One of the biggest challenges that we photographers face when traveling is productivity – being able to import, access and back up captured photographs and sometimes even edit them to be posted online or provided to a client. While we have plenty of gadgets today to accomplish this task, the world seems to be divided between three camps – full-featured laptops that come with bulk, weight and very little battery life, highly mobile tablets that pack enough battery life to keep you busy, but don’t have the juice to run anything serious, or “ultrabooks” that fall in-between, being a compromise in terms of weight, bulk and performance.
Big thanks to everyone who expressed interest in meeting up for a photo walk in London. After going through all the requests and emails, the best day seems to be next Wednesday, May 14 2014. We will be meeting right next to Nelson’s Column on Trafalgar Square (click for Google Street View), facing south towards the street at 6 PM. Please arrive promptly. Bring your fully charged camera and a tripod. The plan is to walk around some prime spots, do some street / architecture photography and spend some great time together! If you need some help with critique / portfolio review, I would suggest to upload your photos to your phone or a tablet and we will go through it all during dinner. After dinner, we can do some night photography, which is why bringing a tripod would be a good idea!
If you have any suggestions for the Photo Walk, please post them below. Looking forward to meeting you guys soon!
Update: We are meeting on Wednesday, May 14 2014 for a Photo Walk. Please see this post for more details.
It has been a while since I had a chance to post on the website, so I wanted to provide a quick update and some news. First of all, I am currently in London with my family. We arrived here over a week ago and my first few days were quite rough, since I was pretty sick. When we landed in London, my splitting headache and the 8-hour long overnight flight, during which our little girl Jasmine had a hard time falling asleep, was just too much for me. As we were heading out, one of our readers approached me and said a few nice things about the site. I was so disoriented that I couldn’t talk and didn’t even get his name! So if you are that gentleman, please accept my apologies and do get in touch with me please!
For a while now, Sony’s biggest attention-grabbers in the camera industry were the mirrorless full-frame siblings, A7, A7r and the most recent, low-light and video focused A7s. Even so, to think that they’ve forgotten their DSLR system (although current Alpha cameras, such as the A99, technically are not really DSLR cameras) would be incorrect. Japanese electronics giant has enough resources and will to grow its customer base to provide deserved attention to all markets, which means those who still prefer the ergonomics of a full-sized camera can count on Sony not to leave them stranded. Today, Sony has announced what is to be the replacement of the venerable Sony A77, an SLT (Single Lens Translucent) camera we praised so highly in our review. So, what does this new camera, dubbed SLT-A77 II, improve over its predecessor?
One of the biggest knocks against the Nikon 1 series of cameras has been, and continues to be, the small sized CX sensor. While this sensor has some distinct advantages when shooting birds and wildlife with the FT-1 adapter and the resulting 2.7x crop factor, it is challenged with landscape photography where dynamic range and color depth are important factors.
There have been some interesting discussions about the pros and cons of various sensor sizes and how they impact angle of view, lens focal length and the depth-of-field that results. For example, some photographers bemoan the fact that it is difficult to achieve a shallow depth of field at a particular equivalent-field-of-view with a CX sensor using 1 Nikon lenses, while others find it useful to be able to get deeper depth-of-field at more open aperture settings such as f/1.8 and f/2. Some D800 shooters are concerned about diffraction setting in above f/8 when trying to achieve deep depth-of-field with a high pixel density 36mp FX sensor, as are many photographers who use high pixel density sensor DX bodies.
At the end of the day there is no such thing as a perfect camera body or format that will suit everyone’s needs. The camera body and sensor format you choose, along with your choice of lenses,comes down to the creative requirements that you have as a photographer based on the work you do.
Having been testing lenses extensively for the past few years, I have seen all kinds of optical defects on even the most expensive / exotic lenses that cost thousands of dollars. One of the most common issues I have seen so far is lens de-centering, where a single optical element or a group of elements are not properly aligned with others, resulting in uneven performance across the frame. Some lenses have very slight de-centering, which only software like Imatest can reveal, while others have very noticeable de-centering (particularly lower-end zoom lenses), where a portion of the frame would always appear less sharp in images. Then there are other optical issues that also impact the overall contrast and sharpness of lens. And testing lenses with all kinds of optical issues can often be a challenging task.
I have just added another section to the Camera Comparisons page of the Olympus OM-D E-M1 review, where I provided RAW performance comparisons between the OM-D E-M1 and the Fuji X-T1. Some of our readers requested this comparison, so here it is for those that just want to see this particular section of the review. Although the X-T1 has a similar resolution of 16.3 MP, it is physically larger in size (APS-C vs Micro Four Thirds) and hence has larger pixels than the OM-D E-M1. Let’s take a look at ISO 200 (Left: Olympus OM-D E-M1, Right: Fuji X-T1):
Grimsby Ontario is on the raptor migration route and every year the town holds an indoor “RaptorFest” event at the local hockey arena during which various presentations of live birds, and educational initiatives are conducted. A fast, mid-range telephoto like the Nikkor 200mm f/2G VR would be the perfect lens to photograph birds during this indoor event. Like most people, I don’t have the $6,000 or so it would take to own the 200mm Nikkor…but I thought I might have a reasonable solution in my camera bag.
This is an in-depth review of the Olympus OM-D E-M1 mirrorless camera that was released on September 10, 2013. Standing above all other Olympus mirrorless cameras, the E-M1 is a flagship model with the most impressive list of features. Built on the success of the Olympus OM-D E-M5 (which we highly praised), the E-M1 reigns over the OM-D line on a number of features – from the design of the camera and its incredibly fast autofocus system to the advanced shutter mechanism, high-end electronic viewfinder, WiFi and amazing weather sealing options. In fact, the E-M1 is one of the very few freezeproof, splashproof and dustproof interchangeable lens cameras on the market today.