Our readers frequently ask us about the performance of classic Nikkor lenses, some of which were kept from the film days, some inherited and others acquired at an auction or a garage sale. Considering the high cost of modern Nikkor lenses, older lenses can be of great value, especially AF-D and Ai-S manual focus models that could be snatched for 3-4 times less than their modern counterparts. Unfortunately, due to the fact that I never owned those older classics or had any access to them, I have never been able to test and review them. While building our lens database, I realized that it was very difficult to obtain information on older lenses and almost impossible to find product images. So I decided to look at local product listings and auction sites like eBay to find old lenses of good value. Not the hard to find / rare items, but the ones that are commonly found everywhere. Thanks to the gracious support of our readers, I was able to find a few good deals and use some of the money to fund this project.
This is an in-depth review of the Fujifilm X-E1 mirrorless interchangeable-lens camera, which was released on September 6, 2012 right before the Photokina event in Cologne, Germany. After the success of the X100 line and the release of the X-Pro1 (which initially received a rather mixed review from us due to its poor AF performance), Fuji introduced the X-E1 – basically a lower-end version of the X-Pro1. It was not an unexpected move, given how quickly Fuji was growing in popularity, thanks to its amazing retro design and excellent image quality. Despite its autofocus flaws and other quirks, both the X100 and the X-Pro1 created a huge fan base and a healthy community of supporters. The X-Pro1 was an expensive camera aimed at professionals and enthusiasts, so the X-E1 was naturally targeted as a more budget version with less features. In this Fuji X-E1 review (based on Firmware 2.00), I will provide detailed information about the camera, along with some image samples, and compare it to other cameras from Nikon, Canon and Olympus.
Nikon has just made a very surprising move and released a rugged Nikon 1 mirrorless camera, the AW1. I have not been excited by a Nikon announcement in a long time now as they have, just like Canon and Sony, been releasing products that have barely changed since their last iteration. Not this time. The Nikon 1 AW1 is the first camera in its niche, and I hope it is not going to be the last. Of course, a waterproof interchangeable lens camera makes little sense without appropriately rugged lenses. Therefore, two lenses – a 10mm f/2.8 AW and a 11-27.5mm f/3.5-5.6 AW – have also been announced. A proper new addition, this, and will make Nikon 1 system very tempting for some.
A while ago, Adobe has made the Lightroom 5.2 and Camera RAW 8.2 Release Candidate version update available. I restrained from updating my Lightroom 5 version to the RC update and decided to wait for the full release. Today, final Lightroom 5.2 and Camera RAW 8.2 updates are finally available for download and fix a number of bugs while also adding support for several newest cameras. New Camera RAW features are only available for Photoshop CC users. CS6 users are also eligible for the update, but Camera RAW 8.2 for Photoshop CS6 only adds new camera/lens support and fixes bugs. It does not add new features.
As always, Lightroom 5.2 and Camera RAW 8.2 updates are very similar. Having said that, there are some differences. In this quick overview, I will provide you with information for both.
Fujifilm has recently announced a new addition to its X-series of interchangeable lens compact camera system. Fujifilm X-A1 positions itself right below the previous entry-level model in the range, X-M1. At the same time, it is a camera many Fujifilm fans will likely not appreciate all that much. A lot of the initial skepticism may be due to the fact it is not very different from the recently announced X-M1. But more importantly, a difference these two cameras have is also a major one. Because Fujifilm X-A1 has a traditional Bayer color filter array rather than the rightly praised X-Trans. A recipe for failure? Not quite. Before we dive into an overview, though, let’s take a quick look at the specs.
As someone said, “photography is all about the light”. And nothing gives a photographer more flexibility to craft light better than quality studio strobes. If located in a permanent studio, they provide wonderful lighting and an endless array of possibilities, particularly when used with various light modifiers. Taking them on the road, however, is a different matter. Many models are bulky, heavy, and require proximity to a power source, making them impractical for many settings. Traditional off-camera flash units are much more portable and can be used creatively in a variety of situations, as David Hobby (a.k.a. “Stobist”) and others routinely demonstrate, but lack the power of strobe lights. To meet the needs of photographers seeking the power of traditional strobe lights combined with the flexibility of off-camera flash units, Impact provides the LiteTrek 4.0 DC Two Monolight and Mini LiteTrek (LT) Battery Pack Kit, a portable lighting kit consisting of 2 flash heads and a portable battery pack.
1) Initial Thoughts
This lightweight kit is well-designed and made. Add two lightweight light stands (not included) and it has everything you need to create a studio environment anywhere you need. I was surprised at the lightness of the 400W heads relative to their power. They were much lighter than my 550W Bowen’s studio strobes.
We have been working with a talented designer from Uzbekistan (which is where Lola and I are originally from) to revamp the look of our site. After our transition from “Mansurovs” to “Photography Life”, we have been thinking about ways to make the site more user-friendly. Our first step was to redesign our logo. The second step was to get rid of that old huge banner with my personal pictures and a square version of the logo. So Lola came up with a few ideas for the new banner concept and she has been working with the designer during the last couple of weeks. After I saw the initial results, I loved them and immediately got rid of the old banners (those really had to go). As of now, the 5 new banners rotate randomly on the top of the page and the designer will be making more interesting ones each month.
Pretty much the whole Photography Life team uses Lightroom (Tom, hint hint) and we all love it. Without a doubt, Lightroom is an integral part of many photographers’ workflows. It is easy to learn and use, comes with a boatload of great tools and makes the process of managing and organizing images a breeze. However, it seems like Lightroom is often plagued by various bugs and annoyances, some of which have been there for a very long time. One of those nasty old timers, is the Lightroom Exit Bug (I came up with this title, since I have no idea how else to call it), which has been plaguing Lightroom for a very long time, I believe since version 2 or 3. It also occurs in the latest release of Lightroom 5.2 RC. Basically, at some point of time, Lightroom’s shortcuts and menu windows just stop working and random presets get applied to your photos. The bug also prevents you from being able to exit out of Lightroom. The only cure is to exit out of Lightroom by clicking the “X” on the top right corner of the Lightroom window.
This year’s vacation choice was a simple one. Based on last year’s trip to the Canmore/Banff area, we realized there was much more to see of this beautiful region than time allowed. Many of the Photography Life readers were kind enough to suggest possible itineraries for our next trip. In particular, Cindy (a.k.a. “Alberta Girl”) gave us a detailed listing rivaling the length of my original article! Her recommendations served as the foundation for this year’s itinerary. If you are seeking to combine your love of photography with hiking, wildlife viewing, and breathtaking scenery, I would strongly urge you to consider the area around Banff National Park. I guarantee you will not be disappointed.
1) Canmore – Home Away From Home
We stayed at Canmore’s Falcon Crest Lodge for our vacation last year. After we decided to return for another visit, we initially thought we might travel around the region, staying in different lodges located in Canmore, Lake Louise, Kananaskis, and Jasper every few 2-3 days. But the more we considered the areas we wished to visit, the more we liked the idea of using Canmore as our home base once again. The notion of packing up our belongings every few days and checking into a new lodge lost its appeal when we considered the logistics and time involved.
This is an in-depth review of the Fuji X-Pro1, a highly anticipated mirrorless interchangeable-lens camera. Built on the success of the Fuji X100 and aimed at pros and photo enthusiasts that need a lightweight camera alternative to a DSLR with amazing image quality, the Fuji X-Pro1 is the first mirrorless interchangeable-lens camera from Fuji. Along with the X-Pro1, Fuji simultaneously introduced three prime lenses – Fujinon 18mm f/2.0 XF R, Fujinon 35mm f/1.4 XF R and Fujinon 60mm f/2.4 XF Macro, all specifically designed to be used for the new Fuji X mount. In this Fuji X-Pro1 review, I will not only provide detailed information about the camera, but will also try to answer the many questions that we have gotten so far on the camera from our readers, along with comparisons to Nikon and Canon DSLRs.
I had an opportunity to work closely with the Fuji X-Pro1 on two separate occasions – once when the camera initially came out back in 2012 and again in the summer of 2013, after the latest 3.01 firmware update was released. I had a number of complaints about the X-Pro1 in my original review, because the camera was full of bugs and autofocus problems. The latest firmware 3.01 addressed many of those concerns, so I am simply revisiting the same review and re-evaluating the camera based on my latest findings.