At a time when the digital photography world was buzzing with new gear announcements, I managed to fall in love with some of Nikon’s very old and cheap lenses, the E Series lenses. My experience with these lenses taught me a great lesson: it is really not about the gear. It is rather about being creative with what gear we already have, despite how limited and incapable we might think of it. This was a great inspiration to me, especially with my nagging habit of lusting after the latest and greatest gear announcements. The fact that I’m writing this article goes to show that I still struggle with GAS (gear acquisition syndrome), but for a change, this is a case about some of the cheapest lenses available.
Yesterday, while thinking about the upcoming wedding that I have to shoot, I glanced at my trusty old D700. The rubber is coming off in places and needs to be glued back on, nothing serious. Two of the batteries that I have need replacing. The plastic screen protector has a few minor scratches on it, but would you expect anything else? No. Those are just minor signs of careful use. In every single way, it’s a damn good camera. And then I wondered, would I recommend it to a beginner looking for an affordable entry into the full-frame world? Oh yes, definitely. And it’s not the only one. So if you are a beginner – either to DSLRs or digital photography – and want to potentially improve the quality of your family pictures, to, perhaps, photograph your son’s football games with more confidence or even start your own photography business, there are a lot of used, older cameras you could go for and not regret it. Let us glance through some of them.
After I have published my Canon 6D review, a number of our readers asked if there was a way to show a comparison between dynamic range performance of a Canon DSLR and and a Nikon DSLR side by side with image samples. Since the Canon 6D has the largest dynamic range in Canon’s line (higher than 5D Mark III), it was a good candidate for such a comparison. On the Nikon side, I used my Nikon D800E, since it has the same base ISO of 100. Since there was a brightness difference between the two cameras (as noted in the above-mentioned review), I compensated the shutter speed accordingly to make it a fair game. The results are quite interesting to look at, showing visible advantage on behalf of Nikon when compared to Canon. The intent of this article is not to spark another Nikon vs Canon debate, as I personally find such discussions useless. This is done as a case study to analyze recovery options between the two brands when shooting in the field.
The best part about the Sensor Gel Stick, is that it can be re-used over and over again and with normal use can last for a long time. But what happens if the gel tip gets less sticky overtime or potentially even completely lose the stickiness property? Some of our customers apparently use the product heavily (even some gear rentals companies use the Sensor Gel Stick) and one of our customers reached out to us asking what to do in such situations. I forwarded the email to our German manufacturer and the response I received was quite simple – just wash it! Apparently, you can safely wash the Sensor Gel Stick with just tap water, let it air dry and it will be as good as new again. I had a hard time believing this, so I decided to test it out on my stick and then use it on my camera to make sure that it actually works. To my surprise, it worked perfectly fine and better yet, it became even more effective than before!
Talking to Tadas Kazakevičius (in case you are having a hard time spelling that, he’s just as well known as Ted Kozak), a young Lithuanian portraitist, was precisely one of those times when you think you have a million questions to ask. But then you meet him at a restaurant for a glass of cold bread kvass and a pizza only to realize you’ve suddenly forgotten all of them. What do you ask a person who’s work you admire so much, you think he’s one of the future classics of his generation? Where do you start? “Don’t be nervous”, he told me. “Why should you be?” True. Why should I be? But then, whilst talking about his street portraits, he answered his own question: “Even after all the portraits that I took of strangers, each time I attempt to approach a person on the street, I need to bring myself to do it. It’s scary.”
Our fall workshops are coming up again this year, so after working out some accommodation and schedule details, we have decided to post a portion of the 2014 Photography Life workshop schedule – Colorado Fall Colors, which will take place on September 26-28 in San Juan Mountains of Colorado in Ridgway / Telluride area. We have reworked the workshop program for this year and we are happy to say that this workshop will bring the best experience in terms of not only learning the art of landscape photography, but also vacationing in one of the most picturesque locations in the world.
It would seem releasing great and very desirable optics has now become Fujifilm’s habit. Several months ago, we were very excited about Fujifilm’s updated lens roadmap – it promised we’d see some truly spectacular lenses. No myriad of only slightly different super-zooms, no tenth kit zoom to be seen. Whoever is responsible for planning future lens releases at Fujifilm, they are doing a mighty good job. And here’s some good news – the official lens roadmap has just received an update to shed some more information on what awaits Fujifilm X-mount system users.
After my review of the Tamron 150-600mm VC telephoto zoom lens appeared here at Photography Life, a number of readers had questions on how that lens compared to the long telephoto zooms from Sigma. As luck would have it, I was able to borrow a recently purchased Sigma 150-500mm OS from a friend and this article captures some initial thoughts about photographing birds, including those in flight, with this lens.
Although the Canon 6D has now been out for almost two years, I never had a chance to review it. Since the new Sigma 50mm f/1.4 Art series lens was initially available only for the Canon mount, I requested the Canon 6D with the lens from our trusted partner B&H Photo Video. My aim was to review both, as I had been planning to review the 6D for a long time now. Ever since I reviewed the Canon 5D Mark III, our readers have been asking us to test out other Canon DSLRs, including the 6D. So this was a good opportunity to catch up, although quite late. Well, better late than never, I guess! Instead of covering everything in much detail though, I will be mostly summing things up based on my three month experience with the camera and feedback from others – I don’t think there is a need to spend a lot of time on this, especially after the camera has been in the market for so long and reviewed by so many people.
If you weren’t already aware, Nikon’s newest DSLR, the Nikon D810, was just released on July 18. For the announcement history, features, sample images and other current D810 posts, you can search Photography Life’s archives. When I saw the camera’s features, a few of them got me immediately excited. I don’t consider myself to be a photographer who has gear lust and must always have the newest camera body, regardless of how incremental the improvement may be. With that being said, as soon as it was announced I simply knew that I had to get the D810. Why? I’m glad you asked.