and called that my camera shoulder bag. It was awful and I was in great need for a professional, durable, smart shoulder bag for my travels. Think Tank came to the rescue.
1) Product Specifications
- Minimalist outer appearance conceals expensive photo equipment
- Carries a pro size DSLR with standard zoom lens attached
- Wider size to fit a 70-200 f2.8 attached to DSLR facing sideways
This is a review of the Impact Two Monolight Softbox Kit. If you’re interested in learning studio photography and have looked at purchasing some gear, you know that once you start purchasing lights, light stands and modifiers, it can get expensive very quickly. Fortunately, there are some inexpensive options available out there, but are they worth it? While I don’t consider myself a master in the studio, I do have quite a bit of experience with different types of lighting equipment and, with a little use, can tell if I’d use something on a regular basis or not. Want to know what I thought of this Impact kit? Read on…
1) Product Specifications
2x 300 W/S Monolights
2x 24×32″ Softboxes
2x Sync Cords
This is a review of the Oben CT 2410 4-Section Carbon Fiber Tripod with BA-1 Ball Head. As photographers, a sharp photo usually means a steady camera. Regardless of what you photograph, I think every photographer will eventually need a tripod at some point. Personally, I don’t use a tripod for any of my portrait work, but I have found them to be useful when shooting wedding details inside of a dark reception hall. Additionally, I tend to use a tripod if I’m photographing any products or even occasionally when I’m shooting personal work around the city or in the mountains. Since I don’t use a tripod that often, I prefer a smaller, lighter tripod that’s easy to take with me and doesn’t take up much room. Sometimes the trade off for a small and light tripod is a lack of stability or durability. Would this tripod be able to deliver on both size and performance?
If you need help deciding how to purchase a tripod, consider reading How to Choose and Buy a Tripod.
1) Product Specifications
- 16.75 lb Load Capacity
- 63.9″ Maximum Height
- Extremely Lightweight at 3.2 lb
- Non-Rotating Twist-Lock Legs
- 6x Carbon Fiber Legs and Center Column
- Single-Lever Ball Head
- Dual Lock Mechanism for Quick Release
- Retractable Spikes in Feet