We have been working hard during the past couple of weeks on completely redesigning Photography Life and we are happy to announce the new and shiny look that hopefully our readers will appreciate. Over the past few months, we have been gathering feedback from our readers, friends and our team, with the goal to completely revamp the feel of the site, and address some of the design problems of the past. Being a photography site, our number one concern was image size – we just did not want to be limited to showing small images to our readers anymore. So the first thing we did was increase images shown in the site by 50%! In addition, from now on, we will be posting images at much higher 2048 pixel long resolution in our in-depth articles and reviews. For example, most images in our Nikon D810 review and Fuji X-T1 review have very high resolution, which dramatically increases the viewing experience, especially on high-resolution monitors. With the growing popularity of 4K monitors, we will be doubling the resolution of provided images in the future as well.
An in-depth Nikon D750 review with image samples, ISO tests, detailed real-life analysis and comparisons to other DSLRs
Like many couples, my wife and I talked about going to Greece for many years. Fortunately for us the stars aligned this fall and we […]
It seems that many photographers go through a certain cycle of mistakes and errors during their photography journeys and careers. Some of these mistakes and […]
Been a tough time around my way, bad rotator cuff injury has had me out of action for a while and continues to plague me. Especially as it is my left arm that I hand hold my cameras with. I also haven’t had much time to write articles, but I figured its time to get off my butt and put a new article together. As I always say in my articles, what I do works for me, read and absorb what is good for you and discard what doesn’t work. At the end of the day you need to find your own way to success, so here it goes.
Since I published my Nikon D810 review, a number of our readers requested me to provide an article with the recommended settings for the camera. The Nikon D810 is an advanced camera and comes with many different menus and settings. In this article, I want to provide some information on what I personally use and shortly explain what some of the important settings do. Please do keep in mind that while these work for me, it does not mean that everyone else should be shooting with exactly the same settings. The below information is provided as a guide for those that struggle with the camera and just want to get started with a basic understanding of the camera and its many features.
After buying the Nikon D4s and Nikkor 800mm earlier this year I thought I was cured. I made it for months without a single sip of Nikon Rumors. Then I had a relapse. Thank goodness the only news was Nikon was releasing the D810, a camera I clearly had no need for as I like shooting wildlife, not lens charts. But one sip led to another and before I knew it I was on The Photo Website That Dare Not Speak Its Name. The pundit there gushed about the D810’s specs, then declared that nobody really needs a DSLR with such ridiculously high resolution unless they shoot for Arizona Highways. Whew, I just saved 3300 bucks. But hang on a second, I do shoot for Arizona Highways. Oh crap. I needed to check out the D810 to see how it performs in practical situations in the field. While I was at it I’d try my best to compare the 36 MP Nikon D810 side-by-side to the 16 MP Nikon D4s and 24 MP Nikon D600, other Nikon full frame offerings.
In response to requests from comments on my earlier “Sideline Photography Tips“, this article will address shooting High School sports. I have specialized in sports photography for years, shooting almost every High School sport played in Florida. Please note, I am semi-retired, and though I do sell some photos, I don’t make a living at this. These tips are for people looking to shot sports for themselves, their family and friends (and maybe the occasional sale).
In celebration of the launch of the new MIOPS camera trigger, which we wrote about earlier, our good friends at Nero Trigger want to give away the current version of the trigger ($199 value, read our in-depth review) to one lucky PL reader! To enter this giveaway, all you have to do is leave a comment below with your email address (so that we could contact you) and we will choose a random winner on September 12, 2014. Must be at least 18 years old to enter. Giveaway is open to all countries! Only one entry per person.
I am notorious for starting my blog posts like I would start a letter. So, I hope that is fine with you guys. I hope everyone is doing great this fine Wednesday! The second issue of our Photography News will cover some fresh photographers you may have not noticed before and I assure you, you will find their work interesting in the least. I will stay away from gear news, since you already come to Photography Life for that. But I will include some important topics impressively covered by photojournalist and photographers.
With us moving closer and closer to the announcement madness that is Photokina, we are working on bringing our readers (and ourselves) up to speed. This time we will be taking a closer look at a new lens by (a rather well known by now) South Korean manufacturer, a classic 50mm with a widest aperture setting of f/1.4. Something to get excited about? Let’s see.
We’ve fallen behind with announcements and it’s time we caught up! Firstly, let’s talk about the new Fujifilm X30 compact camera. Fujifilm has actually been a lot in the news lately. They’ve been spurring up the market with innovative approach to product design and functionality. But if you glance at the X30, it’s not really that different compared to its predecessor. Perhaps a closer look will tell us more.
As an owner of a Nikon 1 V2 and a selection of Nikon 1 lenses I’m always looking for ways to extend the use of this compact-sized camera system. I thought it would be an interesting challenge to try and photograph a waterfall with the Nikon 1 system. When many of us first start out photographing waterfalls we are often disappointed with the images we capture as they have a ‘frozen’ appearance and lack the ‘smooth water’ effect that can add beauty and drama to our photographs. To achieve the ‘smooth water’ effect we need to slow our shutter speed down. This can be accomplished by using the lowest possible ISO setting, stopping our lens down, and by using a neutral density filter.