Often when we are creating images, especially landscapes, we can get so focused on the main subject that we forget to think about incorporating a foreground element to help add depth and drama to our scene. There are a number of different approaches we can use. In this short article I’ll be illustrating three simple and effective ways you can incorporate foreground elements into your images. The first is something that I like to call a ‘bottom band’ during my landscape seminars. [Read more...]
After my previous, slightly unorthodox article on improving your photography, here comes another one. And, as you may have guessed from the title, I am […]
I have a simple question for you. Why do you enjoy photography? When I first asked myself this question, I thought, “Well, it’s obvious, isn’t […]
As with every skill, be it conscious or instinctive, your ability to choose composition for any given moment you wish to capture improves with time, […]
One of the most important considerations any photographer makes is determining compositional lines in images they create. In this short article, I will be discussing […]
One of the most common mistakes I see when reviewing images submitted by our readers, or when reviewing portfolio images during our workshops, is a […]
Often when we are creating images, especially landscapes, we can get so focused on the main subject that we forget to think about incorporating a […]
Considering the rule of thirds is perhaps the most popular (certainly the best known) way of composing an image, but only a short while ago did it dawn on me that not everyone is familiar with this composition guide. But that’s alright. After all, the first reason why we are here is to learn. What I found slightly worrisome is that we didn’t actually have an article on the rule of thirds. It is about time we rectify the problem.
I will start this giveaway announcement with a short story. Why? Because people working at LoveCases are brilliant. So here it goes. A few months ago, I was contacted by a chap named David on behalf of an UK-based camera bag and accessory store, LoveCases.co.uk. He made a proposal to me – their team would send me a bag of my choice, and I would review it for them. I had nothing against the idea, why would I? There was only one condition that I thought was important we established – no matter what it was that they sent me, my impressions would always be my own, honest and unaffected by anyone else. Just as they would be if I had purchased the product myself. And you know what? A little while later, I wrote this.
During the past several weeks, we’ve been mostly talking about equipment and all sorts of technical aspects of digital photography. We’ve covered the Nikon D810, talked about its dynamic range, discussed the sRAW format, reviewed the Canon 6D and suggested settings for different cameras. We reviewed the Nikon D750 and even the flagship D4 and D4s cameras. I won’t even mention all the ISO comparisons and new equipment impressions. There were plenty more articles and you know what? You liked them. A lot. Which is a huge compliment for us, because of all the effort it took us to prepare them. Having said that, we could not help but notice just how much you liked them… And, at some point, I even thought – perhaps a little too much? Don’t throw stones at me, but are cameras and software always the right aspects of photography to focus on? Alright, saying it’s the wrong one to focus on is perhaps a little too naive. After all, if we did not use our equipment (and to use it one must first learn how to), we would not be able to enjoy photography. And yet it may be that, after so many technical articles, there is something righter (forgive me for coming up with words as I go) that deserves our attention. It may be that we need to balance out the sRAW talk with composition, the camera choices with actual photography. It may be that we need a week of photography and not a single review published. What do you say?
Exactly after two years since the Nikon D4 announcement, Nikon made the D4s public at the 2014 Consumer Electronics Show (CES) on January 6, 2014. Although the camera was not ready for a full announcement, Nikon wanted to have something to show at the CES, so it only hinted about the development of the camera and its intentions to preview it. The camera was officially announced at the end of February and the first units started to ship shortly after in March. The Nikon D4s is a modest upgrade over the D4, with very slight ergonomic changes, expanded ISO range, faster image processor, faster wired / Ethernet speed, improved battery capacity and a bunch of new firmware options. As an incremental update, the Nikon D4s basically solidified the already superb D4 and made it even better.
In my recent Street Photography in Greece article I mentioned that I used DxO ViewPoint 2 to apply perspective adjustments to many of my street photography images. A number of readers contacted me outside of the discussion forum and asked me if I could demonstrate a couple of common adjustments that I do with this software as they were unfamiliar with it.
It has been close to three years since Nikon announced the D4 and our readers might be wondering why I am only now reviewing the camera, especially given the fact that it has already been replaced by the Nikon D4s. While working on the D4s review, I thought that it would be a good idea to revisit the older D4 – better late than never! Since the camera came out, I have used it on several occasions for both personal and business needs, and a number of our team members have owned or still own the D4. Hence, the information and images that I gathered for this review represent a collective effort between our team at Photography Life.
Waterproof, shockproof, mirrorless and with a 14mp sensor larger than most point-and-shoot sensors, the Nikon 1 AW1 (MSRP $799.95) is the only camera in its class. It seemed an ideal choice for a photographer with a bad case of pixelitis who was going to ride an overgrown innertube down the raging rapids of the Grand Canyon. To quote from Nikonusa.com: “At last, stunning images from a camera you don’t need to baby. From kayaking to mountain climbing, keep the rugged Nikon 1 AW1 by your side. Waterproof to 49 feet without a bulky protective housing—carry it rafting, swimming or snorkeling.” Okay.
Like most photographers I have a few different gear bags and none of them seems to be the perfect solution to meet all of my needs. I further compound this problem by buying more gear, then kicking myself in the butt when my storage and transport issues get even more complicated.
After a long battle with cancer, legendary Swiss photographer René Burri passed away today at the age of 81 in Zurich. If you are not familiar with René Burri’s work, he was the photographer that captured such famous people as Che Guevara, Pablo Picasso, Winston Churchill, Richard Nixon and make others. He covered wars and conflicts with his storytelling imagery and created some of the most iconic images in photography history. You can read more about René Burri on this Wikipedia article. He worked for Magnum since 1956 and you can see a lot of his work on this page at Magnum Photos.