DSLR cameras by design have some inherent flaws and limitations. Part of it has to do with the fact that SLR cameras were initially developed for film. When digital evolved, it was treated just like film and was housed in the same mechanical body. Aside from the circuitry required for a digital sensor and other electronics, new digital film media and the back LCD, the rest of the SLR components did not change. Same mechanical mirror, same pentaprism / optical viewfinder, same phase detection system for autofocus operation. While new technological advances eventually led to extending of features of these cameras (In-camera editing, HDR, GPS, WiFi, etc), DSLRs continued to stay bulky for a couple of reasons. First, the mirror inside DSLR cameras had to be the same in size as the digital sensor, taking up plenty of space. Second, the pentaprism that converts vertical rays to horizontal in the viewfinder also had to match the size of the mirror, making the top portion of DSLRs bulky.
Today Adobe announced the availability of Lightroom 5.3 and Camera RAW 8.3 release candidates. A number of bugs that were present in Lightroom 5.2 were fixed, and new camera and lens profiles have been added. No new features have been added, so this is mostly a camera / lens update + bugfix release. For those that recently purchased the Nikon D610, this release provides full RAW support for the camera! Other new cameras that are supported include the Nikon D5300, Nikon 1 AW1, Fuji X-E2, Olympus OM-D E-M1, Sony A7 and Sony A7R.
Camera and Lens Support
Here is the list of newly supported camera models:
- Canon PowerShot S120
- Fujifilm XQ1
- Fujifilm X-E2
- Nikon 1 AW1
- Nikon Coolpix P7800
- Nikon D610
- Nikon D5300 (*)
- Olympus OM-D E-M1
- Olympus STYLUS 1 (*)
- Panasonic DMC-GM1
- Phase One IQ260
- Phase One IQ280
- Sony A7 (ILCE-7)
- Sony A7R (ILCE-7R)
- Sony DSC-RX10 (*)
Some photographers oppose the idea of using flash or light modifiers. Sometimes because it does not suit their style, sometimes because they do not feel comfortable using flash in first place. While we as photographers often love the feel of soft, natural light, knowing how to utilize artificial light can be of tremendous value in low-light environments. Not to mention that such knowledge and being ready to overcome challenging tasks in pretty much any environment can boost confidence and give peace of mind when working in the field. In this article, I would like to go over situations when flash should be used and how it can work to our advantage. I divided this article into indoor and outdoor photography to make it easy for everyone to follow. Please feel free to add your use cases in the comments section below. Please note that I am not going over the basics of flash photography here – the article assumes that you understand the relationship of flash with ISO, Shutter Speed and Aperture.
1.1) Lighting Ballrooms, Churches, Wedding / Corporate Reception Areas
As a working professional, one should have at least the basic lighting plan to be able to capture the day with ease. High-end DSLRs may be flexible enough to capture images in poorly lit environments, but it is a game of compromises. If light levels are too low, you will have to deal with blurry images due to motion blur / camera shake, or you will have to increase ISO level too high, which obviously increases noise, messes up colors and greatly reduces dynamic range. In short, you are leaving very few options for post-processing. In order to avoid that and potentially reduce your post-processing time and other headaches, why not use flash instead? You can start out with a simple configuration, with flash mounted on your camera, or you could get more creative and use flash in an off-camera setup to make images appear more dramatic and well-balanced.
Thanks to your support, we will be publishing a lot more reviews of the old Nikkor classics that we either purchased on auction sites, or loaned from our readers. This is a review of a true classic, the Nikon NIKKOR-H Auto 28mm f/3.5 (Ai modified), which was manufactured way back in 1959. One of our readers, Joe Ridley, was kind enough to send a number of Nikkor classics, and this lens is the first one that we are reviewing. Please note that such reviews of classic lenses will be limited to one page, with a small number of image samples. Still, full lab measurements will be performed on each lens for thorough analysis and comparisons.
1) Overview and Specifications
The NIKKOR-H Auto 28mm f/3.5 is one of the earliest, Pre-Ai Nikkor manual focus wide angle lenses for the F mount. Initially launched in 1959, this lens went through several iterations overtime with slightly different optical designs. The lens is available in various auction sites including eBay, but an Ai-converted version is really hard to come by. If you do decide to purchase one, you have to get the lens Ai-converted to properly mount on modern DSLRs. If you do not do this, you risk damaging your DSLR, since the non-Ai version could either break the metering tab / lever on the lens mount, or could get stuck on the mount and potentially cause other damage.
In this article, Patrick Downs is providing very useful portrait photography tips to our readers, sharing his experience and beautiful images that he has taken as a professional photographer. As a photojournalist for 25 years and shooting for much longer, I may have a different or expanded definition of what a portrait is, and what it takes to produce them. There are genres of portraiture, of course, such as: editorial, corporate, commercial/retail, documentary or candid, and illustrative portraits. With some you exercise almost no control (e.g., William Albert Allard), and with others almost total control (e.g., Annie Leibovitz). There is no right or wrong answer … the photographer chooses their style! There are many photographers whose portraits I love, and not all of them are pure portrait photographers. Allard is a documentary photographer, but his found portraits are wonderful. Annie L. imposes her will on her subjects, but the results are fascinating and something I’d love to be able to do. If I were to pick my top 3 pure portraitists, it might be Arnold Newman, Gregory Heisler, and Annie L, in no special order. I went back and read my Arnold Newman’s “One Mind’s Eye” the other day, and was struck by how many of his images don’t use “perfect” light by today’s standards, but so many are amazing. This one, of Igor Stravinsky, is still one of the most brilliant photo portraits ever taken, I think. It’s interesting to know that Greg Heisler was one of Newman’s last assistants.
I have (too many) other favorite portraitists, for sure: Albert Watson, Mark Seliger, Mary Ellen Mark, Helmut Newton, Irving Penn, Avedon, Art Streiber, Dan Winter, Peter Yang, Brad Trent, and photojournalist Joe McNally, who is really a great generalist. I know I’m forgetting many.
Our affiliates B&H and Adorama are already accepting pre-orders for the Nikon Df. Here are the links for the body-only and body+lens options:
Nikon Df Pre-Order Information
B&H Photo Video:
- Click here to pre-order the black/silver Nikon DF camera body + Special Edition Nikkor AF-S 50mm f/1.8G lens for $2,996.95 from B&H
- Click here to pre-order the black/silver Nikon DF camera body only for $2,746.95 from B&H
- Click here to pre-order the black Nikon DF camera body + Special Edition Nikkor AF-S 50mm f/1.8G lens for $2,996.95 from B&H
- Click here to pre-order the black Nikon DF camera body only for $2,746.95 from B&H
- Click here to pre-order the Special Edition Nikkor AF-S 50mm f/1.8G lens separately for $279.95 from B&H
There is no doubt that the new Nikon Df camera is very similar to the D600/D610 duo, as we’ve already seen from the comparison. From a price stand-point, however, Df is dangerously close to the popular and extremely capable Nikon D800 model (see our very detailed review). Can the Nikon Df back up its price premium when compared to its bigger brother? Analyzing on-paper specifications of both cameras should give a pretty good idea, although you might find the ISO performance comparisons in this article quite useful to make your own conclusions.
Keep in mind, please, that this comparison is based strictly on specifications and image quality. A camera is often more than a sum of its parts, and that stands true for both Nikon Df and D800.
It has been a while since Nikon last caused so much controversy. Even before Df was announced, and, naturally, as soon as all of its specifications were leaked, crowds gathered and the battle was on. Not even D600 or D800 issues caused so much racket. This sort of comparison – Nikon Df versus D610 – is likely to be the most popular among the fans and those who just can’t justify the new camera. We, too, will take a closer look at how these two full-frame DSLRs stack-up against each other. Before you jump to conclusions though, make sure to read the summary – you will find that there is nothing to be so perplexed by. And be sure to pay attention to ISO comparisons between the Nikon Df and the D610 that are posted below.
Along with the highly anticipated Nikon Df camera, Nikon has also introduced the restyled Nikkor AF-S 50mm f/1.8G Special Edition lens. Such a move might be slightly confusing at first, because Nikon already has a new AF-S 50mm f/1.8G lens in its line-up. So, are there any improvements with this new lens? In short – no. At least not from the optical performance stand-point.
Many Nikon D700 owners are probably wondering how the Nikon Df differs from their beloved cameras in terms of features and image quality. As we have said several times in different posts, the Nikon Df could be considered the D700 replacement, depending on one’s needs. While sports and wildlife photographers (or anyone else that relies on fast fps and high-end AF) will certainly disagree, portrait photographers have been longing for a camera with the D4 sensor for a while now. In this article, I will compare the new Nikon Df to the D700 not only in terms of specifications, but also in terms of image quality / ISO performance. Of most interest, our readers might find high ISO comparisons between the two, especially above ISO 800.