This is a quick review of the Impact Air Cushioned Heavy Duty 13’ Light Stand. As soon as I received this stand, I started using it in my studio. I thought it looked great and felt like it would be sturdy, but how would it hold up under actual use?
This is a review of the Impact 52” Silver/White Collapsible Circular Reflector Disc. It is commonly used for bouncing natural light or flash onto subjects when taking their portrait. I use reflectors with almost all of my portrait work and consider them to be an indispensable tool that I always have with me. I’m used to using a smaller, 30” Lastolite TriGrip by myself, so I was curious to see if I’d still be able to use such a big reflector without the help of an assistant.
This is a review of the Lastolite EzyBox Speed-Lite, a small 8.6 x 8.6″ softbox designed to be used with a speedlight. One of the most dreaded situations for most photographers is walking into a venue that has dark walls, very high ceilings and no ambient light. No matter what camera system you shoot with, working in such environments without flash is simply not an option. Lack of light can create a myriad of problems, from focusing issues to image blur due to slow shutter speed. Shooting at super high ISO is often not an option – not when you will be delivering your photographs to a business client. So what do you do? You use a speedlight, often on top of the camera, because you need to move around when photographing the event.
This is a quick review of the Nikon Wireless Close-up Speedlight Commander Kit R1C1, which has been kindly provided by B&H – the largest photo reseller in the world that we use more than any other to buy our photography gear.
This is a review of the Impact Background Support System, along with the Impact Muslin Background, used in a studio environment or in remote locations for portrait and product photography. When taking pictures of people or products, it is often desirable to have a smooth background with a certain color. While you can accomplish this with a “Do It Yourself” (DYI) setup using a white sheet secured on a large wall, sometimes it is either impossible (in a tight space) or inconvenient to do that. Other times, some people are not either uncomfortable with potentially damaging their walls with nails in order to secure a white sheet, or want a setup they can travel with. For those situations, a collapsible and lightweight background support system can be invaluable. The good news is that you can get a good background system without breaking the bank, and the Impact Background Support System is no exception.
This is a review of the Impact Digital Light Shed, used for small and medium product photography. Whether you are photographing jewelry, toys, shoes or even lenses, a good light box is essential for creating beautiful photographs of the product. While you can take the DYI route and build a light box yourself from scratch (which is what I did for years before), purchasing a solid light box setup can save you plenty of time, space and frustration.
This is a review of the Impact 5-in-1 Collapsible Oval Reflector, commonly used for bouncing natural light or flash onto subjects when taking their portraits. When working outdoors or in a studio environment, a reflector can be a very effective tool for adding more light to your subject. Often used as a secondary “fill light” to compliment the primary light, reflectors come in different sizes, shapes and surfaces. While the shape of the reflector does not matter as much, the size and the type of surface of the reflector can have a significant impact on the image. In photography, the bigger the light source is, the softer the light it will produce. Hence, bigger reflectors will generally yield softer light than their smaller counterparts.
This is a review of the Impact Master Century C Stand Kit, used for holding studio lights, softboxes, flags, bounce cards and other accessories. Unlike the multiboom light stand that can only hold light reflectors and cardboard flags, C-stands are almost entirely made of metal and are designed to be very tough and sturdy, capable of holding fairly heavy equipment. The shortened term “C-Stand”, which means “Century Stand”, comes from the early days of motion picture production. Back then, filmmakers heavily relied on reflectors to light actors. The most popular one was the 100 inch or “century” sized reflector, so the stand that held this reflector was often referred to as “century stand”.
One big news that nobody seems to be paying attention to at the moment due to the much-anticipated Canon 5D Mark III release, is the Canon 600EX-RT Speedlite announcement. Why big news? Because it is the first flash unit (speedlite in Canon language, speedlight in Nikon language) that actually has a built-in wireless radio capability. Historically, both Canon and Nikon used flash units that would communicate wirelessly only via infrared signal. While infrared works fine in some environments, it has problems with daylight (sun rays), range and it often requires direct visibility. Because of this problems, many photographers, including myself, have been relying on external radio transmitters and receivers such as PocketWizard for a more enhanced and reliable communication between flash units.
PocketWizard has just announced an update to their PocketWizard Plus line of radio transceivers. The new PocketWizard Plus III is the latest generation radio transmitter/receiver that adds a boatload of new features, but best of all, comes at a much more affordable price of $139 (the old PocketWizard Plus II units are priced at $159).