In this article, I will talk about new Canon lenses – the 24-70mm f/4L IS and 35mm f/2 IS – and compare them both to most direct alternatives within Canon lens lineup. Both lenses have been very recently introduced and are best on full-frame cameras, such as the 5D series and the 6D, but will work well with APS-C sized sensors, too. By further implementing IS into new lenses, Canon is making them very tempting for photographers and aspiring videographers, but are advantages of new optics and IS worth the high asking price? A difficult question to answer, as Sigma and Tamron are now offering very well priced and high quality alternatives for both lenses. Lets see what Canon has released for its DSLR customers.
1) 24-70mm f/4L IS Lens
This lens was a huge surprise for me. The first thing I thought when it was announced – would I like a 24-105mm f/4L IS lens, but with a shorter focal length at the long end and for a lot more money? $1499, to be precise. I doubt first answer to come to your mind is “Yes, please!”. Obviously, it will have stellar optical performance with Canon’s latest Hybrid IS on top, but the old 24-105mm F/4L IS is no slouch, either. It is also a very popular lens and can be had for about $850 in the used market, brand new. Professionals use it for PJ work, as well as weddings. It’s also great for street photography and as a very versatile, lightweight travel lens. So what exactly does this new and, I must say, expensive addition to Canon L optics lineup offer? In a word – macro.
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