Featured Articles and Reviews

Nikon 50mm f/1.8G for Wedding Photography

As promised in my Nikon D800 for Wedding Photography article that I wrote a couple of days ago, I am continuing the series and this time with the … [Continue Reading]

Nikon 50mm f/1.8G Weddings (10)

Which Nikon Prime Lens to Buy First?

Buying a DSLR often means having several accessories to go with it, among which are lenses. But choosing your first lens isn't easy - there are so … [Continue Reading]

Which Nikon Prime Lens to Buy First?

How to Read MTF Charts

When my article on field curvature was published a while ago, where I talked about how one could do a quick analysis of lens MTF data and determine if … [Continue Reading]

How to Read MTF Charts

Nikon D800 / D800E for Wedding Photography

While I had talked about my plan to use the Nikon D800 / D800E for wedding photography on our site a few times before, I never had a chance to post … [Continue Reading]

Nikon D800E Sample (21)

Nikon D7100 Review

This is an in-depth review of the Nikon D7100 DSLR that was announced on February 20, 2013, along with the Nikon WR-1 wireless remote controller. … [Continue Reading]

Nikon D7100

Which Nikon DSLR to Buy First?

Even though quite a few of our readers are beginner photographers, we often talk about things that, while simple to us, are much more difficult to … [Continue Reading]

Which Nikon DSLR to Buy First

Nikon Lens Instant Rebates Extended

I have received a number of emails from our readers that were not able to purchase Nikon lenses on time, before the rebate program ended. Thankfully, looks like the rebate program deadline was too short, so Nikon decided to extend it further until March 30, 2013. Since March 31 is Nikon’s financial year end, the goal is obviously to continue to push lens sales as much as possible. I seriously doubt that this specific lens rebate program will be available later this year. Unless Nikon is in serious financial trouble, rebate programs will probably only include DSLR + lens discounts like we have seen in the past.

Nikon Lens Rebate Program

Once again, if you are wondering about which lenses I personally recommend, see my previous article on the rebate program.

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Nikon Coolpix A Compact Camera with APS-C Sensor Announced

We were most surprised by the launch of Nikkor 80-400mm lens, but surprised in a very good way. The first thought I had was – “Finally!” And not just because it’s a long awaited lens, but because it was a lens in the first place and not yet another mildly refreshed camera. I admit that, at first, I didn’t really pay much attention to other products Nikon announced. Perhaps I should have (let me tell you a secret – I’m just trying not to be judgmental in advance). Say hello to Nikon’s first APS-C compact camera, the Coolpix A.

Nikon Coolpix A

Nikon is, obviously, not exactly the first to launch a compact camera with such a large sensor. Sigma have their DP1 with slightly smaller sensors, Leica has its luxurious X1 and X2 and Sony had a go with a full-frame RX-1. And then, of course, there’s the equally loved as it is hated, Fujifilm with X100 and, more recently, X100s. In other words, Coolpix A has no room for mistakes if it is to beat all that competition led by Fujifilm’s excellent cameras. So what exactly does the Nikon offer? Well, it kicks off with a 16.2 megapixel APS-C sensor with ISO range of 100-6400 and 1080p Full HD video. Judging by the specs, it is likely the same unit used in Nikon D7000 camera, as well as some Sony SLT and Pentax cameras. Now, if D7000 is of any indication, that sensor is amazing. It may be several years old and, today, at the lower resolution scale of current sensors of this size, but great high ISO performance and dynamic range are a given. More than that, let’s be fair, 16 megapixels is more than enough for most situations, especially in a compact camera you’re unlikely to use for work that requires large printing. The biggest plus point Coolpix A offers, however, is it’s minuscule size. Measuring 111x64x40mm, it’s not that much bigger than other higher-end compacts, and much smaller than Fujifilm X100s. Take a look at this comparison at CameraSize.com – it really is tiny!

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Impact 22″ Beauty Dish Reflector Kit Review

As you know from reading this site, Impact makes a number of excellent products that offer quite a bit of bang for your photography buck. The Impact 22″ Beauty Dish Reflector Kit represents a solid value for those that want to engage in portrait photography, but don’t want to pay more for a beauty dish kit than they paid for their portrait lens.

Olga-Impact-Beauty-Dish-With-Grid

1) Initial Thoughts

This is one well-built kit that will satisfy demanding professionals and amateurs alike.

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Nikon 80-400mm f/4.5-5.6G vs 80-400mm f/4.5-5.6D

In this article, I will compare the new Nikon 80-400mm f/4.5-5.6G ED VR and its predecessor, the Nikon 80-400mm f/4.5-5.6D VR. Since the lens has just been announced, I have not had the chance to use it and compare it with the older 80-400mm lens. I am planning to expand this comparison further, once I have both lenses in my hands later this year. For now, I will go over specifications and compare both lenses side by side using information provided by Nikon, as well as MTF charts. First, we’ll get started with specifications:

Nikon 80-400mm AF-S vs AF-D

Lens Specifications and Comparison

FeatureNikon 80-400mm AF-SNikon 80-400mm AF-D
Mount TypeNikon F-BayonetNikon F-Bayonet
Focal Length Range80-400mm80-400mm
Zoom Ratio5x5x
Maximum Aperturef/4.5-5.6f/4.5-5.6
Minimum Aperturef/32-40f/32
FormatFX/35mmFX/35mm
Maximum Angle of View (DX)20°20°
Minimum Angle of View (DX)
Maximum Angle of View (FX)30°10′30°10′
Minimum Angle of View (FX)6°10′6°10′
Maximum Reproduction Ratio1/5.7x (1/5.1x in MF)1/4.8x
Lens Elements2017
Lens Groups1211
Compatible Format(s)FX, DX, 35mm FilmFX, DX, 35mm Film
VR (Vibration Reduction)YesYes
VR Technology2nd Generation1st Generation
Diaphragm Blades99
Distance InformationYesYes
Nano Crystal CoatYesNo
ED Glass Elements43
Super ED Glass Elements1N/A
Super Integrated CoatingYesYes
AutofocusYesYes
AF-S (Silent Wave Motor)YesNo
Internal FocusingYesNo
Minimum Focus Distance5.74 ft. (1.75m)7.5 ft. (2.3m)
Focus ModeAuto, Manual, Auto/ManualAuto, Manual, Auto/Manual
G-typeYesNo
Filter Size77mm77mm
Accepts Filter TypeScrew-onScrew-on
Dimensions3.8 x 8.0 in. (Diameter x Length), 95.5 x 203mm (Diameter x Length)3.6 x 6.7 in. (Diameter x Length), 91 x 171mm (Diameter x Length)
Weight56 oz. (1570g)47 oz. (1360g)
Supplied AccessoriesHB-65 Lens Hood, LF-4 Rear Lens Cap, LC-77 Snap-On Front Lens Cap, CL-M2 Ballistic Nylon Lens CaseHB-24 Hood, CL-M1 case, 77mm lens cap, Rear lens cap

Let’s go over the differences between the two now. The very first major difference between the two lenses is obviously the optical lens design. The new 80-400mm lens has a completely new optical formula, with 20 elements in 12 groups, while the older version has 17 elements in 11 groups. So we are not just talking about new tweaks to the lens – this is a whole new design. Here is the comparison of lens construction on both lenses:

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Nikon 80-400mm f/4.5-5.6G ED VR Announcement

In a rather surprising announcement today, Nikon released a major update to the existing 12 year old Nikkor 80-400mm AF-D lens. The new Nikon AF-S NIKKOR 80-400mm f/4.5-5.6G ED VR has a completely redesigned internal focus optical formula with Nano Coating, Super Integrated Coating and extra-low dispersion glass elements. On top of that, the lens sports a second-generation Vibration Reduction (VR II) system for up to 4 stops of shutter speed compensation and a silent wave motor (SWM / AF-S), which means that autofocus will function on any modern Nikon DSLRs, including entry-level models like D3200. This is one of the few Nikkor lenses to have “Super ED Glass”, which has a lower refractive index and light dispersion than ED glass, making the new 80-400mm a premium lens for both enthusiasts and professionals. And with a versatile focal length of 80-400mm, the lens is well-suited for sports and nature photography.

Nikon 80-400mm f/4.5-5.6G ED VR

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PocketWizard PlusX Transceiver Announced

Reputation for reliability and functionality has made PocketWizard the professional’s choice when it came to wireless flash triggers. However, being such a renown brand, there was always a price tag much too steep for many amateurs and hobbyists, especially when you consider buying several of them. For this reason those into strobe photography would often choose other manufacturers (Phottix in particular seems very competitive). Today, PocketWizard attempts to enter budget market as well with PlusX transceiver. While not exactly cheap at $100, it is sure to be within financial reach of most enthusiasts.

PocketWizard PlusX

The PlusX combines both a receiver and transmitter into one package and offers standard 10 channels for controlling your flashes. Simplicity seems to be PlusX’s main point, so a lot of features are automated – for example, it will choose between receiver or transmitter modes automatically. There isn’t any serious manual control available. However, PlusX is compatible with higher-end PocketWizards, which means they will still be useful once you upgrade. Flash sync speed is 1/250s for focal-plane shutters found in DSLRs and 1/500s when used with leaf-shutter cameras, such as Fujifilm X100s.
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Adobe Lightroom 4.4 and Camera RAW 7.4 Release Candidates Available

Adobe has made their almost-finished versions of Lightroom 4.4 and Camera RAW 7.4 available for download. These Release Candidates (RC) have been thoroughly tested, but are subject to improvement over the next few months before final versions are available. So far, Lightroom 4.4 RC is a free download for all current Lightroom 4 customers and will expire by 31st of May. Adobe Camera RAW 7.4 RC will expire on 30th of April. Why are these RC updates important? Well, first of all because of the added support for newest camera models:

Adobe Photoshop Lightroom
  • Canon EOS-1D C
  • Casio Exilim EX-ZR700
  • Fujifilm X100S
  • Fujifilm X20
  • Hasselblad Lunar
  • Leica M
  • Nikon 1 J3
  • Nikon 1 S1
  • Pentax MX1

Now, you may notice the rather peculiar addition of Hasselblad Lunar mirrorless camera which is said to be based on NEX-7, but with a full-frame sensor. There is a reason why I chose words “said to be”, because the camera is yet unfinished and thus unavailable. A rare feat making software support available before the actual camera is even officially announced.

New lens profiles are also present:

  • Canon 24-70 f/4L IS
  • Sigma 18-250mm F3.5-6.3 DC MACRO HSM for Sony and Pentax
  • Sigma APO MACRO 180mm F2.8 EX DG OS HSM for Sony
  • Sigma 35mm F1.4 DG HSM for Canon, Sigma and Nikon
  • Sigma 17-70mm F2.8-4 DC MACRO OS HSM for Canon and Sigma

There is a possibility that new cameras and lenses in addition to the ones mentioned above will be supported when final versions are released.

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New Sony Lenses Announced

Previous Sony SLT-A58 and NEX-3N announcement may not have been all that exciting for the majority of current Sony users, but new and updated lenses usually make a more interesting topic. After all, cameras come and go. As of late, they seem to come and go rather too often – almost as if manufacturers decided to race each other and see who can push more “new” cameras into the market in the shortest amount of time. But good lenses, they tend to stay a while longer. Fine as your camera may be, it doesn’t exactly change the way you photograph all that much, be it a new D7100 or an older D7000, while a new lens – often and quite understandably – can make a much more worthwhile addition to your camera bag. Sony has made sure at least two of the three new lenses are of that kind. Let’s start with the smaller one.

1) Carl Zeiss Planar T* 50mm f/1.4 Lens

If there was ever a serious reason why I considered Sony DSLRs (namely, the Alpha A850 model), it’s Carl Zeiss lenses. Don’t get me wrong – Nikkor and Canon L lenses can be just as good and, perhaps, even superior. There’s more of them. More choice. Broader second-hand market. But somehow I always admired the legendary German manufacturer. There isn’t any real reason I can base my preference on – it’s neither sharpness nor price. But the few Carl Zeiss lenses Sony did have on offer were, in my opinion and experience, spectacular – the 85mm f/1.4 and 135mm f/1.8 most of all. Now, a new prime joins their ranks, and it’s a standard 50mm f/1.4 class lens. For around $1500.

ZA Carl Zeiss Planar T* 50mm f/1.4

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Sony SLT-A58 and NEX-3N Announced

Following Nikon’s announcement of the D7100 DSLR, Sony introduced a new SLT camera, called A58, along with their newest entry-level mirrorless offering, NEX-3N. As before, Sony is pushing a lot of innovative, consumer-friendly features into both cameras to attract customers. Not having all that much pedigree as a camera maker (at least when it comes to DSLR or, in their case, DSLT), features and numbers is their surest way of shifting attention of a potential buyer away from better-known camera manufacturers, such as Canon, Nikon and, perhaps, even Pentax.

1) Sony SLT-A58

The new SLT-A58 is a replacement for two older Sony cameras, A37 and A57, which is a good thing – I’ve always found they had too many models not that different in their positioning. Luckily for current Sony users and temptingly for potential new ones, however, the camera fitted with the usual 18-55mm kit lens will cost around $600, which is on par with Nikon’s lowest-end D3200 camera (while on $100 rebate program). Mind you, on paper, SLT-A58 is no slouch against its competitors.

Sony-SAL-A58-Top

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Nikon D7100 vs D600

Our last comparison will be to show the difference between the new Nikon D7100 and the full-frame Nikon D600, which we reviewed last year. Despite the price differences, seems like a lot of people are wondering which one of the two cameras to choose – the D7100, a cropped-sensor “DX” camera, or the D600, a full-frame “FX” camera. In this article, I will first go into detailed specifications of both cameras, then talk about main features that differentiate the two. Please keep in mind that this comparison is purely based on specifications.

Nikon D7100 vs D600

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