Adobe Lightroom 5 Flash Sale at B&H

A boxed version of Adobe’s Photoshop Lightroom 5, which we already reviewed, has just received a limited time discount. You can get a boxed copy for both Mac OS and Windows for just $89! The offer runs out in a couple of hours at 4:00 PM EST (that’s about two and a half hours from now), so you better make up your mind quick whether you want it or not. Suffice to say, at that price, it is quite a bargain.

Lightroom 5

In order to take advantage of this flash sale, follow this link and order your copy of the software. Shipping is free within USA. Adobe Photoshop Lightroom 5 is the software tool that I used more (much more, at that) than any other for my personal and wedding photography, including full-fledged Photoshop. Here a quick summary of our review:

Adobe has, once again, released a well thought-through product that is certain to make the workflow of a lot of professional photographers very efficient. I’m not going to start raving endlessly about every single feature it has and how it has helped me save time while post-processing. You may have already gotten that point if you have read my Mastering Lightroom series articles and various comparisons. Suffice to say, that with the help of the more powerful Spot Removal tool as well as the newly added Radial Filter and Upright tools, it has become even more capable than before. That is a serious achievement given how good Lightroom 4 was. The very minor, but extremely useful inclusion of the full-screen preview mode (triggered by hitting “F” key on your keyboard) is the icing on the cake. Add that to a superb control of tones and colors as well as very natural-looking noise reduction mechanism of the previous versions and you have one software tool that can replace several dedicated programs for a lot of us. It is a natural companion to anyone shooting RAW professionally or just for the fun of it. And, perhaps even more so than ever, Lightroom emphasizes speed, so that we spend less time post-processing and more time photographing. Not to mention all the new cameras that are now supported by Lightroom.

How to Fix Panorama Merging Errors

This is a follow-up article to the tutorial I published a few days ago on how to create a panorama image in Lightroom. In the article, I used a very simple and straightforward panorama image which could be merged without any errors virtually on first try. The image did not have a main object of interest and only a few points that needed critical precision during stitching process. I chose this image for the sake of convenience – I didn’t want it to cause any apparent problems while I tried to explain how to seamlessly include Photoshop or any other panorama merging software in your Lightroom workflow. However, we all understand that, more often than not and especially with Brenizer method panoramas that I love so much, the stitching process is far from being perfectly accurate every time. More complex panoramas require several tries before the stitching is done properly, or manual correction. But how do you manually correct a panorama that you are trying to merge through Lightroom? It is actually easier than you may think and is unlikely to upset your workflow in any way.

How to Fix Panorama Merging Errors

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How to Get Accurate Canon Colors in Lightroom

Our readers often ask us if it is possible to get Lightroom to provide the same colors as one would see from the back of the LCD on Nikon, Canon and other DSLRs when shooting in RAW format. Unfortunately, as you might have noticed when importing files, Lightroom changes the colors immediately after import, when the embedded JPEG files are re-rendered using Adobe’s standard color profiles. As a result, images might appear dull, lack contrast and have completely different colors. I have heard plenty of complaints on this issue for a while now, so I decided to post series of articles for each major manufacturer on how to obtain more accurate colors in Lightroom that resemble the image preview seen on the camera LCD when an image is captured. In this article, I will talk about getting accurate colors from a Canon DSLR in Lightroom.

Camera JPEG vs Adobe RAW

Due to the fact that Adobe’s RAW converter is unable to read proprietary RAW header data, which often contains chosen camera profiles, some settings have to be either applied manually or applied upon import. My personal preference is to apply a preset while importing images, which saves me time later. Before we get into Lightroom, let me first go over camera settings and explain a few important things.

1) RAW File Nuances and Metadata

When shooting in RAW format, most camera settings like White Balance, Sharpness, Saturation, Lens Corrections and Color Profiles do not matter. Unless you use Canon-provided software like Digital Photo Professional, all of those custom settings are mostly discarded by third party applications, including Lightroom and Photoshop. That’s because it is hard to process each piece of proprietary data, which is subject to change from one camera model to another. Now imagine trying to do this for a number of different camera manufacturers!

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How to Get Accurate Nikon Colors in Lightroom

Our readers often ask us if it is possible to get Lightroom to provide the same colors as one would see from the back of the LCD on Nikon, Canon and other DSLRs when shooting in RAW format. Unfortunately, as you might have noticed when importing files, Lightroom changes the colors immediately after import, when the embedded JPEG files are re-rendered using Adobe’s standard color profiles. As a result, images might appear dull, lack contrast and have completely different colors. I have heard plenty of complaints on this issue for a while now, so I decided to post series of articles for each major manufacturer on how to obtain more accurate colors in Lightroom that resemble the image preview seen on the camera LCD when an image is captured. In this article, I will talk about getting accurate colors from a Nikon DSLR in Lightroom.

Camera JPEG vs Adobe RAW

Due to the fact that Adobe’s RAW converter is unable to read proprietary RAW header data, which often contains chosen camera profiles, some settings have to be either applied manually or applied upon import. My personal preference is to apply a preset while importing images, which saves me time later. Before we get into Lightroom, let me first go over camera settings and explain a few important things.

1) RAW File Nuances and Metadata

When shooting in RAW format, most camera settings like White Balance, Sharpness, Saturation, Lens Corrections and Color Profiles do not matter. Unless you use Nikon-provided software like Capture NX or View NX, all of those custom settings are mostly discarded by third party applications, including Lightroom and Photoshop. That’s because it is hard to process each piece of proprietary data, which is subject to change from one camera model to another. Now imagine trying to do this for a number of different camera manufacturers!

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Adobe Creative Cloud Fail – Part 2

A while ago, I posted an article on why I thought Adobe’s Creative Cloud model was a bad idea. The feedback from our readers was great, with over 300 comments and counting. Most agreed with my stance on why the “renting” model was not for everyone and talked about the risks associated with going to the cloud. Today, Adobe reported that its security was breached and hackers were able to obtain private information including customer names, encrypted credit/debit card numbers, expiration dates and other private data for 2.9 million customers, all part of the Creative Cloud subscription model.

Adobe Creative Cloud Fail

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How to Create a Panorama in Lightroom

A while ago, I wrote an article explaining how to use Lightroom with external editors. Since then, I’ve been asked specifically about merging panorama images. In this article, I will show you all the steps you need to take to successfully merge a panorama and have it back in your Library with minimal fuss. I will be using Lightroom 5.2 and Photoshop CS5, but the process is virtually identical with (reasonably) older versions of both software tools. This tutorial will focus on the process of stitching a panorama image while using Adobe Photoshop Lightroom as the heart of your post-processing and image management workflow.

How to Create a Panorama in Lightroom

If you are new to panorama photography, the best place to start is by reading our “Panoramic Photography Tutorial”. Manual panorama stitching technique will be discussed in a separate article.

1) There is a Catch

We start, unusually, with a problem. As a RAW file converter and photo manager, Lightroom has limited functionality when it comes to graphical editing. In fact, all its great flexibility is concentrated within the two mentioned main functions of the software. In many other respects, Lightroom is not the best choice. For example, I can edit 98% of my wedding photographs with Lightroom alone, no problem. However, the two remaining percent happen to be Brenizer method panoramas. This is where things, at first glance, get a bit more complicated. As I am sure a lot of you already know, you can’t stitch panorama images with Lightroom alone. If you didn’t yet know this and stumbled upon this article hoping to find a different answer, I am sorry to disappoint you. It lacks such functionality at its core. There is, of course, a workaround. What Lightroom can’t do on its own, it can do with the help of external editors and plug-ins. Panorama stitching happens to be one of those holes you can fill in quite easily if you own a Lightroom-compatible panorama stitching software which, in my case, is Photoshop. So, in order to create a panorama in Lightroom (sort of), you need to export those files to an external editor. Photoshop has a very powerful Photomerge tool for just such occasions, but the problem remains. You need to own another piece of software to perform such a task. I find that perplexing.

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Adobe Photoshop Lightroom 5.2 and Camera RAW 8.2 Released

A while ago, Adobe has made the Lightroom 5.2 and Camera RAW 8.2 Release Candidate version update available. I restrained from updating my Lightroom 5 version to the RC update and decided to wait for the full release. Today, final Lightroom 5.2 and Camera RAW 8.2 updates are finally available for download and fix a number of bugs while also adding support for several newest cameras. New Camera RAW features are only available for Photoshop CC users. CS6 users are also eligible for the update, but Camera RAW 8.2 for Photoshop CS6 only adds new camera/lens support and fixes bugs. It does not add new features.

Adobe Photoshop CS6

As always, Lightroom 5.2 and Camera RAW 8.2 updates are very similar. Having said that, there are some differences. In this quick overview, I will provide you with information for both.
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The oldest and the most annoying Lightroom bug

Pretty much the whole Photography Life team uses Lightroom (Tom, hint hint) and we all love it. Without a doubt, Lightroom is an integral part of many photographers’ workflows. It is easy to learn and use, comes with a boatload of great tools and makes the process of managing and organizing images a breeze. However, it seems like Lightroom is often plagued by various bugs and annoyances, some of which have been there for a very long time. One of those nasty old timers, is the Lightroom Exit Bug (I came up with this title, since I have no idea how else to call it), which has been plaguing Lightroom for a very long time, I believe since version 2 or 3. It also occurs in the latest release of Lightroom 5.2 RC. Basically, at some point of time, Lightroom’s shortcuts and menu windows just stop working and random presets get applied to your photos. The bug also prevents you from being able to exit out of Lightroom. The only cure is to exit out of Lightroom by clicking the “X” on the top right corner of the Lightroom window.

Lightroom Exit Checkmark

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Using Filename Template Editor in Lightroom

As any reader of our previous Mastering Lightroom series articles will know, one of the biggest strengths Adobe’s popular RAW converter has is presets and templates. With its emphasis on speed, Lightroom allows you to create a preset or template for more or less anything, from Metadata, to slideshows or book design. I have already talked about the super-useful Develop Presets. In this article, I will show you how to use Filename Template Editor so that you learn how to name your images as quickly and efficiently as possible.

How to Use Filename Template Editor in Lightroom

1) Why Should You Use the Filename Template Editor?

As with all other kinds of templates and presets you can find in Lightroom, filename templates are there for you to make managing and working with images easier. With the Filename Template Editor, you can create several naming templates and include as much or as little information as you want. What sort of information? Well, more or less everything from the metadata of that image – date, equipment, keywords etc. In addition to that, you can also include a custom text field.

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How to Upgrade Lightroom 4 to Lightroom 5

This is a quick guide on how to upgrade from Lightroom 4 to Lightroom 5, if you are considering moving up to the latest and greatest Lightroom version. While the process of upgrading the actual software is pretty straightforward, there are some important steps you need to take to make sure that the catalog is upgraded successfully and you are using the latest available features. If you are scared about upgrading and have not done it in the past, this guide might help you to go through the process. The good news is, Adobe allows keeping both versions of Lightroom on the same machine, which means that you can install LR5 and continue to use your old LR4 with the old catalog(s). Once you are satisfied with the upgrade, you can then remove the old version of Lightroom, along with the old versions of catalogs.

1) Download and install Lightroom 5

If you are hesitating about downloading the online version of Lightroom 5 versus buying a boxed version from a store, don’t – they are both exactly the same. Adobe lets you download the full version of Lightroom and use it for 30 full days until you input the serial number from a retail boxed version, or the one supplied by Adobe when you purchase it digitally. This is a great way to try it out and see if you want to keep it or not.

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