A fortunate event took place a couple of weeks ago – my wife Lola lost the eyecup from her Nikon Df camera (see our in-depth review of the Nikon Df). She wasn’t sure how, but it most likely just got unscrewed while she was busy photographing a wedding. Why fortunate? Because I started to look for a replacement, something I have never done before. Indeed, those eyecups usually stay attached securely on cameras and practically never come off, so this was the first. During my search, I came across the Nikon DK-17M magnifying eyepiece – something I have seen before, but never cared to use. As I was ordering the replacement eyecup for the Df (and I was getting the superior “Anti-Fog” version), I decided to also get the DK-17M and give it a try. Since I enjoy using the Nikon Df with older Nikkor prime lenses, I thought it would be a good idea to try it with those manual focus lenses. When the package arrived, I mounted it on the Nikon Df that already had Lola’s favorite Nikkor 50mm f/1.8G lens attached and I was immediately blown away! The 1.2x magnification made the viewfinder appear much larger and I could see everything so much clearer, that I wondered why I had never even tried one of these before. After a couple of days of using the DK-17M, I ordered a few more for each of our cameras and now I cannot imagine using my DSLRs without these handy little magnifiers!
An in-depth Nikon D750 review with image samples, ISO tests, detailed real-life analysis and comparisons to other DSLRs
Like many couples, my wife and I talked about going to Greece for many years. Fortunately for us the stars aligned this fall and we […]
It seems that many photographers go through a certain cycle of mistakes and errors during their photography journeys and careers. Some of these mistakes and […]
As our readers know, we love Think Tank products. We have reviewed a number of their bags and cases and have highly praised them for their durability, quality and features (to see a list of our in-depth Think Tank product reviews, please check out this page), so when we found out that Think Tank is adding even more great additions to their existing line of strong products, we got very excited. Previously, the biggest rolling gear bag was the Logistics Manager 30, which can fit a lot of gear for a working pro. And now Think Tank added even a bigger bag, the Think Tank Production Manager 40, which is specifically designed for transporting professional lighting equipment. It is spacious enough to fit a large amount of lighting gear such as flash heads, power packs, monoblocks, softboxes and light stands. And just like other Think Tank rolling bags, we can expect the Production Manager 40 to be of superb quality.
Most modern camera makers have already embraced the fact that, at this day and age, providing a tool just for photography is not enough. A camera needs to do video, and really rather well at that. Connectivity is also a big deal these days with WiFi being the very least that is asked for. Bluetooth is slowly making its way in, too, and many raised eyebrows appear due to the lack of built-in GPS, something that’s been available on the cheapest of smartphones for years now. No manufacturer is brave (or stupid, or both) enough to go back to their purely photographic roots. The boldest move I’ve seen in recent years was the Nikon Df with all the “pure photography” campaign, and all they did was add some more analogue controls and remove video capability which, I am fairly certain, could be added via a simple firmware update. Not that I want to undermine that camera, far from it. Merely say that it is very much a 21st century product packed with features you may or may not use. No manufacturer is brave enough to go back to the very simplest things that are needed to capture an image and nothing else. Not even Fujifilm – under the gorgeous retro skin of X-mount cameras lies the very latest technology.
Wait. I think I may be wrong when I say there is not one such manufacturer. Leica M Edition 60, anyone?
In addition to the 7D Mark II, Canon also announced three new lenses this week at Photokina: EF 400mm f/4 DO IS II USM, EF 24–105mm f/3.5–5.6 IS STM and EF-S 24mm f/2.8 STM. The first two are designed to work on both full-frame and APS-C cameras, while the 24mm f/2.8 is designed to be only used on cropped sensor cameras. The EF 400mm f/4 DO IS II USM is an update to the first model of the lens that was produced back in 2000, and this time Canon put a lot of new technology into the lens and has updated the lens design. The letters “DO” stand for “Diffractive Optics“, which not only reduce chromatic aberrations thanks to their different light dispersion path, but also allows for much smaller lens design. As a result, the EF 400mm f/4 is significantly smaller and lighter than the regular 400mm f/2.8L lens. In addition to the above benefits, the 400mm f/4 DO IS II USM now has better coatings to reduce ghosting and to improve color balance. Just like the professional “L” lenses, the lens has both dust and water-resistant construction and a 3 mode Image Stabilization system that offers up to four stops of vibration compensation. At $6,899 it is not a cheap lens by any means, but at the size a little bigger than a 70-200mm lens, it is surely an attractive choice for those that want to be able to hand-hold a 400mm lens.
It has not been 3 months since Nikon released the long-awaited update to the D800 / D800E cameras with the D810 announcement and we now have another camera in Nikon’s full-frame line-up. Without a doubt, the Nikon D750 is a very capable camera and most likely will be quite popular for a while. Thanks to its updated high-end autofocus system, which is supposed to deliver even better results than the high-end Nikon DSLRs (including the Nikon D810 and D4S), and excellent detection range of -3 EV, the D750 will be a tool of choice for many Nikon shooters. With its attractive price of $2300 MSRP, one might wonder what feature differences there are between the new D750 and the Nikon D810, which we highly praised in our 9 page review. While our upcoming tests and review will show image quality and other differences, meanwhile, let’s take a look at how the two compare in terms of specifications and ergonomics / handling.
When Samsung announced their first Android-powered mirrorless camera, I was really rather skeptical. The problem lies within the OS itself – its versatility also brings a whole lot of issues. Yet I feared the Korean manufacturer would keep at it, for better or worse. In a surprise move for me personally, they seem to have decided against it with the newly announced flagship of the NX system, the NX1. This is by far the most impressive camera in the NX line-up. It does away without Android, but Samsung still calls it a “smart” camera thanks to all the connectivity options. On paper, it is every bit as capable as the best in the class and then some.
Today Canon announced a highly anticipated update to the sports and wildlife shooter’s camera, the Canon 7D. After over five years of long wait, the new Canon 7D Mark II finally saw the light of day and it is not here to disappoint – Canon crammed quite a bit of power into the camera and made it a speed demon with a very impressive speed of 10 fps. Aside from the speed, the biggest highlight of the 7D Mark II is its impressive autofocus system. Borrowed from the top-of-the-line EOS-1D X, the autofocus system has a whopping 65 autofocus points, all of which are cross-type. Similar to the new Nikon D750, the Canon 7D Mark II also has -3 EV sensitivity, which means that it can focus quite well in low-light situations. To drive 10 fps continuous shooting speed, 65 focus points and 1080p full HD video recording at 60 fps, the 7D Mark II comes with dual DIGIC 6 image processors. Nikon shooters have been waiting for a “Pro DX” camera like this for many years now, so with Canon releasing the 7D Mark II, many of us might be wondering if Nikon will ever respond with a similar camera.
Technically, the article is supposed to be called “Nikon Speedlight Comparison”, because Nikon calls their flash units “Speedlights”. This article is written as an introduction to the current and older line of Nikon Speedlights, specifically the Nikon SB-300, SB-400, SB-500, SB-600, SB-700, SB-800 (discontinued), SB-900 (discontinued) and SB-910. In addition to some basic information on each Speedlight, I will provide a comparison chart on the bottom of this article as well, to make it simpler for our readers to understand the differences.
We recently ran a giveaway with our friends at Nero Trigger and although I messed up the giveaway announcement date (originally posted as September 5, but it was supposed to be September 12), for which I apologize, we still had great participation from our readers with a total of 932 entries. After eliminating the cheaters and duplicate entries, we used a random number generator to pick the winner.
The Nikon D750 has the most advanced autofocus system Nikon has produced to date, thanks to its new Multi-CAM 3500 FX II autofocus module that is capable of focusing in dim light conditions with a -3 EV to +19 EV detection range. While the camera is capped at 6.5 frames per second of continuous shooting speed, one might be wondering how long the camera can shoot continuously, before the buffer fills up and the camera slows down. In this article, we will explore the buffer capacity of the Nikon D750 and compare it to the D610, D700 and the D810 cameras.