As you may already know, we have covered and complained about the Nikon D600 dust issue quite a bit here at Photography Life, and we were one of the first resources on the Internet to discover the issue, as detailed in our Nikon D600 review. Unfortunately, Nikon failed to take action and issue a recall to fix the shutter problem on the camera, only partially acknowledging the issue and then silently releasing the Nikon D610, without even mentioning a word about why the camera was replaced in the first place. This led to many complaints from existing Nikon D600 owners that felt betrayed and lied to. I have received a number of reports from our readers that had bad experiences with Nikon’s service centers, which despite multiple trips and replacements of parts did not seem to address the ongoing dust issue. Well, some of those frustrated customers did end up taking action and filed a class-action lawsuit against Nikon on February 19th, 2014. It seems like the lawsuit finally did get some traction at Nikon, because today it released a service advisory for all existing Nikon D600 owners. It does not matter if you bought a brand new or a refurbished D600, or if the purchase was made over a year ago and the camera has no warranty – Nikon will repair your camera for free and will pay for all shipping expenses.
Our friends at B&H are selling some Nikon-refurbished cameras at great prices, so I wanted to share those deals with our readers. The Nikon D610 is already available at a great price of $1,749 for a refurbished model, as well as the Nikon D7100, which you can buy now for $939. As before, the Nikon D800 is also available at $2,399 and there are a few other options for refurbished lenses. Please note that a manufacturer-refurbished item means that the camera was returned by a customer (sometimes due to flaws and other times for no reason / dissatisfaction) and the manufacturer thoroughly re-inspected the item, fixed any potential issues and put it for sale it at a significantly lower price. Just like with any new item, B&H provides a 30-day warranty for refurbished stock, so you can return the item if you are not happy with its condition. In addition, there is a 90-day manufacturer warranty in case anything goes wrong, so you can send it back to Nikon for free repair. If you would like to find out more about refurbished gear, check out this article at B&H.
Nikon has not yet updated its main site with the D4s image samples, but thanks to our readers, we have received links to other Nikon global sites that host high resolution image samples from the new Nikon D4s (see related posts). As we receive more sample images, we will be updating this article with those samples for your viewing pleasure.
Please keep in mind that the images are taken in RAW and simply converted to JPEG via Capture NX 2. No other editing has been done, including sharpening.
Link to download the image | Shutter Speed: 1/4000, Aperture: f/5.6, ISO: 250
Although plenty of information was already provided in our Nikon D4s announcement post, many current D4 owners might be wondering how their cameras compare to the newly announced Nikon D4s. In this comparison article, I will provide information about both cameras, along with my analysis of the main differences. I do not yet have a review sample of the Nikon D4s to do more in-depth side-by-side comparisons, so I decided to write about differences in specifications between the two. More details about the D4s will be published in my upcoming Nikon D4s review.
Although the Nikon D4s has already appeared at CES and other events earlier this year, Nikon did not provide official information, pictures, specifications or pricing for the camera until now. Today, the top-of-the-line Nikon D4s is finally released and we have the full details on the camera that we are happily sharing with our readers. Similar to the Nikon D3s, the D4s is an incremental update to the D4 with better low-light performance, bigger buffer, faster frames per second and other improvements highlighted below.
People often ask me about my post-processing when they look over my photography. To be honest, the post-process I’ve developed has been a combination of small tutorials I’ve taken over the years from artists I respect. I’ve since developed my own style from these tools, but the most important part of post-processing is having an image that will take it on well. In this article, I will be talking less about the post-process and more about how to utilize natural light. In order for proper digital development, the shot has to be versatile for the final result.
Do you want something dark and soft? Do you want something bright and warm? These are just a few questions to ask yourself when setting up a portrait session.
The greatest joy for me, as a photographer, is utilizing light to produce a moving image. This can come in any number of forms, from the smallest single strand of light against a face or a subject in a field mid-afternoon. It’s imperative to train the eye to the spectrum of natural light. The only way to do so is to shoot constantly.
I have been playing with the new Nikon NIKKOR 35mm f/1.8G ED FX lens for a week now and have taken it out a few times when the weather got a little better (it has been snowy and extremely windy during the past week here in Colorado). So far the lens seems like another winner. It is small, lightweight and is capable of rendering images with beautiful colors and high contrast. While I have not performed any lab tests, judging from the images I have captured so far, it seems to be very sharp optically, from the center to the corners at infinity:
A few months ago, I started the Mastering Composition series of articles. The goal of these articles was not only to give some useful composition tips for beginners, but to also engage our readers with small assignments. The assignment given to you in the first article of the series has already been addressed in the recent discussion. In this short article, we will address the assignment given in the “Open and Closed Composition” piece.
We are always excited when our team is expanded with talented individuals that share our passion for photography, and this time I am happy to present yet another addition to our family, Francois Malan. Francois was supposed to join our team last year, but he got very busy with his PhD and thus could not commit any time. This year things will change for Francois, as he will be contributing great articles for our readers to enjoy and learn from. He has already posted an article on using DX lenses on FX cameras and we are looking forward to seeing more great stuff. Please give a warm welcome to Francois!
I thought I would post this short and sweet article with my experiences so far with the new Nikon 800mm f5.6 Lens.
This lens is just an engineering marvel, but then that is not the purpose of this short article. I mainly just wanted to share my experience with it so far and a few sample photos taken with it in the field. I have actually hand held this lens in a couple instances where the action happened in such a manner there was no time to tripod it or the bird was moving way to erratically.
First, here is a photo of the 800mm attached to the Nikon D4, all dressed up and ready to go. I have many Lens Coat products and I must say they have done a marvelous job on the lens coat for the 800mm, almost every inch of this delicate baby is totally covered and protected, more so than the lens coat for my 600mm.
The Arca handle is a nice touch when dragging this thing around in the field. For those that are interested in side stories, I named the lens Conan which is a play on words as its the biggest lens Nikon has, but yet in Irish it means ‘little wolf’ or ‘little hound’, both of which I find appropriate.