Engagement sessions are a big hit with couples and photographers. Almost all couples agree for a session before the wedding, so engagement photography has pretty much become a staple of wedding photography. An engagement shoot is done after a couple gets engaged and it usually is captured before the wedding. Some photographers sell this session as a separate product and most photographers include this session in their wedding packages. Regardless of how you like to approach it, understanding the basics of photographing couples and knowing how to coordinate a shoot that involves more than one person is crucial. Hence, I decided to write a piece to explain what goes into the planning process of an engagement session.
An in-depth Nikon D750 review with image samples, ISO tests, detailed real-life analysis and comparisons to other DSLRs
Like many couples, my wife and I talked about going to Greece for many years. Fortunately for us the stars aligned this fall and we […]
It seems that many photographers go through a certain cycle of mistakes and errors during their photography journeys and careers. Some of these mistakes and […]
Our readers often ask us if it is possible to get Lightroom to provide the same colors as one would see from camera-rendered JPEG files when shooting in RAW format. Many photographers often choose specific color profiles in their cameras and they get surprised when images are imported into Lightroom and all those changes are lost. You might have noticed when importing files that Lightroom changes the colors immediately after import, when the embedded JPEG files are re-rendered using Adobe’s standard color profiles and settings. As a result, images might appear dull, lack contrast and have completely different colors. I have heard plenty of complaints on this issue for a while now, so I decided to post series of articles for each major manufacturer on how to obtain more accurate colors in Lightroom that resemble the image preview seen on the camera LCD and in camera-rendered JPEG images. In this article, I will talk about getting accurate colors from Sony DSLRs, SLTs and mirrorless cameras in Lightroom. Please see our other articles on getting accurate colors for Nikon, Canon and Fuji cameras.
We would like to congratulate our readers from the USA with the Independence Day! Fourth of July is a big day not just because you get to see beautiful fireworks (see my article on photographing fireworks) and enjoy a day off celebrating and remembering the sacrifices of the founders of this great country, but also because you get a great opportunity to save. Below are some of the best deals that we found for you.
I have been fortunate enough to see some truly spectacular cathedrals in my time, particularly in Europe, and even here in the United Kingdom we are very blessed (pardon the pun) to have some of the most splendid cathedrals anywhere in the world.
Instead of dedicating a whole post to every news revolving around photography, we decided to write a weekly article, which will include some fun finds from the photography blogging sphere. Although we do our best to only post original content, we still see value in sharing important photography-related news and stories our team comes across, or receives from our dear readers. We hope you enjoy these series!
We are once again excited to bring you one more person who will be joining our team here at Photography Life – Sharif, with Alpha Whiskey Photography! Sharif has been a long-time reader of PL and I have been a fan of his photography for a while now, often checking his stunning work on his photo blog. I was fortunate enough to finally meet Sharif during our London Photo Walk earlier this year, after which I exchanged a couple of emails with him and asked to write a guest post at PL. Sharif is a living example of superb photography skill and vision before gear (something we have been preaching for a while now) – he produces superb work no matter what he shoots with, whether it is his phone, his Olympus OM-D E-M5 Micro Four Thirds camera, or a full-frame DSLR. I am honored to introduce Sharif to our team and I am looking forward to seeing more educational posts that will benefit everyone, including myself. Please give a warm welcome to Sharif!
This is a detailed review of the Tamron SP 150-600mm f/5-6.3 Di VC USD, an ultra-telephoto zoom lens that was announced in November of 2013 for enthusiasts and professionals that are looking for a high quality, versatile zoom lens for a variety of needs, including wildlife photography. Although many DSLR lens manufacturers have been making telephoto zoom lenses that cover long ranges, whether looking at Sigma’s 50-500mm / 150-500mm lenses, Canon’s 100-400mm or Nikon’s 80-400mm, none of them can reach the focal length of 600mm natively without teleconverters. And as we have discovered in our Nikon 80-400mm f/4.5-5.6G VR review, attaching teleconverters on slower zoom lenses is generally not a good idea, since there is a bit too much of sharpness loss / image degradation, or even potential loss of autofocus capability. Thus, the Tamron 150-600mm f/5-6.3 is a rather unique lens in this group, which is why our team at Photography Life has been anxious to get a hold of the lens for a while now.
You must forgive my ramblings on this age-old debate. And for many of us, it may seem like the chicken and egg quandary. Should I get a better camera to make me a better photographer? Or has my skill evolved to the point whether I need a better camera to fully realise my potential? If someone hands me an airplane do I automatically become a pilot? Or do I need to go to flight school first?
“Of all tyrannies, a tyranny sincerely exercised for the good of its victims may be the most oppressive.” It would be better to live under robber barons than under omnipotent moral busybodies. The robber baron’s cruelty may sometimes sleep, his cupidity may at some point be satiated; but those who torment us for our own good will torment us without end for they do so with the approval of their own conscience.”
– C. S. Lewis