Featured Articles and Reviews

Apple Mac Pro Review for Photography Needs

I never thought that I would be reviewing an Apple Mac Pro, since I have never owned a Mac and was always a PC user. In fact, the last time I really … [Continue Reading]

Apple Mac Pro

Tamron 150-600mm f/5-6.3 Review

This is a detailed review of the Tamron SP 150-600mm f/5-6.3 Di VC USD, an ultra-telephoto zoom lens that was announced in November of 2013 for … [Continue Reading]

Tamron 150-600mm f/5-6.3 Di VC USD

Wildlife Photography Tips Part Two

It has taken a little longer than I wanted, but I finally got around to writing this second article on photographing wildlife. The writer in me is … [Continue Reading]

600lb Wet Black Bear

Fuji X-T1 Review

This is an in-depth review of the Fujifilm X-T1, a weather-proof mirrorless interchangeable-lens camera from Fuji that was announced on January 28, … [Continue Reading]

Fuji X-T1

How to Photograph Cathedrals

I have been fortunate enough to see some truly spectacular cathedrals in my time, particularly in Europe, and even here in the United Kingdom we are … [Continue Reading]

St Alban's Cathedral

How to Photograph Clouds

Nature often rewards us with incredible opportunities for photographing sunrises, sunsets and sun rays piercing through the clouds, creating stunning … [Continue Reading]

Mt Rainier Sunset

Sensor Gel Stick for Sony is available in limited stock

Just wanted to let our readers know that the Sensor Gel Stick for Sony cameras is now available in limited stock. We have already shipped our first batch of pre-orders and now we are ready to accept more orders. We apologize for being a bit late on delivering the product – the manufacturer had some unexpected delays and could not ship the goods our way on time. We are almost out of the regular version of the Sensor Gel Stick as well, hoping to get a new batch within the next 2 weeks. So if you need to clean your sensor, we would recommend to do it sooner than later before the stock completely runs out again.

Sensor Gel Stick for Sony

We are also excited to announce some new products within the next few weeks. We will be rolling out a wet cleaning product, which will be more effective and economical than Visible Dust’s wet cleaning solutions. Stay tuned for the upcoming announcements!

Sigma 50mm f/1.4 Art Sharpness and Bokeh Comparison

While initially testing the Sigma 50mm f/1.4 Art lens for our in-depth review, we only had access to the Canon version of the lens (since it came out first), so we could not provide comparison results to other similar focal length Nikon prime lenses. Thanks to our friends at B&H Photo Video, we recently received two copies of the lens for the Nikon F mount to finally complete the review. We also obtained the older version of the lens, the Sigma 50mm f/1.4 EX DG HSM, along with the Nikon 50mm f/1.4G and Nikon 58mm f/1.4G lenses for comparisons. Unfortunately, the Zeiss Otus 55mm f/1.4 we tested was not available at the time and we could not include it in the below bokeh comparisons, although our usual sharpness tests were carried out and those are included in this article.

Sigma 50mm f/1.4 Art

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Keeping The DSLR Handy

I have stated in a previous article that I probably will sell all my DSLR gear eventually, so rarely does it ever get used. Virtually all my work now is done with mirrorless m4/3 (Olympus EM-5). But I must admit to being glad that I brought my DSLR along with me to a recent trip to The Lake District and Scotland. And while I used my EM-5 for virtually the entire trip, canoeing on lakes and hiking up hills with it in a small camera bag, I knew the DSLR would be more effective at capturing the night sky. I was hoping at some point the skies would be clear enough for me to capture some stars, possibly even the Milky Way, and since I had my car bringing along extra gear was not an issue.

1a-Milky-Way-

(Nikon D600, Tokina 11-16mm F/2.8)

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Nikon D810 for Bird Photography

We are continuing our coverage of the Nikon D810 and today we want to talk about the capability of the D810 to photograph wildlife, particularly birds. Bird photography is complex and very demanding in terms of gear when it comes to autofocus speed, accuracy and response time. While mirrorless cameras have become a superb choice for everyday photography, they are hard and sometimes impossible to use for photographing fast-moving subjects, like birds in flight. Most mirrorless systems today don’t even have fast telephoto lenses longer than 300mm. Hence, DSLR cameras are the default choice for wildlife photography today.

Nikon D810 Bird Photography (5)

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Genaray LED-7100T On-Camera Light Review

Like many photographers and videographers, I’ve found that there have been times when I really could have used a small, highly portable, adjustable light source. This most often occurred when I shooting close-up still images or video clips of industrial machinery where I couldn’t get my regular studio lighting to fit into cramped quarters. I began looking for a solution and came upon the Genaray LED-7100T On-Camera Light.

Generay LED 7100T On-Camera Light

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Fuji X-T1 and Sony A7 / A7R Deals

Today we have some great deals to share with our readers. The Fuji X-T1, which we highly praised in our X-T1 review, is currently on sale at B&H Photo Video. For $1,299, which is the price of the X-T1 body, you get the camera, along with the VG-XT1 Vertical Battery Grip, a spare NP W-126 battery and a SanDisk 32GB Ultra microSDHC card thrown in for free, a savings of $320.

Fuji X-T1

Along with the Fuji X-T1, B&H is also offering $200 off on both the Sony A7 and A7R cameras, bringing the A7 down to $1,498 and the A7R down to $2,098.

Recommended Sony A6000 Settings

We are continuing our series of recommended settings for cameras and this time we have the Sony A6000, an advanced interchangeable lens camera designed for enthusiasts and professionals. In this article, I want to provide some information on what settings I use and shortly explain what some of the important settings do. Please do keep in mind that while these work for me, it does not mean that everyone else should be shooting with exactly the same settings. The Sony A6000 has a myriad of settings that can be confusing to understand, so the below information is provided as a guide for those that struggle and just want to get started with a basic understanding of these settings.

Sony A6000

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When Things Go Wrong…

From time to time, as photographers many of us face issues with the equipment that we have purchased. It could be a problem with a camera, lens, various types of studio equipment, or with camera accessories. How a manufacturer and the selling dealer address the issue and bring it to resolution, or not…can have a significant impact on our continued patronage of that brand of equipment, and the dealer that sells it.

When Things Go Wrong

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sRAW Noise vs Down-Sampling

We are continuing our in-depth evaluation of the sRAW format and this time we want to compare noise performance of sRAW when compared to down-sampling / resizing of images in post-processing software. Since Adobe’s Camera RAW processes high ISO RAW images and especially the sRAW format quite poorly, I used Nikon’s Capture NX-D software instead. The results are quite interesting, showing pretty decent implementation of in-camera resizing and noise reduction. For this study, I only exported high ISO images above ISO 800.

Nikon D810 ISO 800 RAW Nikon D810 ISO 800 sRAW

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sRAW Study: WB and Recovery

With the introduction of the Nikon D4S and the D810, Nikon introduced the new sRAW format for saving images. While we have already explained the format in detail in our sRAW format explained article, there were many follow-up questions from our readers, some of whom asked us to provide some image samples from RAW, sRAW and JPEG formats to compare things like white balance recovery and highlight / shadow recovery. In this article, we will explore the sRAW format in detail and show sample images from both controlled lab and outdoor environments, demonstrating what sRAW is capable of delivering when compared to the regular RAW format.

First, let’s take a look at how capable the sRAW format is at recovering white balance. For the first test, we photographed a color chart with the D810 in proper white balance, then changed the WB setting to 2500K (cool) and 10000K (warm). The below comparisons demonstrate the results in both sRAW and JPEG formats to show their differences compared to regular RAW files.

sRAW White Balance Recovery: Controlled Environment

Here is a crop from a color chart shot with correct white balance:

Nikon D810 RAW

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