Happy upcoming turkey day to all of our readers in the US! Before you put that tasty turkey into the oven, you might want to check out the long-awaited Nikon rebates that have just gone live. As you might remember from earlier this week, we posted lots of information on the upcoming deals, but those deals never went live due to a communication issue between Nikon and retailers. It was certainly a big fail on Nikon’s part, because their own Store had all those rebates live at the time. Some of our readers noticed that and let us know, so I called our trusted partner B&H Photo Video to find out why the rebates weren’t live yet, since Nikon’s own page showed otherwise. As we were talking on the phone, it turned out that a Nikon representative was also on the same line. Once it was discovered that Nikon indeed had a rebate page live already, the Nikon rep stated that the page would have to be taken down immediately. And within 30 minutes or so, all rebates were indeed taken down.
If you thought Fujifilm rebates were good, you are going to like what Canon has in store for the holidays. There’s no faffing about with camera+lens bundles, just good old mail-in and instant rebates ranging from $15 for the cheapskate Canon EF 50mm f/1.8 II lens all the way to $300 savings for the likes of professional Canon EF 24-70mm f/2.8L II USM lenses. More than that, a whole lot of Canon’s best lenses are eligible, the sort that will last you for years and years.
Because the list of lenses is so extensive, I broke it down to fixed focal length and zoom lenses so as to help you find what you need easier. Keep in mind that in some cases, the final price is displayed at checkout. Also, some of the rebates are of mail-in type, while others are instant savings. Mail-in rebates are valid through January 4th, 2014. Instant savings are live till November 30th, this year. Now, brace yourselves, there’s a whopping 40+ lenses in total.
Updated with X-E2 and X-M1 information
Fujifilm has joined the Black Friday rebate program with its own mirrorless cameras and lenses. It is a “Buy Together and Save” kind of program, which means you need to purchase either an X-E1, X-E2, X-Pro1 or X-M1 Fuji mirrorless camera along with a lens to receive a rebate on the latter. Savings range from $100 all the way up to $250. The more lenses you choose to purchase, the more you save, as savings for each lens stack up. If you were planning on investing into a Fujifilm X-series mirrorless system, this is a good time to do so. In general, due to the system’s premium (-ish) status, the lenses have been quite expensive, although well worth the price. Right now, with these rebates, they represent tremendous value. Even the newest and extremely sought-after XF 23mm f/1.4 lens is $100 off!
Previously, I only reported two cameras as part of the rebates program – X-E1 and X-Pro1. It would seem that all the cameras are eligible, however, which makes this savings program even better than I initially thought it was. To access Buy Together and Save deals, you need to navigate to one of the two cameras and click on the deal that is right next to the camera’s price:
- Click here to buy Fujifilm X-E2 with additional lenses; the camera is priced at $999. You can also choose the silver version here.
- Click here to buy Fujifilm X-E1 with additional lenses; the camera is priced at $999. You can also choose the silver version here.
- Click here to buy Fujifilm X-Pro1 with additional lenses; X-Pro1 currently sells for $1,199.
- Fujifilm X-M1 will set you back $649 and you can get it in silver, black or stylish brown.
- You can also purchase the entry-level X-A1 camera (black) + 16-50mm kit lens for $499, however it does not seem to be part of the rebate program. Blue X-A1 is available through this link.
This is an in-depth review of the Fuji XF 35mm f/1.4 prime lens, also known as “Fujinon XF 35mm f/1.4 R” that was released initially together with the Fuji X-Pro1 on September 21, 2011. Fuji specifically wanted to target professionals and enthusiasts with its X line, so it first introduced a professional-level mirrorless camera, the X-Pro1, along with three prime lenses: Fuji XF 18mm f/2, Fuji XF 35mm f/1.4 and Fuji XF 60mm f/2.4 Macro. And hence, being part of the Fuji X mirrorless interchangeable lens system launch, the Fuji 35mm f/1.4 played a big role in the success of the product line.
It is that time of the year again, when Nikon puts its cameras and lenses on a big sale for holidays. As I have already pointed out earlier this week, the instant rebates include many different camera and lens combinations. A purchase of a single DSLR is required to qualify for savings and it does not matter which camera body you choose. The nice thing is, you can buy a single camera body and stack up as many lenses as you want. As long as the items are in stock, you will be able to add them. That’s why I recommend to act quick if you want to be able to get what you want. Last year, many of the lenses and cameras were sold out in the first couple of days!
Note: it turns out that the below deals will only become available on November 28, 2013 and will only last two days (all of the below cameras and lenses will be included). So the deals will be live through this link starting from Thursday. We apologize for the inconvenience – there has been a communication issue from B&H.
We are very excited to announce yet another great Facebook giveaway and this time we are partnering up with our friends at Fstoppers to do it. The winner will have a chance to choose between three different cameras: Nikon D610, Canon 6D or the new Sony A7 full-frame mirrorless camera! We are approaching the end of the year, so we decided to give this one away on the Christmas Day, similar to what we are doing with our Fuji X-E1 giveaway. So you have exactly one month to participate in this awesome contest! The contest is open for everyone, not just US residents.
I received an email from Adobe’s marketing staff today, which basically says that for a limited time, Adobe is now dropping eligibility requirements for its Adobe Creative Cloud Photography Bundle, which goes for $9.99 per month and includes Photoshop and Lightroom. This basically means that you do not have to prove ownership of any Adobe product in order to qualify for the $9.99 per month pricing. As you might already know, the photography bundle started back in September. Since the launch price of $20 per month for each application was too steep for many creative professionals and hobbyists, Adobe’s initially projected goal was not met. So in a desperate measure to increase the number of subscribers, Adobe dropped the price down to $9.99 per month, but with one condition – one had to prove ownership of CS3 or later in order to qualify. While it sounded like a good deal, many were ticked off when they found out that their particular version was not eligible for the photography bundle deal. Now Adobe is in yet another desperate mode to increase the number of subscribers, so it has dropped this requirement completely.
Photographic photo papers are designed to produce a high quality image in an effort to best reproduce the photographed object. How good or bad the paper is at meeting this objective will depend on the type of printer, type of ink and of course the subject of this guide; the type of photo paper. In this guide we will explain the various considerations to take into account when evaluating your options.
Inkjet Vs. Laser Photo Paper
The mostly widely adopted technology by the professional printing community is the Inkjet printer technology. Laser printing is able to outperforming Inkjet printing in terms of speed, but it lacks the accuracy that high quality photographs require. Laser uses melted powder-like substance in CMYK colours, while Inkjet uses the same colours though liquid ink form that are delivered to the paper by means of small jets (hence Ink-Jet). This method of printing can achieve 2880Dpi vs. 720Dpi commonly found in laser printers. Therefore from here on, the various parameters for choosing photo paper will refer to the Inkjet type.
If you are deciding on whether to purchase a camera or lens, I would hold off until next week. As you know, Black Friday is a big day in the US, so we are expecting all major brands including Nikon and Canon to have some killer rebates and instant savings on all kinds of camera gear. As before, our “Current Deals” page will be updated frequently during the holidays. If anything special comes out with a fast time limit, we will post it on the main page.
Nikon will be running a similar “buy together and save” instant rebate program as before, but the list of lenses and cameras will be extensive (yes, the new Nikon Df will be included). As far as I know, up to $300 off will be offered on lenses, some of which are lower-end! So rebates will be very attractive, especially if you stack lenses (you can buy as many lenses as you want, as long as you include a single camera). And I am expecting B&H to be adding those extra 2-4% savings on top of all these again.
Even just a few hours ago, I was once again asked by a reader what lenses do I use most for my wedding photography. The answer is and always has been the same for my wedding, family or general photography needs – a classic fifty. I am sure hardly anyone will find this at all surprising, because fast 50mm fixed focal length lenses have become a legend of sorts. Ask any photographer and he will tell you – that is one of the two most versatile fixed focal length lenses you can buy (the other being a 35mm lens). It is time we back up that claim with actual photographs, and plenty of them. Is there a single reason for it being so versatile? No. Rather, it is a combination of various characteristics and generally pleasing manner of “drawing” the photograph that, even today with all the amazing zoom lenses, makes it such a sought-after lens.
Naturally, the Nikkor AF-S 50mm f/1.4G is not the only lens I own and use, but I really do feel this particular focal length deserves a separate article just to show how truly special it is. I adore it. More than that, my warm feelings towards such a lens are not dictated by raw technical characteristics, rather how much it resonates with the way I previsualize my work. And that is why, instead of boring you to death with technicalities, I will gladly let photographs do most of the talking for a change.