Ryan Brenizer Talks About His Panorama Method

A while ago, I posted an article explaining the Brenizer method panorama. Ryan Brenizer is a NYC based wedding photographer and the “father” of Bokeh Panorama, or Brenizer panorama, technique, which allows one to achieve an otherwise impossibly shallow depth of field at a given angle of view. While I did my best to explain how it all works, it’s often better to see how one does it once than read about it ten times. And who to better do it that Ryan himself?

So here are a couple more tips for those of you interested in learning this technique, followed by Ryan’s much more understandable and professional explanation.

Brenizer method panorama

1) Remember Composition and Light

While Brenizer method panorama can help even the most simple and dull photograph look amazing, any eagle-eyed photographer will be able to tell you’re just trying to fool people by using simple aesthetics, such as bokeh, which has nothing to do with your skills as a photographer, only the lens you’re using. Light, Subject and Composition are the main aspects of an image, even when it’s 9463-ish pixels wide and has the most beautiful background blur you’ve ever seen. Work on it – find the best light, the best pose or lack of one, and work on your composition skills – Brenizer method is there to improve your photography and give you more creative choice, but that’s all it can do. The rest is, once again, up to the living, breathing creature holding the camera with a lens set wide open.
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Advanced Photography Technique: Brenizer Method Panorama

A while ago, I posted an article asking for your feedback. We were all very thrilled to see so many of you comment (even though I didn’t get to answer all of the comments, we already have a list of things we will be working very hard on during the coming months). One suggestion, made by Marcin (thank you!), was of particular interest to me. “What inspires us?”, he asked. Let me rephrase that – who inspires us?

Learning something new is vital for any aspiring photographer, not to mention how interesting it can often be. But then there is a question – whom to learn from? There are a lot of photography forums and blogs around, both with good and not-so-good content, and it can take quite some time for one to differentiate them accordingly. Luckily, just when I was starting my wedding photography business about two years ago, I came across Ryan Brenizer’s blog, and from him I learned one of the best techniques I’ve seen around – the Brenizer method panorama.

Panoramas have been around since film days, and there were actually cameras specifically designed to take such images by using a longer portion of film than conventional 35mm or medium format cameras. Today, most point-and-shoot cameras, as well as some mirrorless and DSLR cameras, are capable of taking panorama images automatically, and, frankly, the result can often be spectacular. So what is so special about this so-called Brenizer method panorama? Well, take a look at the following image.

Brenizer Method Panorama

I took this photograph using my Nikon D700 camera and a 20mm lens set at f/0.5, and gave the full 80 megapixel image to my clients in case they wanted to print large, for those of you curious enough to ask. It was a very fine day and an amazing wedding. No one truly cared about the oncoming rain, least of all the gorgeous bride with her makeup and hairdo. As I was…

Hold on. A 20mm f/0.5 lens? This can’t be right… Can it?

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Nature Photography Tips

One of the most exciting things about running a photography site is getting to know people from all over the world. Holger Wagner, a nature photographer from Germany, contact me about two years ago on photographing birds in Florida. After reading my articles on how to photograph birds and my post on Florida birding near Orlando, he contacted me for suggestions and my favorite spots.

After he came back from his trip, he sent me some stunning pictures that he captured in Florida. While browsing through his website, I checked out some of his other work and within minutes, I realized that I am looking at the work of a very talented photographer. I immediately emailed him again and asked to write a guest post, because I felt that his photography had to be shared with the photography community. Unfortunately, he got extremely busy with traveling and photography, so he did not have a chance to do it then. During the last two years, he kept on sending me his beautiful pictures. So a couple of weeks ago I sent another request and I was finally able to persuade him to write a guest post, along with some of his beautiful pictures. Enjoy!


Dear photography friends and readers of the Photography Life blog,

This is my first guest post ever and it’s an honor for me to write here. English isn’t my first language, so I apologize for any grammar mistakes in advance.

My name is Holger Wagner and I live in Aachen, Germany. I am a professional photographer that enjoys nature and loves photographing landscapes and wildlife. I’m grateful to have had the opportunity to visit some of the most beautiful photography places in the world throughout my career. The US Southwest, with its breathtaking landscapes, Florida – a birders paradise, Iceland and Norway in Northern Europe are some of my most favorite places to shoot.

My online research on how to capture birds led me to this informative site. Nasim not only shared some very useful tips in his birding articles, but when I contacted him, he was even kind enough to share his special and favorite destinations in Florida. This helped me so much in preparing my trips carefully and to come home with more “keepers” than I ever expected.

What photography means to me is always to capture the beauty that surrounds me. It is the light, the colors, the composition and the mood in every particular situation. With my Nikon DSLR, I always shoot in RAW in 14-bit to get the best out of every single image. With that said, I post process all my images carefully. Subtle, yet significant, is my goal with each image. I always follow my own quote “Releasing the shutter button is just the beginning of a great photograph”. As photographers, we are all artists as well, whether we create stunning portraits, commercial, wildlife or landscape images. We live in this beautiful digital age that gives us all the tools we can try and find out what works and what doesn’t. It is all bound to our own taste and style, our own appreciation and interpretation of beauty.

I’d like to show you a couple of my images here with some information and if you have any questions or comments, please feel free to get in touch with me. I would love to get some feedback.

When I got started with landscape photography, I went to the beautiful Southwest region of the United States. The amazing sandstone formations in Utah and Arizona are so unique, that I immediately fell in love with them. Until today, it is one of my favorite places for shooting landscapes.

Here is a tip I would like to share with you that can help when you feel overwhelmed with beautiful landscapes. As photography enthusiasts, we are so passionate, that we see all this great scenery and just want to capture it all at once in its grand beauty. Sometimes it works great, but I mostly try to simplify and narrow the focus. This is a composition rule that always works as I found out. Here I photographed the Vermillion Cliffs in Arizona as a single scene with a wide-angle lens:

Vermilion Cliffs Wide

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Lightning Photography Tips for Beginners

We had a very ambitious storm last night, and where there’s a storm, there’s often lightning. Nasim has a detailed article written on “How to Photograph Lightning”, so if you hear there’s a storm coming in your area and you want to grab some amazing shots of it, Nasim’s extensive article will help you be prepared from the start.

When the storm hit, I didn’t have a tripod anywhere near me, but you don’t always need one if you just want to take a spontaneous photograph through an open window or a balcony. While I’m not usually one to photograph lightnings (or landscapes, for that matter), I still grabbed my old-ish D300 (still a great camera I use at weddings) with a AF-S 17-55mm f/2.8G lens mounted, set it to its widest setting of 17mm, closed down the aperture to f/8 (the wider the aperture, the thicker the lightning will be, but you’ll need to compensate using slower ISO setting or a ND filter to block some of the incoming light from the flash) and, after setting it to manual focus only, focused at infinity. My camera was set to Auto WB, ISO 200 (base setting for my D300) and Bulb setting in manual exposure mode (M).

Photographing Lightning_1

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Is it Sharp Enough?

How important is sharpness? Recently I noticed, in my business, not so much. Of course, some shots, group portraits in particular, require a certain level of detail preservation edge to edge. Yet in most cases, at least for me, sharpness is second-place to aesthetics, and thus I will most often choose to photograph at the widest aperture I can.

Whenever we read a lens review, it almost seems as if the one thing a huge part of potential buyers care about the most is its “sharpness”. While that is quite understandable with older fixed focal length, and especially zoom, lenses, where the so called optimal apertures between f/4 and f/11 had to be used to resolve as much detail as possible, the way I see it, resolving power is slowly reaching its peak (a sort of a “speed limit”, if you like, when it doesn’t matter how much potential top speed or horse powers you car has, because the top speed allowed is quite enough), after which any kind of additional sharpness will most likely be meaningless. The reason is simple – these are not “f/8 and be there” days anymore. Modern lenses are just that good.

Using lenses wide open

I took the shot above using my 50mm f/1.4G wide open at f/1.4. Check the 100% crop – if you look past the low contrast B&W conversion and high amount of grain added during post processing, there’s plenty of sharpness there and the lines are well defined where they need to be, without looking over processed.

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Are You Afraid to Ask?

We rarely get to see extraordinary people in our everyday lives. Have you had one of those moments when you saw a stranger that you really wanted to take a picture of? I am sure you have. So what did you do? Did you just photograph the person from afar without them knowing, try to talk that person into being your 30 second model or perhaps you might have tried to sneak up and take a picture? Or even worse, maybe you did not take a picture at all? I guess it has to do with our personality. If you are of shy type with a low confidence level (often a photography rookie), you might be even afraid to ask. That dreaded “No” can be quite discouraging to say the least and many of us don’t even bother to ask for that very reason.

I once asked a big tattooed guy to take his picture, because he had a very colorful outfit that looked very interesting with his tattoos. With plenty of anger on his face, his response was that he would break my camera if I even tried. Oh well, not everyone is approachable for sure! It certainly sounded very discouraging, but did it make me give up on asking? Of course not. I have asked many people since then. And I have photographed many of them, some of which later became my clients.

While doing a short photo walk with the Canon 5D Mark III in Disney Downtown, I came across an Italian guy, who danced away to tunes played by local artists. His dancing was not very good (meaning, he is not a professional dancer or anything), but the way he was dressed and he moved attracted a lot of people:

Street Dancer (1)

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Confessions of a Deer Hunter

I spent quite a bit of time during my youth hunting in the woods of Northeastern Pennsylvania. Along with my family and friends, I was convinced that the first day of deer season was a national holiday! In truth, I invested far more time in preparation for deer season than hunting. It was simply part of the process of being as well-prepared as possible for harvesting a deer. During my early teens, I gave serious thought to becoming a Pennsylvania Game Warden, as I could imagine no better job than being outdoors every day and getting paid for it! And although I never bagged a buck or became a Game Warden, I learned quite a bit about nature, wildlife habits, topographical maps, and many other subjects. The learning process and being outdoors was far more important to me than actually shooting an animal. When I rekindled my interest in photography, and my Nikon cameras and lenses replaced my rifles and scopes, I put many of the skills I had learned as a hunter to work in photographing deer and other wildlife.

Buck Blending In

Over the last five years, I have been photographing quite a few of the animals inhabiting Hartwood Acres, a historical landmark consisting of the former estate of the John and Mary Flinn Lawrence family, and 629 acres of pristine forest. Red-tailed hawk, whitetail deer, turkey, raccoon, and fox are regular inhabitants of the park. Rumor has it that coyotes have been spotted as well.

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Getting Yourself Out There

I have met a lot of great people. Many of them, while being truly brilliant at something, have a hard time understanding their potential. It is sad to see them just drift away wherever life takes them and not take a step of their own. Are you like that? Do you ever stop yourself from going out, meeting people, starting photography or videography projects? While no one can change that but you, I think a little bit of inspiration can go a long way.

This is a short film by three student, who, as they say, did not care about nature, and then decided to do something about it. And they did. While the attention this project received is quite amazing – their website has been visited by over 900 thousand people already – it’s not even the idea that I found most inspiring. This film was made by three students, and while I am quite certain they did not have a million dollar budget, they sure found a way to unleash their creativity, something we all have an unlimited amount of. Do you still think there is something you cannot do?

Get out there. Take your camera and shoot. Make a film. Stop drifting, stop wasting your time. Stop thinking you can’t. Not tomorrow, not in a year – now, whatever it is, whatever you dream about.

There is no better way of doing what you love than simply doing what you love.

Click here for official “WE MISS YOU” project website.

Know Your Rights as a Photographer!

Photographers spend a good bit of time, money, and energy on craft and their equipment. This same focus, however, rarely extends to the investment of time necessary to understand their legal rights and obligations. Why? Investigating legal matters can often be less exciting than watching paint dry, eating plain yogurt, or listening to a State of the Union speech! It is far more engaging to have a raucous debate regarding the resolution of the Nikon D800 vs. the Canon 5D MKIII, zoom into the first full size RAW samples from the D4, or dig into the details of some other photography minutia! Well, at least for some…

Know Your Legal Rights as a Photographer

It is important for you to take some time to understand the legal aspects of photography, however, since if you are engaged in the field for any appreciable length of time (particularly in the area of photojournalism), you will eventually encounter a potential legal situation. The purpose of this article is to offer some tips and guidelines that may help you better understand and deal with common issues related to your rights. All of my comments are strictly from the perspective of United States law. Since I am not a lawyer, I cannot offer legal advice (at least not legally!). Should you find yourself in a situation that calls for legal advice, attempt to find a reputable attorney (preferably recommended from a fellow photographer or organization such as the ASMP) that routinely deals with such issues.

1) Lack of Understanding Galore

The main concern is the amount of misunderstanding regarding these issues. This applies equally to photographers, those they take pictures of, police officers and others that enforce the laws, and those that manage content, such as newspapers, magazines, and websites. Even those managing photo contests may not have the necessary depth of knowledge. This can produce quite a bit of confusion, confrontations, and unnecessary strife. 9/11 only aggravated this situation, with some in law enforcement becoming increasingly suspicious of those with professional camera equipment.

2) What Can You Photograph While on Public Land?

Just about anything and anyone, and you don’t need permission. If you are standing on a public sidewalk, and spy Madonna walking into Starbucks, you are free to take her photo. If you shopping in LA, and observe the police busting Alec Baldwin for impersonating an actor, you are free to photograph Baldwin and the police arresting him, assuming you are doing so from public property. If you encounter an accident scene, there are no restrictions to your taking photos of the scene, the people involved, the EMTs, and police officers.

Lock

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Have Fun While Working

I’ve always found photographing engagement sessions and weddings to be rather stressful for both the couple (and the guests, too) as well as myself. But stress, at the same time, has proven to be the force that makes me want to do as well as I can. I get over it, eventually, because I have an obligation to do my best. My couples, on the other hand, sometimes have a harder time getting over their nervousness just as fast. The trick is in keeping it fun for them until they’re as comfortable with you around as if they were alone.

Kissing CoupleKissing Couple

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