Madi and Tyler: Portraits

I know Madi from one of our weddings that we shot earlier this year. She was a perfect little flower girl and her mommy Erin was a perfect bridesmaid! I secretly wished that someday Erin would call me and let me photograph Madi. My love for little girls is not just a secret. But if you haven’t heard before I am telling you now: I kind of secretly wish to have a baby daughter some day! Our house is full of boys and at times it gets pretty lonely down here (I say to my husband)!

My wish did come true! You can cross the part about having a daughter though :) Erin contacted me asking to photograph her two beautiful children, Madison and Tyler. There goes the saying about wishing and them wishes coming true! Maybe one day I will have a baby girl after all… Until then, enjoy some of the images I took of Madi and handsome Tyler!

Madi and Tyler #1

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I had a Dream…

Do you dream of pictures? Most passionate photographers do. Some dream of a beautiful location with the right lighting, while others dream of perhaps a perfect subject in a perfect environment. Whatever the dream is, the goal is to create a unique, beautiful image that will trigger the emotions of the viewer, touching their deepest senses and ultimately creating a very positive experience – a picture worth a thousand words…

I had a dream like that for a while, perhaps after seeing Yellowstone for the first time. The raw nature, strangely beautiful and colorful pools of hot spring water and geysers left some unforgettable memories in my head and I have been dreaming of some images of Yellowstone ever since. While there are plenty of pictures of Yellowstone out there, most of them show the famous Yellowstone Falls or some other waterfalls, geysers and hot springs. Most other photographs are of bison, wolves, bears, moose, elk, deer and other animals – the wildlife part of Yellowstone. Landscape photographers certainly give a lot more attention to Grand Tetons, largely because of Ansel Adams’ classic photographs and also because the Tetons are very “contrasty” and beautiful, especially in fall.

Lola and I took a short trip to Wyoming this past weekend and decided to check out Yellowstone and drive through Grand Teton National Park on the way back. Obviously, I already knew that I would not be able to capture anything good from the Tetons, since we were planning to leave Yellowstone at around noon time – the worst time of the day for Tetons, especially when it is hot. On top of that, the wildfires of Yellowstone and the surrounding areas contributed to the thick haze, making it extremely difficult to capture images during the day. Here is the picture of Grant Tetons with fall colors that I captured right before we took off home:

Grand Tetons

Grand Tetons

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Sofia: Children Portraits

Sofia is the daughter of my dear friend Nilufer, who owns Splendor. She provides fabulous shawls and umbrellas for brides, who want to pamper their guests regardless of the time of year. Brides of Colorado, Nil is the woman to look for if you need some warmth and shade :D

Sofia #1

Sofia #2

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Isadora: Portraits

Here are some of my favorite images from the last shoot with Isadora. The first image was taken in a shady area and I had to use off-camera flash (umbrella with a single strobe) as fill-flash to brighten up her face and get rid of raccoon eyes (shadows under eyes). The flash was positioned a little higher at approximately 30 degrees, to my left:

Isadora #1

This image was shot with natural light, early in the morning in the beginning of the session:

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Malika: Portraits

Malika is the daughter of our dear friends Becky and Andrew. I love their daughter very much! Since they decided to relocate somewhere special, they asked me if I could take pictures of Malika before they left. She is growing fast, alright! Last year at this very moment I was taking her picture, talking her into being a princess of a yellow castle. This year she outsmarted me almost in everything!

Malika #1

Malika, I will miss you dearly and I can’t wait to take your pictures when you come back to Colorado!

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Concert photography and videography with Nikon D3s

During my last trip to Florida, I was fortunate to attend Carlos Santana‘s concert, during which I had a good opportunity to take pictures and video with Nikon D3s DSLR and Nikon 300mm f/4.0 AF-S lens. As I have pointed out in my previous D3s articles, the performance of Nikon D3s in low light environments is incredible.

Take a look at the following shot of Santana:

Santana - Full Size

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July 4th Fireworks

I was not really planning on photographing the fireworks on July 4th, because I was enjoying a short vacation with my family at Glenwood Springs. When I was told that the fireworks would be fired from an open area behind the hotel where we were staying (less than several hundred feet away), I decided to take the challenge and see if I could capture anything interesting from that close of a distance. As I pointed out in my how to photograph fireworks article, it is generally not a good idea to stand too close to fireworks. I wanted to see what other challenges I would face, considering that I only had two lenses with me – Nikon 70-200mm f/2.8G VR II and Nikon 24-70mm f/2.8G, shooting on an FX body.

Captured with Nikon 24-70mm lens (square crop)

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Photography FAQ #4

In this fourth issue of the Photography FAQ, I will focus on Nikon-specific questions that have been sent by our readers. Big thanks to our readers for continuously sending questions to us and participating in the comments section of our blog. We truly value your feedback and we do our best to respond to your queries as soon as we can.

  1. Should I enable Active D-Lighting on my Nikon DSLR?
    It depends on whether you shoot in JPEG or RAW format. If you shoot JPEG, then yes, I would certainly recommend enabling Active D-Lighting. Use “Auto” setting, if it is available. If “Auto” is not available, then use “Normal”, which should work well for most situations. However, if you shoot in RAW format, then enabling Active D-Lighting is only going to be useful if you use Nikon’s Capture NX software. If you use Lightroom or some other third party application for post-processing your images, then Active D-Lighting is a useless overhead that you do not need – it will only darken your images a little. The reason why this happens, is because Active D-Lighting is essentially a tone curve applied to a RAW image in Nikon’s proprietary format. Current Adobe products are unable to read this data, so they automatically discard such data as Active D-Lighting, sharpening, color saturation, etc.
  2. I have a Nikon D80 that I have been using for a while and I was wondering if the D5000 represents a step down from what I currently have?
    Yes. While Nikon D5000 might seem like an upgrade for a D80 user, it is actually a lower-class camera. Nikon D5000 is an upper-entry-level camera, while Nikon D80 is a semi-professional camera that has more features (almost twice as many custom functions) than D5000. If you are currently using the Nikon D80, then you should be looking at D90 if you want to upgrade. A more detailed comparison of features can be found in my Nikon D5000 vs D90 article.
  3. Do you have any information on when an upgrade to Nikon D90 is supposed to be released? Will it happen this year?
    I get this question a lot. If you look at Nikon’s release schedule in the past, then yes, there should be an update to Nikon D90 at the end of this summer. However, nobody can tell you for sure, because the information is kept in secret and Nikon makes select people sign special “non-disclosure agreements” (NDA) before they can see any of the unannounced products. I personally do have a problem with a possible summer update of D90 and I think that it is not going to happen. Why? Because Nikon has not released a new sensor on the professional DX line this year. Nikon released the D300s, but it uses the same sensor as in D300. This does matter, because historically, Nikon released semi-professional DX cameras only after a major update to the professional DX cameras (D80 came out after D200 and used the same sensor, D90 came out after D300, same sensor). So, if an update to D90 does come out this summer, would Nikon reuse the same sensor as in the current D90? I don’t think so, it just wouldn’t make much sense. Adding more features to D90 is also not a good option, since Nikon would not want to threaten the current D300s sales with a more capable D90.

    NOTE: Nikon D7000 has been announced, no D90 update is planned for 2010.

  4. What about an update to Nikon D700?
    Everybody was hoping for a Nikon D700s or Nikon D700x this spring, but it didn’t happen. Since Nikon D3s has a brand new sensor, a Nikon D700s would make the most sense. The Nikon D700 was released on July 1, 2008, so there could be a Nikon D700s announcement in July or later in the year (most likely November announcement for general availability before Christmas), but again, it is just a mere guess. There is also a possibility that it will not happen at all this year, due to Nikon’s financial situation. I hope Nikon understands that a lot of people are waiting for a D700s/D700x release – it will surely be a hot seller, especially in the wedding photography business.
  5. You recommend Nikon 35mm f/1.8G DX and Nikon 50mm f/1.4G lenses for low-light situations. If I have a room lit with just candle light, can those lenses create good, acceptably sharp images?
    If you are shooting hand-held in a candle-lit room, then no, neither the 35mm f/1.8, nor the Nikon 50mm f/1.4 would help. Remember, there is a big difference between low-light and dark. Candle light is dark. What I consider low-light is your typical indoors light in your room, with one or more 60-100W light bulbs. Also, don’t forget that focusing with a camera in low-light situations is extremely difficult and even though you might get a camera shake-free image, it could be soft due to bad focus. If you have a camera with good high ISO performance like the Nikon D700/D3 or D3s, then you could certainly bump up ISO to a really high number and get acceptably sharp images, but you would once again have to watch for possible focusing problems. Having fast-aperture lenses does not mean that you can photograph night scenes by just hand-holding the camera.

Please let me know if you have any questions!

How to view DNG thumbnails in Windows

If you convert RAW files to DNG as a part of your workflow in Lightroom like I do, you probably get frustrated with the fact that Windows does not display DNG image thumbnails or let you view files in Windows Photo Viewer. Windows by default does now know how to read DNG files and the only operating system today that has some support from Adobe, is Windows Vista. Adobe officially released a 32-bit DNG codec for Windows Vista, but it does not work with the 64-bit version of Windows Vista, Windows XP or Windows 7, making it pretty worthless. Gladly, there are a couple of workarounds to get all Windows operating systems to display DNG thumbnails and open them in Windows Photo Viewer and I will show you how to do that in this quick article.

DNG support in Windows XP

Interestingly, Windows XP (32-bit) comes with full DNG support, but it needs to be activated from the Windows registry. If you are running Windows XP, here is what you need to do:

  1. Download this registry file and save it on your desktop
  2. Double-click the file, which will ask you to confirm if you want to add entries to your registry. Click “Yes”, which then will modify the registry as needed.
  3. Reboot the computer.
  4. Go to a folder with DNG files and switch to thumbnail view. Verify that you can see the thumbnails, as you can see with JPEG files.
  5. Delete the downloaded registry file from your desktop.

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Tech info from the last photo shoot

Ever since Lola posted pictures from the Erica and Brett Engagement Photoshoot, we have been receiving emails from our readers, asking us what kind of equipment Lola and I used and how those pictures were taken. In this quick post, I will go through some of the images and explain how they were taken and what gear we used for the session.

Here is what we took with us to the photo shoot:

  1. Nikon D3s with Nikon 24-70mm f/2.8G – my setup, only used one lens
  2. Nikon D700 with Nikon 50mm f/1.4G – Lola’s setup, she doesn’t like heavy gear
  3. 3x Nikon SB-900 Flash Units
  4. 4x PocketWizard Plus II Units
  5. 2x Manfrotto Light Stands with adapters
  6. Westcott 60″ umbrella
  7. Apollo Mono 28″x28″ softbox
  8. Various Honl snoots and grids

Now let’s start from the very first image:

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