Central Composition Image Sample-5

After my previous, slightly unorthodox article on improving your photography, here comes another one. And, as you may have guessed from the title, I am […]

Why do you enjoy photography-5

I have a simple question for you. Why do you enjoy photography? When I first asked myself this question, I thought, “Well, it’s obvious, isn’t […]

Improve Your Photography-1

As with every skill, be it conscious or instinctive, your ability to choose composition for any given moment you wish to capture improves with time, […]

leading lines image 5

One of the most important considerations any photographer makes is determining compositional lines in images they create. In this short article, I will be discussing […]

Portrait Sample #2

One of the most common mistakes I see when reviewing images submitted by our readers, or when reviewing portfolio images during our workshops, is a […]

using foreground elements image 9

Often when we are creating images, especially landscapes, we can get so focused on the main subject that we forget to think about incorporating a […]

Rule of Thirds Applied-4

Considering the rule of thirds is perhaps the most popular (certainly the best known) way of composing an image, but only a short while ago […]

Nikkor 20mm f/1.8G Image Samples

Nikkor 20mm f/1.8G Image Samples (3)

Below you will find image samples from the new Nikkor 20mm f/1.8G lens that we wrote about earlier today. Except for one image, most images were taken with the new Nikon D750. Unfortunately, since EXIF information is missing on these images, it is hard to say what aperture was used at each shot. On images with visible background blur, we can assume that f/1.8 aperture was used. Looking at the detail level, the sharpness of the lens seems to be amazing wide open. Once I obtain information about each image, I will update this article with more details.

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Nikon SB-500 Announcement

Nikon SB-500

The last announcement from Nikon today was for the new SB-500 speedlight, Nikon’s first speedlight with a built-in LED light. With a guide number of 24m at ISO 100, it is not a very powerful flash unit (the SB-600 is at 30m and the high-end SB-910 is at 34m), but it is quite flexible with the head tilting up to 90° and rotating horizontally 180° to the left and right. In addition, it can be used as a commander or a remote flash unit and it is fully compatible with the Nikon CLS system. At $249.95, it is priced $80 cheaper than the higher-end SB-700. What’s exciting about this unit is not its typical features, but the built-in LED light. With approximately 100 lumens of brightness, the LED light can be used as a small video light or potentially even assist in acquiring focus in low-light situations. The LED light can be operated independently from flash, which means that you could actually detach the SB-500 from the camera and use its LED light exclusively, if needed. I personally welcome this innovation in speedlights and I believe it will be quite useful in some situations.

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Nikon 20mm f/1.8G ED Lens Announcement

Nikon 20mm f/1.8G ED

Together with the D750, Nikon has also announced a brand new full-frame lens, the Nikkor 20mm f/1.8G ED. This lens announcement is really exciting, because it is Nikon’s first 20mm f/1.8 ultra wide-angle lens with impressive specifications and optical design. Not only does the lens feature aspherical elements and Nano coating for reduced aberrations, ghosting and flare, but it also comes with two ED (Extra Dispersion) glass elements that are typically used in expensive, professional lenses for extra clarity and superior sharpness. With a gold ring and a price tag of $799, this lens seems to be of superb value for low-light wide-angle photography. Looking at its wide-open sharpness (more on that below), it seems like the lens could be a great candidate for astrophotography. Let’s take a look at the lens in more detail.

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Nikon D750 Announcement

Nikon D750

Today Nikon introduced yet another full-frame DSLR, the Nikon D750. Featuring the same 51-point autofocus system as the D810 and the D4S, 24.3 MP sensor, 6.5 FPS of continuous shooting speed, built-in Wi-Fi, advanced movie recording options and a tilting screen, the camera packs quite a bit for its $2,299 MSRP price tag. Placed above the Nikon D610 and below the D810, the D750 has an interesting mix of features from both. On one hand, it has a slightly faster frame rate than the D810, a slightly tweaked focus system and pretty much all the movie recording features of the D810. On the other hand, with the exception of the tilting screen, its ergonomics and body build closely resemble the lower-end D610. So what is this camera and why the D750 name? Is it finally the Nikon D700 successor that many of us have been waiting for? Let’s take a closer look at the camera and talk about what has changed.

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ioSafe 1513+ Review

ioSafe 1513

Being a professional photographer, I constantly deal with a large flow of photographs that need to be imported, processed and backed up as part of the workflow process. Although I do everything I can to keep several copies of my photo library on different computers and storage devices, it is still a lot of data to keep track of continuously. Every time I revisit my backup strategy and make changes to it, whether by altering the process or introducing new software or hardware, the thought of potentially losing all of my images scares me to death. Years of hard work, client files and resulting terabytes of data make me nervous whenever I think about potential failures and disasters. Taking backups off-site is not something one can easily do continuously and transferring gigabytes of freshly photographed RAW material to the cloud is not only impractical, but can also get quite costly. And despite our attempts in keeping multiple copies of data at home or in our business offices, what if a real disaster takes place? Floods, tornadoes, hurricanes and fire could strike any time and can be very costly to recover from. What if you had a storage solution that offered fire and water protection, with the capability to withstand temperatures up to 1550°F and protect data from floods up to 10 feet deep, submerged fully in water for 3 days straight? What if this storage solution offered scalability, incredibly fast performance and RAID-level protection utilizing the best of the breed platform? That’s where ioSafe products come in, which are specifically built for protection against such disasters. These unique solutions are powered by the award winning Synology DSM, the platform that I have been a fan of for the past few years.

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Fujinon XF 50-140mm f/2.8 R and XF 56mm f/1.2 R APD Announced

Fujinon XF 50-140mm f2.8 R LM OIS WR on Fujifilm X-T1

Just as Fujifilm promised in their latest roadmap, the last quarter of 2014 sees the announcement of their first professional-grade telephoto zoom lens, the XF 50-140mm f/2.8 R LM OIS WR. The surprise release, however, is the revised version of the already-very-popular XF 56mm f/1.2 lens that features an apodization filter. Let’s take a closer look at the specifications of both lenses.

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Silver Fujifilm X-T1 Announced, Firmware Update on its Way

Fujifilm X-T1 Graphite Silver_Front

Along with the new X100T and a couple of lenses, Fujifilm has also announced a “Graphite Silver” version of their well-received X-T1 mirrorless camera. Unlike other silver/black versions of mirrorless cameras that Fujifilm offers – X-E2 immediately springs to mind – X-T1 has a darker shade body. It is definitely more conspicuous than the black body of the original X-T1, but not as much as a regular silver camera would be. It is also more expensive. And don’t worry, there are indeed some better news that owners of black X-T1’s will find very welcome.

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Fujifilm X100T Announced

Fujifilm X100T Black_Front

Back in 2010 – has it really been that long? – Fujifilm started their Renaissance with the release of X100, a compact camera with a fixed, 35mm equivalent lens and a large APS-C sized image sensor at its heart. It was a camera towards which few remained indifferent. Plagued by Fujifilms quirks, most of which have been attended with most thorough and impressive firmware upgrades since, the camera also had a beautiful design and brilliant, unheard of feature – hybrid EVF/OVF. Whether you liked the original X100 or not, most will agree it was a breath of fresh air in the camera industry where most products were, for the lack of a better word, soulless and slightly boring. Four years later, the mark III version is out – called X100T.

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JPEGmini Pro Review

JPEGmini Pro Total Space Saved

When providing high resolution images to our clients, or uploading images to this website, I often extract JPEG images between 70%-85% quality. Although some photographers often do extract their images at 100% quality, I rarely felt the need to do it, since file sizes get outrageously big, while the differences in quality are too small (and often impossible) to notice. I recently came across an interesting product by JPEGmini called “JPEGmini Pro“, which is specifically targeted at photographers like me that are looking for a good way to save space without losing image quality. By design, JPEG is a pretty compressed image format that was designed for the web in mind. It applies compression algorithms to reduce massive images in other formats like TIFF and offers the ability to use different compression levels. So when I first looked at JPEGmini Pro, I wondered how different it was compared to the JPEG engine used in Adobe Photoshop and Lightroom, the two programs I use the most to extract images. In this review, I will be exploring the Lightroom version of the JPEGmini Pro, which seamlessly integrates into my workflow without adding any complexity or unnecessary overhead.

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