Nikon D810 and Sigma 50mm f1 (2)

Some of our readers have been asking about the performance of the Sigma 50mm f/1.4 Art lens on the Nikon D810, particularly about its autofocus… read more »

Nikon D810 Bird Photography (2)

We are continuing our coverage of the Nikon D810 and today we want to talk about the capability of the D810 to photograph wildlife, particularly… read more »

© Tadas Kazakevičius. Children of Silenai (9)

Talking to Tadas Kazakevičius (in case you are having a hard time spelling that, he’s just as well known as Ted Kozak), a young Lithuanian… read more »

Enagement Session #23

Engagement sessions are a big hit with couples and photographers. Almost all couples agree for a session before the wedding, so engagement photography has pretty… read more »

Is it Worth Buying a Large Format Printer?

Partially Disassembled Z3200

For many photographers there comes a time when investments in equipment (other than buying cameras, lenses, and lighting) becomes necessary for the growth and profitability of their business. Depending on the nature and volume of their work purchasing equipment such as large format printers, laminators and trimmers can make economic sense.

As the following photos indicate, printers are mechanical beasts and when buying one we need to plan ahead for the inevitable repairs. We don’t usually think of this type of issue up front when buying camera bodies or lenses, but it is an important one for large format printers.

Partially Disassembled Z3200

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What is a 30 Bit Photography Workflow?

Photoshop 30 Bit Display

Many photographers have been buying expensive wide gamut monitors in order to take a full advantage of their ability to display over a billion of colors. What many do not realize, is that their actual workflow is most likely limited to just 16.7 million colors due to software and hardware limitations. How does one achieve a true 10 bit per channel, or 30 bit workflow? What are the advantages and is it worth the effort? To answer these questions, I decided to dig into the 30 bit photography workflow in detail and explain its advantages, disadvantages and also discuss its future.

Grand Tetons Sunrise

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5 Tools You Might Not Be Using in Lightroom

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I am a professional wedding photographer and I end up editing thousands of images for my clients. While there are lots of wedding photographers who outsource their post-processing to free up their time, I am a believer in editing my own photos. In order to make my job easier, I tend to look for shortcuts and tools in Lightroom itself, which I use extensively. I’d rather do everything in one program than switch back and forth between Lightroom and Photoshop. You do not have to be a wedding photographer in order to take advantage of these tools in Lightroom. You can use these techniques wherever they are applicable. Below are some of the tools you may not be using to edit your photos.

1) Straightening Tool – Perspective Correction

There will be times when you come back with photos that have a tilted horizon, making the composition look awkward. Perhaps you held the camera wrong or simply did not pay attention to framing at the time of taking the picture. Either way, you can fix this issue in Lightroom by using the straightening tool, which is located under the Histogram and looks like a perforated rectangle. Or you can simply press the “R” button on your keyboard to activate the Crop Overlay Menu in the Develop Mode. When you activate the Crop Overlay, the image you are working on will be framed with a cropped edge. While you can hold the corners of the photo and twist and turn it as much as you want, fixing the horizon can be much more calculated and easier than that.

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How to Get Accurate Fuji Colors in Lightroom

Camera JPEG vs Adobe RAW

Our readers often ask us if it is possible to get Lightroom to provide the same colors as one would see from camera-rendered JPEG files when shooting in RAW format. Many photographers often choose specific color profiles in their cameras and they get surprised when images are imported into Lightroom and all those changes are lost. You might have noticed when importing files that Lightroom changes the colors immediately after import, when the embedded JPEG files are re-rendered using Adobe’s standard color profiles and settings. As a result, images might appear dull, lack contrast and have completely different colors. I have heard plenty of complaints on this issue for a while now, so I decided to post series of articles for each major manufacturer on how to obtain more accurate colors in Lightroom that resemble the image preview seen on the camera LCD and in camera-rendered JPEG images. In this article, I will talk about getting accurate colors from Fuji mirrorless cameras in Lightroom. Please see our previous articles on getting accurate colors for Nikon, Canon and Sony cameras.

Camera JPEG vs Adobe RAW

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How to Photograph Engagement Sessions – Planning

Enagement Session #23

Engagement sessions are a big hit with couples and photographers. Almost all couples agree for a session before the wedding, so engagement photography has pretty much become a staple of wedding photography. An engagement shoot is done after a couple gets engaged and it usually is captured before the wedding. Some photographers sell this session as a separate product and most photographers include this session in their wedding packages. Regardless of how you like to approach it, understanding the basics of photographing couples and knowing how to coordinate a shoot that involves more than one person is crucial. Hence, I decided to write a piece to explain what goes into the planning process of an engagement session.

Planning an Engagement Session (18)

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How to Get Accurate Sony Colors in Lightroom

Camera JPEG vs Adobe RAW

Our readers often ask us if it is possible to get Lightroom to provide the same colors as one would see from camera-rendered JPEG files when shooting in RAW format. Many photographers often choose specific color profiles in their cameras and they get surprised when images are imported into Lightroom and all those changes are lost. You might have noticed when importing files that Lightroom changes the colors immediately after import, when the embedded JPEG files are re-rendered using Adobe’s standard color profiles and settings. As a result, images might appear dull, lack contrast and have completely different colors. I have heard plenty of complaints on this issue for a while now, so I decided to post series of articles for each major manufacturer on how to obtain more accurate colors in Lightroom that resemble the image preview seen on the camera LCD and in camera-rendered JPEG images. In this article, I will talk about getting accurate colors from Sony DSLRs, SLTs and mirrorless cameras in Lightroom. Please see our other articles on getting accurate colors for Nikon, Canon and Fuji cameras.

Camera JPEG vs Adobe RAW

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Best of 4th of July Savings

4th of July Savings

We would like to congratulate our readers from the USA with the Independence Day! Fourth of July is a big day not just because you get to see beautiful fireworks (see my article on photographing fireworks) and enjoy a day off celebrating and remembering the sacrifices of the founders of this great country, but also because you get a great opportunity to save. Below are some of the best deals that we found for you.

4th of July Savings

Let’s kick off with the best deal of the day – the Canon EOS Rebel T3 with 18-55mm IS II lens is $299 ($150 off). That’s a pretty solid DSLR with a lens for $300!

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How to Photograph Cathedrals

St Alban's Cathedral

I have been fortunate enough to see some truly spectacular cathedrals in my time, particularly in Europe, and even here in the United Kingdom we are very blessed (pardon the pun) to have some of the most splendid cathedrals anywhere in the world.

1 King's-College-Chapel-Cambridge

Some of them date back to Roman Times (St Alban’s Cathedral, for example), while others are nearly a thousand years old and took over a century to build (e.g. Lincoln Cathedral). Like many old and historical buildings they are truly marvels of architecture and engineering, and represent a dedication to a vision and a lasting monument (if also a great accumulation of wealth!). How many building projects today start with a view to completion in decades or even a century’s time? (La Sagrada Familia in Barcelona is perhaps one.)

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