Earlier this week I made a quick trip to Letchworth State Park and I spent a few hours taking photographs. The autumn colours will soon disappear for another season so I was very happy to squeeze in this visit. [Read more...]
An in-depth Nikon D750 review with image samples, ISO tests, detailed real-life analysis and comparisons to other DSLRs
Like many couples, my wife and I talked about going to Greece for many years. Fortunately for us the stars aligned this fall and we […]
It seems that many photographers go through a certain cycle of mistakes and errors during their photography journeys and careers. Some of these mistakes and […]
As good as X-Trans sensors are in terms of performance, most software makers have had some trouble with demosaicing the slightly unusual RAW files in the past. Adobe Photoshop Lightroom has been noticeably trailing behind in this regard even back when version 5 was introduced, as I found out in the review. That’s not brilliant given that X-Trans has been around for, what, almost three years now? To be completely fair, the paint-like rendering isn’t as much of an issue in most cases as one might think, and yet I can’t help but wish Lightroom was able to render X-Trans RAW files at least as well as Fujifilm does with its in-camera conversion. After all, superior technical image quality is the whole point of RAW, and Lightroom should certainly deliver. So the question is – does it? Since the X-E2 has permanently taken residence in my camera bag and is now my second tool, if not quite the first one yet, I am very curious to see how my favorite RAW converter will perform.
Careful, now. I am about to get technical.
Right before the big Photokina show in Germany, Nikon introduced another full frame DSLR in 2014, the Nikon D750. Packing the newest and the most advanced 51-point Multi-CAM 3500 FX II autofocus system, a 24 MP sensor, 6.5 frames per second continuous shooting speed, built-in WiFi and a very lightweight and weather-sealed construction, the Nikon D750 sits between the entry-level D610 and the high-megapixel D810 lines. And with its price point of $2,299 MSRP, the D750 is an attractive choice not only for hobbyists and enthusiasts who want to move up from a DX or an older FX camera, but also for working professionals, who have been leaning away from higher resolution or more expensive cameras like D810 or D4S. Although the Nikon D750 did not replace the older D700 in terms of body build, ergonomics and features, it has a lot more resolution, much faster processor, significantly faster and superior autofocus system, a tilting LCD screen and impressive video capabilities. Thanks to these changes and improvements, the D750 hits the sweet spot in a number of areas and has the potential of becoming the most popular full-frame camera in Nikon’s current DSLR line-up.
As a follow up to my recent Images in Greece article, this piece features some examples of street photography done while in Greece. This style of photography by its very nature is a very personal thing. What appeals to one person may leave others scratching their heads. So if you’re wearing a hat…take it off and be prepared to scratch.
Having toured across Turkey as a teenager, I have so many wonderful memories of this beautiful and historic country. I instantly fell in love and have since been wanting to go back and revisit this magical place. Earlier this week, one of our readers sent an absolutely stunning video called “Watchtower of Turkey”, filmed by Leonardo Dalessandri, who spent 20 days in Turkey traveling thousands of miles and capturing both stills and video. The resulting three and a half minute film is absolutely stunning and definitely worth watching. I decided to share this video with our readers and I hope you enjoy this masterpiece as much as I did.
Lacrosse, like American Football, is played on a large field, however the differences between the two sports are numerous. The ball used in Lacrosse is quite small, so you need a sharp eye to follow it. The helmets worn by the players cover most of their faces with a grid pattern, yet they are still open enough to get good face shots. Action moves up and down the field, with frequent changes in direction, so be prepared to move around, which is easily done with the large sidelines.
Like many couples, my wife and I talked about going to Greece for many years. Fortunately for us the stars aligned this fall and we were able to go on a bus tour/island hopping holiday. While this type of holiday is not ideal from a photography standpoint it did allow us to cram a lot of sightseeing into a relatively short time frame. Greece is a very diverse and interesting country and I thought Photography Life readers may like to see some selected images.
We have just returned from 13 days in the Botswana bush with our good friend Moses Ntema, owner of Unlimited Tours and Safaris operating out of Maun, Botswana. This mobile tented safari was designed to take advantage of the late dry season predator/prey action in three diverse areas of Botswana: The Savuti Marsh in the Mabebe Depression (Chobe NP), the Khwai riverine ecosystem and the rich flood plains from The Blackpools to Third Bridge in the Moremi Game Reserve (including the Bodumatau area). This was our third trip with Moses and Unlimited Safaris having previously visited The Central Kalahari Game Reserve (CKGR) and Duba Plains in addition to other locations in Tanzania and the Okavango Delta.
When it comes to ultra wide-angle lenses, the Nikkor 14-24mm f/2.8G is an outstanding choice, thanks to its top notch corner to corner sharpness, amazing colors and superb performance throughout the focal range. The lens has become a legend, outperforming most ultra wide-angle primes on the market in terms of resolution. As I have revealed in my in-depth Nikkor 14-24mm f/2.8G review, even Canon shooters have been using this lens with adapters since it is so good (and I have seen Sony A7/A7R users with this lens as well). The only downfall of the 14-24mm is its lack of a lens filter, which makes it impossible to use regular circular polarizers and filter holders. Thanks to the popularity of the lens, a number of manufacturers developed larger filter holder systems that allow mounting both polarizing and rectangular filters (such as neutral density and graduated neutral density filters). One such manufacturer is FotodioX, which developed the most popular filter system for the lens, the WonderPana FreeArc, which I am reviewing here. Although the review sample I received is for the Nikon 14-24mm lens, the FotodioX WonderPana is in fact available for a number of lenses from different manufacturers. For example, those that shoot with the Canon 14mm f/2.8L II lens can also use the same system using slightly different adapters.
I pick up the camera and, for what feels like a hundredth time, get surprised by its low weight. It’s not what you’d call hollow, more like… tightly packed. There might be a couple of areas where you touch and feel mild disappointment – the control wheel at the back could be metal and the bottom, well, can’t help but wish it felt as cool (literally) and solid as the top of the camera – but only because the rest of it is just so pleasant to hold. It has quickly become a very natural size and shape – that Nikon body, though that much more secure in hand, feels almost unwieldy. It’s not, really, but also is when you compare it to the Fujifilm X-E2. And the dials – save for the aperture ring on the lens, but that is a separate subject – offer very good resistance. In the case of exposure compensation dial, when doing such time-critical types of photography as street, perhaps even a touch too good. It’s not that easy to turn with your thumb whilst holding the camera to your eye. And that is exactly what I am doing right now, bringing it to my eye as my subjects still don’t seem to have noticed me noticing them.
And then another thing happens for what feels like a hundredth time. I did not understand it at first, might not have even noticed my own reaction (since, more often than not, I can’t afford being surprised by something), but after relying so much on an optical viewfinder – be that of the rangefinder Kiev 4AM, my digital Nikon body or medium format Mamiya RZ67 – that EVF feels weird. It’s not bad weird, or good weird for that matter. Just… weird.