Nikon D810

An in-depth review of the Nikon D810 DSLR with sample images, high ISO tests and detailed real-life analysis

Nikon D810 and Sigma 50mm f1 (2)

Some of our readers have been asking about the performance of the Sigma 50mm f/1.4 Art lens on the Nikon D810, particularly about its autofocus… read more »

Nikon D810 Bird Photography (2)

We are continuing our coverage of the Nikon D810 and today we want to talk about the capability of the D810 to photograph wildlife, particularly… read more »

© Tadas Kazakevičius. Children of Silenai (9)

Talking to Tadas Kazakevičius (in case you are having a hard time spelling that, he’s just as well known as Ted Kozak), a young Lithuanian… read more »

Enagement Session #23

Engagement sessions are a big hit with couples and photographers. Almost all couples agree for a session before the wedding, so engagement photography has pretty… read more »

Fuji X-T1

An in-depth review of the Fuji X-T1 mirrorless camera with image samples, specifications and comparisons to other cameras -

Fujifilm X30 Announcement

Fujifilm X30

We’ve fallen behind with announcements and it’s time we caught up! Firstly, let’s talk about the new Fujifilm X30 compact camera. Fujifilm has actually been a lot in the news lately. They’ve been spurring up the market with innovative approach to product design and functionality. But if you glance at the X30, it’s not really that different compared to its predecessor. Perhaps a closer look will tell us more.

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Photographing Waterfalls with Nikon 1 Cameras

Nikon 1 V2

As an owner of a Nikon 1 V2 and a selection of Nikon 1 lenses I’m always looking for ways to extend the use of this compact-sized camera system. I thought it would be an interesting challenge to try and photograph a waterfall with the Nikon 1 system. When many of us first start out photographing waterfalls we are often disappointed with the images we capture as they have a ‘frozen’ appearance and lack the ‘smooth water’ effect that can add beauty and drama to our photographs. To achieve the ‘smooth water’ effect we need to slow our shutter speed down. This can be accomplished by using the lowest possible ISO setting, stopping our lens down, and by using a neutral density filter.

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Shooting with a 35mm Prime on APS-C

4 New York Sunset

So, my poor little 35mm lens was looking a little despondent after I had finished extolling the virtues of my 50mm. The 35mm just sat on the shelf looking at me, forlorn and with a glint of sorrow in its glass. Had I forgotten how much I liked using it? Did I not have dozens of favourite images from around the world taken with it? Indeed I did, and thus I took it upon myself to ensure due credit was given to this gem. Well, that plus another request from a reader to talk about using it.

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Nikon Group-Area AF Mode

Nikon Dynamic-Area AF

The latest Nikon DSLRs like D810 (see our detailed review) and D4S came with the a new “Group-area Autofocus” mode. When compared to the regular Single-Point AF Mode, Group-area AF activates five focus points to track subjects. This focus mode is great for initial focus acquisition and tracking of subjects when compared to a Single-Point or Dynamic AF, especially when dealing with smaller birds that fly erratically and can be really hard to focus on and track. In such situations, the Group-area AF mode might give better results than Dynamic AF, showing better accuracy and consistency from shot to shot.

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How I Stepped in Front of the Line to Get my Tamron 150-600mm

Lovebird Hill Garden

My post about my one night stand with the Tamron 150-600mm generated a lot of comments. A lot of people bemoaned the fact that they couldn’t get one because it was backordered at B&H, Adorama and the like. In 10 days, I’m departing on an exciting 18-day raft trip down the Grand Canyon and didn’t want to lug my expensive 500mm down the river in the raft. Nevertheless, I really wanted to shoot the wildlife down there and felt the more compact Tamron would be ideal. So yesterday, while out shooting ospreys, I ordered one and will have it in a couple days.

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Nikon D810 Review

Nikon D810

After more than two years since the successful launch of the Nikon D800 and D800E cameras, which shook up the photography industry with the high resolution 36.3 MP full-frame sensor, Nikon finally introduced an update to the cameras and combined the two into a single camera body. Although the new Nikon D810 has the same 36.3 MP resolution as its predecessors, it features a new sensor with an expanded native ISO range and comes with significant improvements to camera features, performance and ergonomics. In this review, we will take a closer look at these improvements and compare the performance of the D810 to other Nikon cameras.

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Sideline Photography Tips

Sideline Photography Tips (1)

As a dedicated sports photographer I have shot many different sports, mostly concentrating on the action. However, some sports require more attention than others, and all of them have “dead” or non-action time. During such time you can either review the shots you recently took, or look for “opportunity” shots; a chance to catch people unawares, to photograph them as they really are, instead of how they look when they pose for a picture. I have always preferred candid shots over posed shots, and feel that such shots are “truer” visions of the subject.

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Newly Received D810 Stock Does Not Have the Thermal Issue

Nikon D810

Apparently the new stock of Nikon D810 cameras arriving from Japan to large retailers like B&H Photo Video and Adorama already has the reported thermal issue addressed. We received confirmation from B&H Photo Video that the new stock they received today already has the the black label in the tripod socket, which is the indication of the fix, as shown in the service advisory.

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My One Night Stand with the Tamron 150-600mm

Squirrel Jumping

Maybe my self-esteem was dipping that day or maybe I was just feeling like seeing how the little people lived. Whatever the reason I decided I needed to humiliate myself a bit so I decided to slap a third party lens on my Ferrari, er, I mean Nikon D4s. The choice – the Tamron 150-600mm f/5-6.3 VC USD. For the last 30 years I’d never shot anything but Nikon glass – no cheap third party lens would dirty up my cameras.

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