Nikon D750

An in-depth Nikon D750 review with image samples, ISO tests, detailed real-life analysis and comparisons to other DSLRs

Images of Greece 3

Like many couples, my wife and I talked about going to Greece for many years. Fortunately for us the stars aligned this fall and we […]

Dreamy Portrait

It seems that many photographers go through a certain cycle of mistakes and errors during their photography journeys and careers. Some of these mistakes and […]

Nikon D810

An in-depth Nikon D810 review with sample images, high ISO tests and detailed real-life analysis

Nero Trigger Giveaway Winner

Nero Trigger Giveaway Winner

We recently ran a giveaway with our friends at Nero Trigger and although I messed up the giveaway announcement date (originally posted as September 5, but it was supposed to be September 12), for which I apologize, we still had great participation from our readers with a total of 932 entries. After eliminating the cheaters and duplicate entries, we used a random number generator to pick the winner.

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Nikon D750 Buffer Capacity

Nikon D750

The Nikon D750 has the most advanced autofocus system Nikon has produced to date, thanks to its new Multi-CAM 3500 FX II autofocus module that is capable of focusing in dim light conditions with a -3 EV to +19 EV detection range. While the camera is capped at 6.5 frames per second of continuous shooting speed, one might be wondering how long the camera can shoot continuously, before the buffer fills up and the camera slows down. In this article, we will explore the buffer capacity of the Nikon D750 and compare it to the D610, D700 and the D810 cameras.

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Nikon D750 vs D610

Nikon D610 vs Nikon D750

As we have already pointed out in our announcement, the Nikon D750 shares quite a bit with the D610 when it comes to size, ergonomics and resolution. There are, however, some big differences in terms of autofocus performance, with the D750 employing top of the line autofocus system borrowed from the new D810 with superior ability to focus in low light. Let’s take a closer look at the camera specifications and see the differences between these cameras. Please keep in mind that this comparison is purely based on specifications. A detailed comparisons of all the features and their real world relevance will be provided in our upcoming review.

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Tamron Announces 15-30mm f/2.8 VC Lens Development

Tamron 15-30mm f2.8 VC Lens

Much like its direct competitor, Tamron is releasing one great lens after another. But if the former Japanese manufacturer started its renaissance with prime lenses, Tamron has been focusing on zooms instead. First, it was the rather great 24-70mm f/2.8 stabilized standard zoom. Then, the equally-great stabilized 150-600mm superzoom. Now, they announced a new professional grade lens, or rather – its development. And, if previous releases are of any indication, there is a good chance the new lens will impress.

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Two Sigma 150-600mm f/5-6.3 Lenses Announced

Sigma 150-600mm f5-6.3 OS DG HSM C Lens

Tamron’s new 150-600mm lens created quite a lot of stir. Let’s be honest, it is a cracking lens for its class, and even more so for its price. We covered it in detail in our review. We then covered it again, and again. And… yes, again. And each time, it earned a healthy amount of praise. But someone at Sigma obviously had the same idea, because today they announced not one, but two different 150-600mm lenses. I have a slight feeling they want some of that love their main third party competitor has been receiving lately.

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Nikon D750, Nikkor 20mm f/1.8G and SB-500 Pre-Order Options

Nikon D750 Pre-Order

Our partners at B&H and Adorama informed us earlier today that they are already accepting pre-orders for the newly announced Nikon D750, Nikkor 20mm f/1.8G ED lens and the SB-500 Speedlight. All three should start shipping at the end of September, which is in roughly two weeks. If you would like to pre-order and support our efforts, please use the below links.

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Nikkor 20mm f/1.8G Image Samples

Nikkor 20mm f/1.8G Image Samples (3)

Below you will find image samples from the new Nikkor 20mm f/1.8G lens that we wrote about earlier today. Except for one image, most images were taken with the new Nikon D750. Unfortunately, since EXIF information is missing on these images, it is hard to say what aperture was used at each shot. On images with visible background blur, we can assume that f/1.8 aperture was used. Looking at the detail level, the sharpness of the lens seems to be amazing wide open. Once I obtain information about each image, I will update this article with more details.

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Nikon SB-500 Announcement

Nikon SB-500

The last announcement from Nikon today was for the new SB-500 speedlight, Nikon’s first speedlight with a built-in LED light. With a guide number of 24m at ISO 100, it is not a very powerful flash unit (the SB-600 is at 30m and the high-end SB-910 is at 34m), but it is quite flexible with the head tilting up to 90° and rotating horizontally 180° to the left and right. In addition, it can be used as a commander or a remote flash unit and it is fully compatible with the Nikon CLS system. At $249.95, it is priced $80 cheaper than the higher-end SB-700. What’s exciting about this unit is not its typical features, but the built-in LED light. With approximately 100 lumens of brightness, the LED light can be used as a small video light or potentially even assist in acquiring focus in low-light situations. The LED light can be operated independently from flash, which means that you could actually detach the SB-500 from the camera and use its LED light exclusively, if needed. I personally welcome this innovation in speedlights and I believe it will be quite useful in some situations.

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Nikon 20mm f/1.8G ED Lens Announcement

Nikon 20mm f/1.8G ED

Together with the D750, Nikon has also announced a brand new full-frame lens, the Nikkor 20mm f/1.8G ED. This lens announcement is really exciting, because it is Nikon’s first 20mm f/1.8 ultra wide-angle lens with impressive specifications and optical design. Not only does the lens feature aspherical elements and Nano coating for reduced aberrations, ghosting and flare, but it also comes with two ED (Extra Dispersion) glass elements that are typically used in expensive, professional lenses for extra clarity and superior sharpness. With a gold ring and a price tag of $799, this lens seems to be of superb value for low-light wide-angle photography. Looking at its wide-open sharpness (more on that below), it seems like the lens could be a great candidate for astrophotography. Let’s take a look at the lens in more detail.

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