Nikon 400mm f/2.8E VR Announcement

Nikon has announced a new Nikkor 400mm f/2.8E FL ED VR lens which will be loved by wildlife and sports photographers. As you know from Nasim’s review of the previous version of the Nikkor 400mm f/2.8G lens, this is one sharp lens but weight was a big drawback. Nikon has taken action to reduce the weight by almost 2 pounds and is now actually 3 ounces lighter than the 500mm f/4G, making it hand-holdable for many of us! Some of the weight savings is from using 2 Flourite lens elements. The new 400mm f/2.8E is also lighter than the legendary Canon 400mm f/2.8L IS II.

Nikon 400mm f/2.8E VR

In addition to saving weight, the minimum focusing distance of the new lens is approximately 12 inches less than the old version. There are 16 lens elements in 12 groups in the new lens, compared to 14 elements in 11 groups in the old lens. The front element diameter of the lens remains the same while the overall length of the lens is slightly shorter by 10 mm. Speaking of the front element, it is the first Nikkor lens to receive the fluorine coating, which Nikon claims will “effectively repel dust, water droplets, grease or dirt, ensuring easy removal even when they adhere to the lens surface“. This new fluorine coating will also be used in the new AF-S teleconverter TC-14E III which was also just announced.

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Sony Alpha A77 II Announcement

For a while now, Sony’s biggest attention-grabbers in the camera industry were the mirrorless full-frame siblings, A7, A7r and the most recent, low-light and video focused A7s. Even so, to think that they’ve forgotten their DSLR system (although current Alpha cameras, such as the A99, technically are not really DSLR cameras) would be incorrect. Japanese electronics giant has enough resources and will to grow its customer base to provide deserved attention to all markets, which means those who still prefer the ergonomics of a full-sized camera can count on Sony not to leave them stranded. Today, Sony has announced what is to be the replacement of the venerable Sony A77, an SLT (Single Lens Translucent) camera we praised so highly in our review. So, what does this new camera, dubbed SLT-A77 II, improve over its predecessor?

Sony Alpha SLT-A77 II Front

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Depth of Field Comparison Between Nikon FX and CX sensors

There have been some interesting discussions about the pros and cons of various sensor sizes and how they impact angle of view, lens focal length and the depth-of-field that results. For example, some photographers bemoan the fact that it is difficult to achieve a shallow depth of field at a particular equivalent-field-of-view with a CX sensor using 1 Nikon lenses, while others find it useful to be able to get deeper depth-of-field at more open aperture settings such as f/1.8 and f/2. Some D800 shooters are concerned about diffraction setting in above f/8 when trying to achieve deep depth-of-field with a high pixel density 36mp FX sensor, as are many photographers who use high pixel density sensor DX bodies.

At the end of the day there is no such thing as a perfect camera body or format that will suit everyone’s needs. The camera body and sensor format you choose, along with your choice of lenses,comes down to the creative requirements that you have as a photographer based on the work you do.

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Nikon 35mm f/1.8G FX Superb Performance Sample

Having been testing lenses extensively for the past few years, I have seen all kinds of optical defects on even the most expensive / exotic lenses that cost thousands of dollars. One of the most common issues I have seen so far is lens de-centering, where a single optical element or a group of elements are not properly aligned with others, resulting in uneven performance across the frame. Some lenses have very slight de-centering, which only software like Imatest can reveal, while others have very noticeable de-centering (particularly lower-end zoom lenses), where a portion of the frame would always appear less sharp in images. Then there are other optical issues that also impact the overall contrast and sharpness of lens. And testing lenses with all kinds of optical issues can often be a challenging task.

Nikon AF-S NIKKOR 35mm f/1.8G ED

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Olympus OM-D E-M1 vs Fuji X-T1 ISO Comparison

I have just added another section to the Camera Comparisons page of the Olympus OM-D E-M1 review, where I provided RAW performance comparisons between the OM-D E-M1 and the Fuji X-T1. Some of our readers requested this comparison, so here it is for those that just want to see this particular section of the review. Although the X-T1 has a similar resolution of 16.3 MP, it is physically larger in size (APS-C vs Micro Four Thirds) and hence has larger pixels than the OM-D E-M1. Let’s take a look at ISO 200 (Left: Olympus OM-D E-M1, Right: Fuji X-T1):

Olympus OM-D E-M1 ISO 200 Fuji X-T1 ISO 200

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Telephoto Setup with Nikon 1 V2, FT-1 and Nikkor 85mm f/1.8G

Grimsby Ontario is on the raptor migration route and every year the town holds an indoor “RaptorFest” event at the local hockey arena during which various presentations of live birds, and educational initiatives are conducted. A fast, mid-range telephoto like the Nikkor 200mm f/2G VR would be the perfect lens to photograph birds during this indoor event. Like most people, I don’t have the $6,000 or so it would take to own the 200mm Nikkor…but I thought I might have a reasonable solution in my camera bag.

Nikon 1 V2 FT1 Nikkor 85mm f/1.8G

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Olympus OM-D E-M1 Review

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This is an in-depth review of the Olympus OM-D E-M1 mirrorless camera that was released on September 10, 2013. Standing above all other Olympus mirrorless cameras, the E-M1 is a flagship model with the most impressive list of features. Built on the success of the Olympus OM-D E-M5 (which we highly praised), the E-M1 reigns over the OM-D line on a number of features – from the design of the camera and its incredibly fast autofocus system to the advanced shutter mechanism, high-end electronic viewfinder, WiFi and amazing weather sealing options. In fact, the E-M1 is one of the very few freezeproof, splashproof and dustproof interchangeable lens cameras on the market today.

Olympus OM-D E-M1

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Why Zeiss Does Not Make Autofocus DSLR Lenses

One of the frequently asked questions by our readers when we post information on Zeiss lenses (which are often optically stellar), is why Zeiss does not make autofocus lenses for DSLR cameras from Nikon and Canon. As you may already known, Zeiss is currently making autofocus lenses only for two specific mounts – Sony E (for NEX / Alpha series mirrorless cameras) and Fuji X. This line of autofocus lenses labeled as “Touit” is limited to a few lenses at the moment, with full autofocus capability and compatibility with both Sony and Fuji mirrorless cameras. So one might naturally ask why Zeiss has finally started making autofocus lenses and wonder if it has plans to start developing autofocus lenses for Nikon and Canon mounts. Although I have known the reason behind this for a while now, I decided to ask the question again from the Zeiss team at the Photo Plus show in NY last year. Specifically, I wanted to find out if Zeiss is planning to change their strategy in the future in regards to DSLR lenses.

Zeiss Otus 55mm f/1.4 Lens ZF.2

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The Question of 18-300mm Lenses, Part Deux

This article is written in response to “The Question of 18-300mm Lenses” article written by Romanas Naryškin. I used to like my 18-300mm zoom – I called it my Guilty Pleasure Lens (GPL). It was hands-down the most fun lens I ever shot with. When I wanted to just go out on an adventure outside and had no idea what I’d run into, instead of grabbing my FX body, my 16-35mm zoom, 50mm prime, 105mm macro, 80-400mm zoom and of course a manservant to carry all that gear, I’d grab GPL and my D7000 and blast on down the trail. Sure GPL wasn’t the sharpest knife in the drawer, but neither am I. In our shared ignorance we’d shoot grand vistas or cool nature abstracts or maybe even crawl through the dirt for a close-up or two. What a fool I was thinking I’d found a partner that liked to do all the things I liked to do.

Well, I’ve seen the light and it was time to get even with GPL for deceiving me into thinking we had something special. Before tossing GPL into the dumpster I was going to show it how a real lens behaved. Enter the 10 lb 1 oz Baby Jesus, AKA the Nikkor 800mm, AKA BJ. Yep, the top stud in the Nikon stable. The lens that doesn’t have a MTF curve – it has a WTF curve. And GPL, well suffice it to say we know what gets shoveled up from the stable floor. I figured I’d go out on one last shoot with GPL, ostensibly for “old times sake”, but really to show GPL how a real lens like BJ would handle those situations.

Right off the bat I think GPL knew something was up. GPL insisted we shoot a selfie. This is what it looks like when an 18-300 owner takes a selfie:

Verm-selfie-100-Sunset-Crater-0622

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Leica M7 Review

This is a review of the Leica M7 TTL .72 rangefinder film camera that I used with the Leica 35mm f/2.0 Summicron M Aspherical Manual Focus Lens. I had the two for about a month and had a chance to shoot with the Leica gear in different conditions and shoots. Prior to the M7, I never had a chance to shoot with any Leica gear, but heard so much about them from other photographers and industry peers. So I decided to give Leica a try and see how it would fit my film photography needs. Below is a summary of my findings with the camera.

Leica M7

1) Initial Impressions

I was so excited when the Leica M7 came in the mail.  I put up a post on Instagram and Facebook with an image of the camera and most of my friends commented that they were jealous. I noticed that people regard Leica very highly. So, I was excited to see what all the hype was about.

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