New Fuji Firmware Update for X-Pro1, X-E1, X-E2 and X100S

As we have mentioned before, Fuji planned to release a major firmware update to most of its X series cameras on December 19, 2013. Well, today is the 19th, which means that you can download the latest firmware and apply it to your Fuji camera! I am very excited about this release, because it brings very important and key features to the X-Pro1 and the X-E1 cameras that have been rolled to the X-E2 and X100S cameras. The first key feature is Auto Gain control. As I have mentioned in my Fuji X-E2 review, auto gain is something that controls the brightness of the LCD and forces it to always show average brightness, no matter what settings are set on the camera. In short, it is an inaccurate representation of the actual exposure. While the feature can be very useful in low-light situations or when working in a studio, it is not something that I personally like to use 90% of the time. With the new firmware, you can now turn Auto Gain off, which will show the correct exposure on the LCD!

Fujifilm X-Pro1 vs X-E2

Another key feature that is added is Auto ISO. Yes, finally, we now we have Auto ISO on all X-series mirrorless cameras! While I am still waiting for Fuji to add automatic ISO control based on the focal length of the lens (Nikon nailed it on its latest DSLRs), the current implementation is surely better than nothing. The last big change is the ability to change aperture and shutter speed when AE lock is engaged. There are a couple of other changes added to each firmware release and you can find additional info from the below links.

  1. Fuji X-Pro1 v3.10 Firmware Update
  2. Fuji X-E1 v2.10 Firmware Update
  3. Fuji X-E2 v1.10 Firmware Update
  4. Fuji X100S v1.10 Firmware Update

Kudos to Fuji for making this happen. They keep going back and adding such huge changes to existing cameras, making existing owners very happy. Imagine how great it would be if Nikon issued firmware updates with major changes to 2-3 year old cameras, or added features to lower-end cameras. I would love to get the latest Auto ISO implementation on my Nikon D3s, but I have a suspicion that it will never happen…and that’s after paying over $5K for it!

Nikon Df + 58mm f/1.4G – A Match Made In…

Lothlórien or Mordor, depending on whether you consider Nikon “the dark side” I guess! Been shooting with this combo for about a week now and I am amazed by the results. The Nikkor 58mm f/1.4G (see our lens page in the database) is just one of a kind…very few Nikkor lenses are capable of rendering such beautiful images. Lots of depth, color and beautiful bokeh, as illustrated in some of the images below. Sharpness in the center is also excellent when you nail focus, even wide open. Lola was a bit hesitant about the Df at first (she rarely parts with her Nikon D3s + Nikkor 50mm f/1.8G combo), but once she used it a couple of times on commercial shoots, she quickly changed her mind.

Nikon Df Image Samples (5)

Image quality is stunning, especially when shooting in low light situations. Armed with a fast f/1.4 lens, you could literally shoot in dark with the Df and get amazing results. These are some of the images that we have captured so far and I am planning to take the Df to much more challenging lighting conditions this weekend and within the next couple of weeks. I am currently busy writing the Nikon 58mm f/1.4G review (now published). By now I have plenty of image samples to showcase its performance, along with other accompanying lab test data. The Nikon Df review should be posted within the next 2 weeks.

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Fuji X-E2 Review

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This is an in-depth review of the Fujifilm X-E2, a second generation mirrorless interchangeable-lens camera from Fuji that was released on October 18, 2013 before the 2013 Photo Plus Expo event in New York. After the success of the X-E1, which I ended up picking as my mirrorless camera of choice, as explained in my detailed review, Fuji decided to update the camera with more features to make it even more compelling. Considering that the X-E1 was only a little over a year old and the high-end X-Pro1 had not been updated since it was initially released back in March of 2012, the X-E2 was a good indication of Fuji’s future plans to keep the mid-range product line updated every 12 to 18 months, while the high-end line will probably be updated every 24+ months. In this Fuji X-E2 review (based on initial firmware 1.00), I will provide detailed information about the camera along with some image samples and compare it to the X-E1 and the Olympus OM-D E-M1.

Fuji X-E2

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Fujifilm XF 10-24mm f/4 Lens Announcement

Fujifilm has just announced a new addition to its lens lineup – the Fujinon XF 10-24mm f/4 R OIS. Although it came as no surprise thanks to Fujifilm’s official lens roadmap, the lens was still highly awaited, and for good reason. It now offers the widest angle of view of any Fujinon X-mount lens, while still carrying a moderately fast aperture of f/4. In addition to that, it also offers optical image stabilization, which makes it a Fujifilm equivalent to Nikon’s highly regarded AF-S 16-35mm f/4 VR – a lens that helped prove image stabilization is, in quite a few situations, useful even at the widest angles of view.

Fujinon XF 10-24mm f4 R OIS Lens

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HandeVision IBELUX 40mm f/0.85 Lens Sample Images

HandeVision has also published a few sample images taken with their new IBELUX 40mm f/0.85mm lens (a pre-production unit, I assume). The image samples, taken with Sony NEX-7 and FujiFilm X-Pro1 mirrorless cameras, are, unfortunately, of low resolution, so it is hard to judge optical performance of the lens. Aesthetic properties (or “character” of the lens, if you like), on the other hand, are visible to a degree. That’s a start. The first four images were taken with the lens mounted on the Sony NEX-7 camera (although EXIF says Lunar), the latter five – when mounted on Fuji X-Pro1.

HandeVision IBELUX 40mm f0.85 NEX-7 Image Sample #1

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Fastest Lens for Compact System Cameras

It is always interesting to see new manufacturers emerge. Mostly because the only way they can actually make an impact on a highly competitive market such as that of digital cameras and lenses, is by producing something truly innovative and new. They need to surprise the market. Break a few rules. HandeVision, a new lens brand that is a result of German and Chinese collaboration, aims to do just that by introducing a 40mm lens with the fastest aperture of f/0.85 for mirrorless cameras.

Handevision IBELUX 40mm f0.85

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Sony A7R vs Nikon D800E ISO Performance

In this article, I will show noise performance from the new high resolution Sony A7R mirrorless camera and compare it to its direct competitor, the Nikon D800E. Both have 36 MP sensors and both lack anti-aliasing (AA) filters, which should make it a good case for analysis at pixel level with no re-sizing/down-sampling involved. The Sony A7R is a pretty hot camera right now thanks to its compact camera body, high resolution and excellent image quality. Let’s take a look at how it fares against the older Nikon D800E.

Here is a comparison at the boosted ISO level of 50:

Sony A7R ISO 50 Nikon D800E ISO 50

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Sony A7 vs Nikon D600 ISO Performance

Thanks to all the camera and lens releases earlier this year, I now have too much gear in my hands and too little time to review it all. Instead of making our readers wait for full, in-depth reviews (which take me a while to put together), I will be publishing some bits and pieces from the reviews with my initial impressions. In this case, I would like to show you the ISO noise performance of the new Sony A7 mirrorless camera and the Nikon D600/D610 DLSRs. I have just received the A7 and A7R cameras along with two Sony lenses (the 35mm f/2.8 Zeiss prime and the 28-70mm Sony zoom), so I have not been able to use them extensively to provide a detailed analysis and opinion. From my two days of using the two, I am pretty impressed by what I see so far.

Let’s take a look at how the Sony A7 compares to the Nikon D600 in low and high ISO performance. Here is the boosted ISO 50 for your viewing pleasure:

Sony A7 ISO 50 Nikon D600 ISO 50

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Nikon Df vs Nikon D4 ISO Performance

In my previous articles comparing the Nikon Df to other cameras like D800, D700 and D610, I posted images from the D4 as if they were from the Df in the articles (note that I clearly pointed out that the images were from the D4), because I was pretty sure that the Df had the same sensor. Some of our readers criticized me for doing that, arguing that Nikon’s sensor technology and the imaging pipeline might have changed since the introduction of the D4. I received the Nikon Df last week, so one of the first things I did was compare its performance against the D4 to see if I could spot any differences. Below is a detailed comparison between the two, which shows that both cameras utilize the same or similar sensor technology. So my previous comparisons are still valid and can be referred to for comparing between the different Nikon DSLRs.

Nikon Df Nikon D4

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M4/3 Black Friday Rebates

Olympus and Panasonic are taking care of the m4/3 system Black Friday discounts, and those involve both lenses and mirrorless cameras. The list consists of the most popular cameras and lenses, so there is a good chance that, whatever you were planning to buy, it is now more affordable.

Panasonic Lumix GX7 Silver Front

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