With us moving closer and closer to the announcement madness that is Photokina, we are working on bringing our readers (and ourselves) up to speed. This time we will be taking a closer look at a new lens by (a rather well known by now) South Korean manufacturer, a classic 50mm with a widest aperture setting of f/1.4. Something to get excited about? Let’s see.
After my previous, slightly unorthodox article on improving your photography, here comes another one. And, as you may have guessed from the title, I am […]
I have a simple question for you. Why do you enjoy photography? When I first asked myself this question, I thought, “Well, it’s obvious, isn’t […]
As with every skill, be it conscious or instinctive, your ability to choose composition for any given moment you wish to capture improves with time, […]
One of the most important considerations any photographer makes is determining compositional lines in images they create. In this short article, I will be discussing […]
One of the most common mistakes I see when reviewing images submitted by our readers, or when reviewing portfolio images during our workshops, is a […]
Often when we are creating images, especially landscapes, we can get so focused on the main subject that we forget to think about incorporating a […]
We’ve fallen behind with announcements and it’s time we caught up! Firstly, let’s talk about the new Fujifilm X30 compact camera. Fujifilm has actually been a lot in the news lately. They’ve been spurring up the market with innovative approach to product design and functionality. But if you glance at the X30, it’s not really that different compared to its predecessor. Perhaps a closer look will tell us more.
As an owner of a Nikon 1 V2 and a selection of Nikon 1 lenses I’m always looking for ways to extend the use of this compact-sized camera system. I thought it would be an interesting challenge to try and photograph a waterfall with the Nikon 1 system. When many of us first start out photographing waterfalls we are often disappointed with the images we capture as they have a ‘frozen’ appearance and lack the ‘smooth water’ effect that can add beauty and drama to our photographs. To achieve the ‘smooth water’ effect we need to slow our shutter speed down. This can be accomplished by using the lowest possible ISO setting, stopping our lens down, and by using a neutral density filter.
If you reside on planet earth, own a computer, and have ever searched the internet, you already know that the number one search engine in the world is Google. What you may not realize is that YouTube is number two.
So, my poor little 35mm lens was looking a little despondent after I had finished extolling the virtues of my 50mm. The 35mm just sat on the shelf looking at me, forlorn and with a glint of sorrow in its glass. Had I forgotten how much I liked using it? Did I not have dozens of favourite images from around the world taken with it? Indeed I did, and thus I took it upon myself to ensure due credit was given to this gem. Well, that plus another request from a reader to talk about using it.
The latest Nikon DSLRs like D810 (see our detailed review) and D4S came with the a new “Group-area Autofocus” mode. When compared to the regular Single-Point AF Mode, Group-area AF activates five focus points to track subjects. This focus mode is great for initial focus acquisition and tracking of subjects when compared to a Single-Point or Dynamic AF, especially when dealing with smaller birds that fly erratically and can be really hard to focus on and track. In such situations, the Group-area AF mode might give better results than Dynamic AF, showing better accuracy and consistency from shot to shot.
My post about my one night stand with the Tamron 150-600mm generated a lot of comments. A lot of people bemoaned the fact that they couldn’t get one because it was backordered at B&H, Adorama and the like. In 10 days, I’m departing on an exciting 18-day raft trip down the Grand Canyon and didn’t want to lug my expensive 500mm down the river in the raft. Nevertheless, I really wanted to shoot the wildlife down there and felt the more compact Tamron would be ideal. So yesterday, while out shooting ospreys, I ordered one and will have it in a couple days.
After more than two years since the successful launch of the Nikon D800 and D800E cameras, which shook up the photography industry with the high resolution 36.3 MP full-frame sensor, Nikon finally introduced an update to the cameras and combined the two into a single camera body. Although the new Nikon D810 has the same 36.3 MP resolution as its predecessors, it features a new sensor with an expanded native ISO range and comes with significant improvements to camera features, performance and ergonomics. In this review, we will take a closer look at these improvements and compare the performance of the D810 to other Nikon cameras.
As a dedicated sports photographer I have shot many different sports, mostly concentrating on the action. However, some sports require more attention than others, and all of them have “dead” or non-action time. During such time you can either review the shots you recently took, or look for “opportunity” shots; a chance to catch people unawares, to photograph them as they really are, instead of how they look when they pose for a picture. I have always preferred candid shots over posed shots, and feel that such shots are “truer” visions of the subject.
Apparently the new stock of Nikon D810 cameras arriving from Japan to large retailers like B&H Photo Video and Adorama already has the reported thermal issue addressed. We received confirmation from B&H Photo Video that the new stock they received today already has the the black label in the tripod socket, which is the indication of the fix, as shown in the service advisory.