By now you have probably heard about Adobe’s decision to stop development of Adobe Creative Suite (which includes such software as Photoshop and Illustrator) and move to a completely different subscription-only model. In short, Adobe does not want to sell packaged versions of its software anymore and wants you to instead pay for select software packages or the whole Creative Suite on a monthly basis. For example, today you can purchase Adobe Photoshop CS6 for $599 and own the license, which means that you can install it on your computer and use it whenever you want without limitations. With the new Adobe pricing strategy, you will no longer be able to purchase Photoshop that way – you will have to get a $20 per month subscription for using Photoshop alone (or $50 for the whole Creative Suite). There will be no other option. Software will be delivered over the Internet and once you get it installed, it will make occasional requests over the Internet to Adobe.com to verify your subscription level. Creative Cloud will work the same way that CS6 works today, except it will require an active subscription. When traveling without any Internet connectivity, the software will work for a limited amount of time (something like 30 days) before ceasing to work and requiring you to connect to the Internet.
I was eagerly awaiting my Think Tank Retrospective 30 Shoulder Bag for an upcoming trip. I knew I HAD to have it for this trip to keep my gear securely organized and safe! While I am a big fan of Think Tank and already have their Airport Take Off and their waist system (to be reviewed in the future), I did not have any sort of professional shoulder bag for carrying my camera gear. Previously, I had taken a large purse and affixed some foam for protecting my camera and called that my camera shoulder bag. It was awful and I was in great need for a professional, durable, smart shoulder bag for my travels. Think Tank came to the rescue.
1) Product Specifications
- Minimalist outer appearance conceals expensive photo equipment
- Carries a pro size DSLR with standard zoom lens attached
- Wider size to fit a 70-200 f2.8 attached to DSLR facing sideways
As my first post here on Photography Life, I thought I would write a bit about why I shoot film as a wedding photographer.
I started my career in photography in 2008 as a digital shooter. Since it was the digital age, it didn’t even cross my mind to shoot film. I had some preconceived notions about it — at the time I thought film was old, outdated, and produced inferior images compared with digital. But the more I learned about film, the more I realized I needed to take a second look.
I am excited about presenting a new addition to our Photography Life family – please welcome Laura Murray! Laura is a very talented wedding photographer from right here in Denver, Colorado and she will be joining our team to share her beautiful work along with some useful tips and techniques on how to photograph portraits and weddings.
For quite some time now photography enthusiasts have been very eager to know what Carl Zeiss has in store for Sony E-mount and Fujifilm X-mount cameras. Ever since the legendary optics manufacturer announced that it will be making autofocus lenses for the two mirrorless camera systems, they’ve never stopped receiving requests for more details on their blog. What’s the big deal, you may ask? Well, the only photographers able to enjoy autofocus Carl Zeiss lenses were Sony Alpha and NEX users. The rest of the world had to make do with manual focus lens lineup. Carl Zeiss has been known for their extremely high quality optics for many decades, but avoided implementing AF motors, which many consider an essential in a modern lens. DSLR shooters are still left wanting, but Sony NEX and Fujifilm X series owners will now have a chance to enjoy possibly some of the sharpest optics around (assuming CZ lives up to its name).
The new CZ Touit Lenses
Carl Zeiss states that “Touit” (that’s how the line is named) is designed to take full advantage of the size potential offered by APS-C sensor mirrorless cameras. The new lenses are designed to be much more compact than their SLR counterparts. I, for one, am very glad to see such an initiative. We are yet to see if what Carl Zeiss promises turns out to be true. Fujifilm has been doing a pretty good job at keeping its lenses reasonably small, but quite a few Sony NEX lenses are rather large and feel poorly balanced when mounted on minuscule NEX cameras.
Digital photography has become extremely popular thanks to its accessibility and speed, but to get the best out of those photographs some time needs to be spent editing and tweaking them. Thankfully, plenty of applications are available for you to complete such tasks with, starting with moderate and user-friendly functionality of Google Picasa all the way up to most complex pieces of software, such as Adobe Photoshop (or simply PS). In fact, Photoshop is probably one of the most popular photo processing programs currently available. Most people that use it know but a few percent of its capabilities and are likely never to use all of it, myself included! Fewer people still understand that it has never been targeted squarely for photographic use (the way Adobe Lightroom is, for example), but rather all sorts of graphical editing. How much sense does it make to use such a complex and professional piece of software to edit simple family photographs? Not that much if you’re a simple enthusiast who just wants high quality photographs with minimal fuss. Thankfully, Adobe has something for you as well. Photoshop Elements (PSE in short) is a lighter, simpler, quicker version of its sibling. In essence, it offers all the functionality you’ll ever need to edit your JPG and even RAW images, but through user friendly tools and interface. In this Photoshop vs Photoshop Elements article, I will give you a quick tour of 11 capabilities of Photoshop Elements. Hopefully, this brief comparison will help you decide which one is better for your needs.
What is Photoshop Elements?
As the name would suggest, Photoshop Elements is a close relative to the Photoshop CS, but unlike its bigger brother, it’s not targeted at professionals. Don’t get me wrong – Photoshop Elements 11 has a lot tricks up its sleeve, such as RAW support through Adobe Camera RAW plug-in. On one hand, anyone familiar with the regular, full-fledged Photoshop will find themselves right at home. But Elements doesn’t encourage you to use any serious tools manually – in fact, it aims to do most of the work for you with just a few clicks. So if you want your family images to pop and stand out with minimal fuss regardless what sort of gear you use, be it a DSLR, a mirrorless camera or a compact point-and-shoot, this may well be your answer. Luckily, being targeted at a very different audience means the price is also significantly lower. Adobe Photoshop CS6 retails for around $590, while the Extended edition costs a whopping $900. You should really consider whether you need all that functionality, because Photoshop Elements 11 will set you back a mere $60 (current price with instant savings).
I remember not that long ago there were two types of lenses. Brand lenses, those designed by known manufacturers for their own cameras, such as Canon, Nikon, Pentax and Olympus, and the cheapskate third party lenses you’d buy if you couldn’t afford the first type. Brand lenses were more expensive, but well worth the extra price. Better build quality, better optical capability, better dependability, better compatibility, better autofocus and fewer quality control and manufacturing issues were what you got for your hard-earned cash. Not to mention respectful nods from anyone spotting letters Nikkor or a red ring around the front of that lens barrel. A few years have gone by now and situation seems to be changing, however. Third party manufacturers have moved the game up and started producing some serious alternatives. Sigma is very keen to prove the point with the launch of its latest lens, the new 18-35mm f/1.8 DC HSM for APS-C DSLR cameras. In this article, I will introduce you to this new lens and give insight as to why it is such an important step forward in current smaller-format lens market.
What is it About This Lens?
In a nutshell, this new lens sports a useful wide-to-normal focal length range of 18-35mm on an APS-C sensor camera (27-52.5mm full-frame equivalent), for which it is designed. It also has Sigma’s fast HSM AF motor, which is similar to Nikon’s SWM and Canon’s USM technology. Zooming and focusing are internal, so length remains constant. The new Sigma also has 17 elements in 12 groups and sports 9 rounded diaphragm blades for smooth out of focus highlights. Some of the optical elements are aspherical while minimum focus distance is 0.28m. The lens accepts 72mm filters and is, unfortunately, not protected against dust and moisture. It’s also quite hefty at around 810g. The lens sits in Sigma’s Art lineup alongside Sigma 35mm f/1.4 HSM and is designed with aesthetic flexibility in mind. But the spotlight is the f/1.8 aperture throughout the zoom range. Oh yes. This is the first ever f/1.8 zoom lens for DSLRs.
It’s been a while since we had a tip for beginners, so here is a quick post for the wildlife photographer. It’s not uncommon for friends of mine to see a photo like the one below and for them to ask where I took it. Quite frequently my response to them is, “From the window of my car.” They usually laugh thinking that I am joking and then I tell them that I’m serious. If you take many wildlife shots, you will quickly realize that oftentimes, animals are acclimated to cars and if we stay inside them, we don’t stress them as much and they don’t flee as fast.
Happy Friday! Just wanted to give a quick reminder to our readers about the Nikon “buy together and save” instant rebates that are expiring tomorrow (04/27/2013). While these deals are not as good as the previous instant rebates on Nikon lenses, you can still save up to $550 when buying a DSLR with a lens and/or a speedlight. The newly released Nikon D7100 (see our Nikon D7100 coverage), which has already been discounted by $100 for the 18-105mm kit, is also included in this program. From what I am getting told, these rebates will not be extended further, probably not till the end of the year.
We have been incredibly busy during the last few months, working on building our very own Lens Database. As of today, the database contains 400 lenses and we are continuously working on adding more lenses from different manufacturers. You might be wondering about why there is a need to have our own database at Photography Life, when there are plenty of them on the Internet. After I went through a dozen different sites about a year ago, I realized that most sites contain very little information about lenses. While manufacturer specifications are mostly there, such important data as lens construction and MTF charts is typically missing. On top of that, very few sites provide image samples from lenses – images are often too small to look at even on a mobile device.