Nikon D810

An in-depth review of the Nikon D810 DSLR with sample images, high ISO tests and detailed real-life analysis

Nikon D810 and Sigma 50mm f1 (2)

Some of our readers have been asking about the performance of the Sigma 50mm f/1.4 Art lens on the Nikon D810, particularly about its autofocus… read more »

Nikon D810 Bird Photography (2)

We are continuing our coverage of the Nikon D810 and today we want to talk about the capability of the D810 to photograph wildlife, particularly… read more »

© Tadas Kazakevičius. Children of Silenai (9)

Talking to Tadas Kazakevičius (in case you are having a hard time spelling that, he’s just as well known as Ted Kozak), a young Lithuanian… read more »

Enagement Session #23

Engagement sessions are a big hit with couples and photographers. Almost all couples agree for a session before the wedding, so engagement photography has pretty… read more »

Fuji X-T1

An in-depth review of the Fuji X-T1 mirrorless camera with image samples, specifications and comparisons to other cameras -

5 Tools You Might Not Be Using in Lightroom

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I am a professional wedding photographer and I end up editing thousands of images for my clients. While there are lots of wedding photographers who outsource their post-processing to free up their time, I am a believer in editing my own photos. In order to make my job easier, I tend to look for shortcuts and tools in Lightroom itself, which I use extensively. I’d rather do everything in one program than switch back and forth between Lightroom and Photoshop. You do not have to be a wedding photographer in order to take advantage of these tools in Lightroom. You can use these techniques wherever they are applicable. Below are some of the tools you may not be using to edit your photos.

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How to Get Accurate Fuji Colors in Lightroom

Camera JPEG vs Adobe RAW

Our readers often ask us if it is possible to get Lightroom to provide the same colors as one would see from camera-rendered JPEG files when shooting in RAW format. Many photographers often choose specific color profiles in their cameras and they get surprised when images are imported into Lightroom and all those changes are lost. You might have noticed when importing files that Lightroom changes the colors immediately after import, when the embedded JPEG files are re-rendered using Adobe’s standard color profiles and settings. As a result, images might appear dull, lack contrast and have completely different colors. I have heard plenty of complaints on this issue for a while now, so I decided to post series of articles for each major manufacturer on how to obtain more accurate colors in Lightroom that resemble the image preview seen on the camera LCD and in camera-rendered JPEG images. In this article, I will talk about getting accurate colors from Fuji mirrorless cameras in Lightroom. Please see our previous articles on getting accurate colors for Nikon, Canon and Sony cameras.

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How to Photograph Engagement Sessions – Planning

Enagement Session #23

Engagement sessions are a big hit with couples and photographers. Almost all couples agree for a session before the wedding, so engagement photography has pretty much become a staple of wedding photography. An engagement shoot is done after a couple gets engaged and it usually is captured before the wedding. Some photographers sell this session as a separate product and most photographers include this session in their wedding packages. Regardless of how you like to approach it, understanding the basics of photographing couples and knowing how to coordinate a shoot that involves more than one person is crucial. Hence, I decided to write a piece to explain what goes into the planning process of an engagement session.

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How to Get Accurate Sony Colors in Lightroom

Camera JPEG vs Adobe RAW

Our readers often ask us if it is possible to get Lightroom to provide the same colors as one would see from camera-rendered JPEG files when shooting in RAW format. Many photographers often choose specific color profiles in their cameras and they get surprised when images are imported into Lightroom and all those changes are lost. You might have noticed when importing files that Lightroom changes the colors immediately after import, when the embedded JPEG files are re-rendered using Adobe’s standard color profiles and settings. As a result, images might appear dull, lack contrast and have completely different colors. I have heard plenty of complaints on this issue for a while now, so I decided to post series of articles for each major manufacturer on how to obtain more accurate colors in Lightroom that resemble the image preview seen on the camera LCD and in camera-rendered JPEG images. In this article, I will talk about getting accurate colors from Sony DSLRs, SLTs and mirrorless cameras in Lightroom. Please see our other articles on getting accurate colors for Nikon, Canon and Fuji cameras.

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Best of 4th of July Savings

4th of July Savings

We would like to congratulate our readers from the USA with the Independence Day! Fourth of July is a big day not just because you get to see beautiful fireworks (see my article on photographing fireworks) and enjoy a day off celebrating and remembering the sacrifices of the founders of this great country, but also because you get a great opportunity to save. Below are some of the best deals that we found for you.

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Weekly Photography News #1

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Instead of dedicating a whole post to every news revolving around photography, we decided to write a weekly article, which will include some fun finds from the photography blogging sphere. Although we do our best to only post original content, we still see value in sharing important photography-related news and stories our team comes across, or receives from our dear readers. We hope you enjoy these series!

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Please Welcome Sharif!

Sharif Portfolio (5)

We are once again excited to bring you one more person who will be joining our team here at Photography Life – Sharif, with Alpha Whiskey Photography! Sharif has been a long-time reader of PL and I have been a fan of his photography for a while now, often checking his stunning work on his photo blog. I was fortunate enough to finally meet Sharif during our London Photo Walk earlier this year, after which I exchanged a couple of emails with him and asked to write a guest post at PL. Sharif is a living example of superb photography skill and vision before gear (something we have been preaching for a while now) – he produces superb work no matter what he shoots with, whether it is his phone, his Olympus OM-D E-M5 Micro Four Thirds camera, or a full-frame DSLR. I am honored to introduce Sharif to our team and I am looking forward to seeing more educational posts that will benefit everyone, including myself. Please give a warm welcome to Sharif!

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Tamron 150-600mm f/5-6.3 Review

Tamron 150-600mm f/5-6.3 Di VC USD

This is a detailed review of the Tamron SP 150-600mm f/5-6.3 Di VC USD, an ultra-telephoto zoom lens that was announced in November of 2013 for enthusiasts and professionals that are looking for a high quality, versatile zoom lens for a variety of needs, including wildlife photography. Although many DSLR lens manufacturers have been making telephoto zoom lenses that cover long ranges, whether looking at Sigma’s 50-500mm / 150-500mm lenses, Canon’s 100-400mm or Nikon’s 80-400mm, none of them can reach the focal length of 600mm natively without teleconverters. And as we have discovered in our Nikon 80-400mm f/4.5-5.6G VR review, attaching teleconverters on slower zoom lenses is generally not a good idea, since there is a bit too much of sharpness loss / image degradation, or even potential loss of autofocus capability. Thus, the Tamron 150-600mm f/5-6.3 is a rather unique lens in this group, which is why our team at Photography Life has been anxious to get a hold of the lens for a while now.

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