About a year ago, I reviewed an Impact background (Impact reversible muslin background). Out of curiosity, I decided to grab another one. This time instead of one that was reversible, I chose the Impact Crushed Muslin Background in Grey Mist. What’s the difference you might ask? Let’s just see…
An in-depth Nikon D810 review with sample images, high ISO tests and detailed real-life analysis
Some of our readers have been asking about the performance of the Sigma 50mm f/1.4 Art lens on the Nikon D810, particularly about its autofocus […]
We are continuing our coverage of the Nikon D810 and today we want to talk about the capability of the D810 to photograph wildlife, particularly […]
Talking to Tadas Kazakevičius (in case you are having a hard time spelling that, he’s just as well known as Ted Kozak), a young Lithuanian […]
Engagement sessions are a big hit with couples and photographers. Almost all couples agree for a session before the wedding, so engagement photography has pretty […]
Despite all the recent photowalks shooting urban ephemera, my primary interest in photography was always wildlife and animal photography.
Sometimes when I travel or just have a portrait session in town, I don’t want to bring all of my camera gear with me. At times like this, I’ve always thought it would be really nice to have a smaller bag I could bring along and leave my big bag at home. Enter this shoulder bag from Ruggard… big enough to hold a body and a few lenses but not so big that it becomes just as heavy as my normal camera bag.
Many years ago I bought a Nikon 55mm macro lens. This was an older, manual focus lens. It came with an older extension tube that did not communicate with the camera, meaning that any lens that was attached to it lost all communication with the camera, meaning it also became a manual focus lens. Worse yet, newer Nikon AF-S lenses that do not have an aperture ring weren’t usable at any aperture besides completely stopped down.
If you are looking for a professional-grade IPS monitor (if you have no idea what IPS means, see “this article“) for your photography needs, then check out this HP DreamColor LP2480zx that is currently on sale at B&H for $799. Yes, that’s a hefty price for a monitor, but keep in mind that this is a professional monitor specifically designed to accurately reproduce over 1 billion colors (12-bit look up table with 100% Adobe RGB and sRGB Color Coverage). With a 6 ms response time, this is one amazing monitor that can be used for pretty much anything you throw at it, including gaming. And the $799 price is a heavy discount, because the retail price of this monitor is a whopping $2,299! I looked at a number of websites and could not find this monitor cheaper than $1500, so this is a very good deal.
I believe it was Cartier-Bresson who said that your first 10,000 photographs are your worst. For many hobbyist photographers, myself included, it may be much more than that, as improving our craft means constantly shooting, experimenting, reassessing, and continually culling our very best from our best.
After going back and forth with limited time offers (that got extended several times) to lure photographers into its Creative Cloud platform, Adobe finally decided to create a special, permanent plan specifically for photographers for $9.99 per month. Compared to the $49.99 per month “all inclusive” plan, or the $19.99 per month single app plan that sparked a lot of negativity among the photography community, the $9.99 offer from last year attracted a lot of customers for Adobe, increasing the number of subscribers to close to 2 million. Since the program was introduced, close to half a million people signed up for this plan in just the first quarter of 2014. Since then, the program has been attracting even more subscribers, since $9.99 per month price appears to be much more reasonable for the latest and greatest features that Adobe packs in its Creative Cloud platform.
Today is a big release date for Adobe, because the company is rolling out a few major updates to its Adobe Creative Cloud platform, along with new apps for mobile devices designed for creative professionals and enthusiasts. One of the silent updates that got rolled and did not get much press is the final version of Lightroom 5.5 and Camera RAW 8.5. Adobe was so busy with its new products and updates, that it did not include any information on additional features included in Lightroom 5.5. It seems like the final release is similar to the 5.5 release candidate, where support for additional lenses and cameras were added, as shown below. The most notable bugfixes in this release are: properly reading lossless compressed files from older Nikon DSLRs and correct processing of Fuji X-T1 RAW files when using Dynamic Range 200% and 400% setting. And the most notable feature for Nikon D610 owners is that now there is finally tethering support, although Adobe never mentioned it on their website!
Aside from various online portfolio solutions, there aren’t many online services that photographers can use for their work. Well, this may change soon. With technology of in-browser RAW processing, Pics.io aims to become an all-in-one photo management and editing solution in the cloud or, as they call it, “Google Docs of photo editing”. We spent some time checking out what Pics.io is all about and we are excited about where this project might take us in the future. Although it is at an early stage of development, some interesting and useful tools have already been released for beta testing. For example, the newly announced online raw converter, raw.pics.io works with Canon and Nikon RAW images. And despite our initial thoughts and doubts, it turns out that the converter opens images locally from your computer, without uploading any data to the Internet. Basically, you open the site raw.pics.io in your browser, drop a raw file (nef/cr2/dng) and save a processed JPEG file. At this point it is not anything amazing, but that’s just the first step. Imagine what this platform could potentially do when it is built with a complete set of controls and various presets, similar to what you see in Lightroom.
It has taken a little longer than I wanted, but I finally got around to writing this second article on photographing wildlife. The writer in me is still struggling to get out, wants to keep hiding and do more interesting stuff like taking photographs rather than write about it. Let’s get started and see where it leads. If you would like to read the previous part, please see this link.