We had a very ambitious storm last night, and where there’s a storm, there’s often lightning. Nasim has a detailed article written on “How to Photograph Lightning”, so if you hear there’s a storm coming in your area and you want to grab some amazing shots of it, Nasim’s extensive article will help you be prepared from the start.
How important is sharpness? Recently I noticed, in my business, not so much. Of course, some shots, group portraits in particular, require a certain level of detail preservation edge to edge. Yet in most cases, at least for me, sharpness is second-place to aesthetics, and thus I will most often choose to photograph at the widest aperture I can.
We rarely get to see extraordinary people in our everyday lives. Have you had one of those moments when you saw a stranger that you really wanted to take a picture of? I am sure you have. So what did you do? Did you just photograph the person from afar without them knowing, try to talk that person into being your 30 second model or perhaps you might have tried to sneak up and take a picture? Or even worse, maybe you did not take a picture at all? I guess it has to do with our personality. If you are of shy type with a low confidence level (often a photography rookie), you might be even afraid to ask. That dreaded “No” can be quite discouraging to say the least and many of us don’t even bother to ask for that very reason.
I spent quite a bit of time during my youth hunting in the woods of Northeastern Pennsylvania. Along with my family and friends, I was convinced that the first day of deer season was a national holiday! In truth, I invested far more time in preparation for deer season than hunting. It was simply part of the process of being as well-prepared as possible for harvesting a deer. During my early teens, I gave serious thought to becoming a Pennsylvania Game Warden, as I could imagine no better job than being outdoors every day and getting paid for it! And although I never bagged a buck or became a Game Warden, I learned quite a bit about nature, wildlife habits, topographical maps, and many other subjects. The learning process and being outdoors was far more important to me than actually shooting an animal. When I rekindled my interest in photography, and my Nikon cameras and lenses replaced my rifles and scopes, I put many of the skills I had learned as a hunter to work in photographing deer and other wildlife.
I have met a lot of great people. Many of them, while being truly brilliant at something, have a hard time understanding their potential. It is sad to see them just drift away wherever life takes them and not take a step of their own. Are you like that? Do you ever stop yourself from going out, meeting people, starting photography or videography projects? While no one can change that but you, I think a little bit of inspiration can go a long way.
Photographers spend a good bit of time, money, and energy on craft and their equipment. This same focus, however, rarely extends to the investment of time necessary to understand their legal rights and obligations. Why? Investigating legal matters can often be less exciting than watching paint dry, eating plain yogurt, or listening to a State of the Union speech! It is far more engaging to have a raucous debate regarding the resolution of the Nikon D800 vs. the Canon 5D MKIII, zoom into the first full size RAW samples from the D4, or dig into the details of some other photography minutia! Well, at least for some…
I’ve always found photographing engagement sessions and weddings to be rather stressful for both the couple (and the guests, too) as well as myself. But stress, at the same time, has proven to be the force that makes me want to do as well as I can. I get over it, eventually, because I have an obligation to do my best. My couples, on the other hand, sometimes have a harder time getting over their nervousness just as fast. The trick is in keeping it fun for them until they’re as comfortable with you around as if they were alone.
We as photographers often make the final call on deciding the life span of an image according to our own perception, imagination and expertise. As much as we should be open to constructive criticism, I have always thought our own satisfaction from a photograph should come first. My own self-criticism is always the deciding factor on where I take my craft going forward. While those creative juices affect what I do behind the camera, knowing the technical aspect of photography to give life to any idea is very essential. It can take the story telling ability to a whole new level. Being able to analyze each shot before it is taken eventually will become a second nature as you photograph. I hope the below steps will help you get there a little faster.
Photography is an art meant to invigorate our creative side and facilitate our ability to see our world in new and interesting ways. Many books, articles, tutorials, and blogs focus on various aspects of the artistic and technical merits of photography. Rarely discussed, however, are some of the strange maladies that afflict photographers. There are the occasional whispers and, “Did you hear about Joe?” types of exchanges, but all too often, such problems are rarely acknowledged and dealt with openly.
Yesterday, I spent some time looking at the infamous “Stages of a photographer” chart again. The graph starts out with a blue line – the one that marks “How good you think you are” – at the top of the scale. It mentions that the photographer, at an early stage of his/her photography career shoots mostly flowers and cats (or anything else that’s pretty, cute or more or less easily accessible). The green line marks the actual quality of the photos, which is at the very bottom of the chart. It all makes sense – at one point, we all thought our work was, well, pretty.