Featured Articles and Reviews

Fuji X-T1 Review

This is an in-depth review of the Fujifilm X-T1, a weather-proof mirrorless interchangeable-lens camera from Fuji that was announced on January 28, … [Continue Reading]

Fuji X-T1

How to Photograph Clouds

Nature often rewards us with incredible opportunities for photographing sunrises, sunsets and sun rays piercing through the clouds, creating stunning … [Continue Reading]

Mt Rainier Sunset

Tamron 150-600mm f/5-6.3 Review

This is a detailed review of the Tamron SP 150-600mm f/5-6.3 Di VC USD, an ultra-telephoto zoom lens that was announced in November of 2013 for … [Continue Reading]

Tamron 150-600mm f/5-6.3 Di VC USD

How to Photograph Cathedrals

I have been fortunate enough to see some truly spectacular cathedrals in my time, particularly in Europe, and even here in the United Kingdom we are … [Continue Reading]

St Alban's Cathedral

Nikon D810 Review

After more than two years since the successful launch of the Nikon D800 and D800E cameras, which shook up the photography industry with the high … [Continue Reading]

Nikon D810

Wildlife Photography Tips Part Two

It has taken a little longer than I wanted, but I finally got around to writing this second article on photographing wildlife. The writer in me is … [Continue Reading]

600lb Wet Black Bear

Thoughts on the Sigma 50mm f/1.4 Art

Sigma announced the new Sigma 50mm f/1.4 Art lens back in January of this year, but we were left with a couple of big unknowns such as the price. I guess it has become the latest trend to announce early development efforts by a number of manufacturers now – Nikon did the same with their Nikkor 800mm f/5.6 lens and the D4s DSLR camera. A couple of days ago, Sigma finally announced the pricing and availability of the Sigma 50mm f/1.4 DG HSM “Art” and I must say, after hearing rumors about Sigma challenging the Zeiss Otus 55mm f/1.4 in optical quality, I was very surprised to find out that the lens is going to be retailed for $950. As you may already know, I am a big fan of the new revamped line of Sigma lenses. After reviewing the 35mm f/1.4 Art, I was blown away by its sharpness, focus speed / accuracy and color rendition. So when Sigma announced the 50mm f/1.4 Art series, I looked at the MTF charts and knew immediately that the lens will not disappoint.

Sigma 50mm f/1.4 Art

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Mosaiculture – Capturing Images at Large Public Venues

With the prime holiday season just around the corner for many Photography Life readers, many of you will be facing challenges photographing at large, public venues. I thought it may be interesting to share some images I took at the Mosaiculture exhibit in Montreal last year, and some of the approaches I used at the event.

Mosaiculture (1)

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Why You Should Only Buy from Authorized Dealers

There is a lesson here for all, especially when purchasing expensive gear. Expensive is a relative term with a value that varies per individual and can’t be generalized, the stuff being said here applies to all values of items. It comes down to how much value the item has to you and whether you are willing to risk that value versus the warranty programs being offered. Obviously the bigger the expense, the higher the risk.

Warning-Authorized-Dealer-Rob-A

I usually always buy my all of my camera gear right here in the US of A, because that is where I live and I like to go buy the expensive stuff in person at a Hunts Photo and Video store to make sure it arrives safely.

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Shooting Flowers and Foliage with Telephoto Lenses

My wife is an avid gardener and for more years than I can remember, I have accompanied her on a wide range of garden tours and other such outings. While gardening is of little interest to me per se, I do find some enjoyment in capturing images of flowers and foliage. And, on the odd occasion I have shot videos of private and public gardens.

Thomas Stirr Flower Photography (1)

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Fuji X-T1 Preview and Image Samples

I have been shooting with the Fuji X-T1 for the past several weeks and I must say, I am just blown away by what this little camera can do. While I will be working my way to a review fairly soon, I wanted to provide a quick summary of my thoughts so far on the X-T1, along with some sample images using the 35mm f/1.4 and 56mm f/1.2 lenses. Ever since I received the X-T1, I just cannot stop myself from taking it every time when I go outside. Pretty much everything about the camera feels right to me – from the amazing controls and dials on the top, to the fast and responsive autofocus and the huge electronic viewfinder (EVF), making the camera a pure joy to use.

Fuji X-T1 Image Sample (13)

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The Question of 18-300mm Lenses

Today, Nikon has announced a new DX zoom lens for beginner photographers. Covering a vast focal length range of 18-300mm, it’s not the first Nikkor with such parameters – the similar 18-300mm f/3.5-5.6 VR lens has already been announced a while ago, not to mention all the third-party competition from Tamron and Sigma. However, the new lens is designed not to just deliver a very wide zoom range, but deliver it in a smaller, lighter package. To put it into perspective, the new lens weighs a whopping 280g less than the bigger version. Quite an achievement and will surely be tempting for those few who need such a lens, but it came at a bit of a price both literally and figuratively. And that raises a question – who is actually going to need such a lens?

Nikkor 18-300mm f3.5-5.6G VR DX

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Adobe Outs Lightroom 5.4 and ACR 8.4 Updates

We’ve still got quite a lot of catching up to do and this time Adobe grabs our attention with the release of new Adobe Camera Raw and Lightroom versions (which basically is the converter only in a separate package and with some added functionality for processing masses of files quickly). Version 8.4 of ACR and 5.4 of Lightroom bring the usual updates – new camera and lens support, some bug fixes and a few new features on top of that. Happily, Photoshop CS6 users are not left out and their ACR can be updated. That said, only new lens/camera profiles and bug fixes are part of the update, whilst new features seem to be reserved for CC only. Clearly, Adobe wants you to move to CC, but does not yet blatantly force you to do it by ignoring “older” software completely – at least until ACR 9 arrives.

Adobe Photoshop Lightroom 5.4

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Sony A7s Full-Frame Mirrorless Camera Announcement

Looks like Sony is doing all it can to push the growth of its full-frame compact camera system. On the 6th of April, 2014, the Japanese electronics giant has announced a new addition to its A7 camera line-up – the new A7s has joined the previously launched A7 and A7r. The difference between the original models was very straightforward – A7 was the cheaper one and had lower-resolution sensor (a still-plentiful 24 megapixels), whilst the A7r was the more expensive sibling (but not expensive per se when it comes to digital full-frame cameras) and featured a 36 megapixel sensor similar to that found in the Nikon D800. Both cameras, while very similar from the outside, are clearly distinctive enough on the inside. So what exactly makes the A7s stand out? Well, if the “r” in A7r’s name stood for “resolution”, the “s” in the latest camera’s title stands for “sensitivity”. The biggest party piece A7s has is its sensor and 4k video capability.

Sony A7s

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Impact Light Kit Bag Review

This is a review of the Impact Light Kit Bag. For my studio lighting, I use a set of four Alien Bees heads along with a variety of light stands and modifiers. When I’m shooting on location, I prefer to make as few trips to and from my car as possible, so the fewer bags I have to carry, the better. For the past few years the bag I’ve been using for my lights has served me well, but I wanted to try something a little bigger and see if I could fit even more into it. Let’s see if this bag from Impact is going to work for my needs.

Impact Light Kit Bag

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Profoto 3′ RFi Octa Softbox Review

While testing out the Profoto B1 500 flash head, I also had a chance to use one of my favorite light modifiers, a 3 foot octabox (also known as “octa softbox”, “octabank” or just “octa”), known as “3′ RFi Octa Softbox” by Profoto. Although Profoto carries a wide array of light modifiers and accessories in its arsenal of lighting equipment, I specifically wanted to get a smaller octa for outdoors photography. The primary reason was portability without compromising too much on the size. As you may already know, the larger the source of light in flash photography, the softer it is on the subject. The 5 and 7 foot octas were just too big and the smaller rectangular softboxes were too small for my taste. Quality-wise, both octaboxes and softboxes produce equally good quality light – the only difference is catchlight. I prefer to have more round catchlight in my subject’s eyes, rather than a square, so I prefer using octaboxes, umbrellas, parabolic softboxes and beauty dishes for that reason.

Profoto 3.0 RFi Octa Softbox

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