Although the Nikon D4s has already appeared at CES and other events earlier this year, Nikon did not provide official information, pictures, specifications or pricing for the camera until now. Today, the top-of-the-line Nikon D4s is finally released and we have the full details on the camera that we are happily sharing with our readers. Similar to the Nikon D3s, the D4s is an incremental update to the D4 with better low-light performance, bigger buffer, faster frames per second and other improvements highlighted below.
I have been playing with the new Nikon NIKKOR 35mm f/1.8G ED FX lens for a week now and have taken it out a few times when the weather got a little better (it has been snowy and extremely windy during the past week here in Colorado). So far the lens seems like another winner. It is small, lightweight and is capable of rendering images with beautiful colors and high contrast. While I have not performed any lab tests, judging from the images I have captured so far, it seems to be very sharp optically, from the center to the corners at infinity:
I thought I would post this short and sweet article with my experiences so far with the new Nikon 800mm f5.6 Lens.
This lens is just an engineering marvel, but then that is not the purpose of this short article. I mainly just wanted to share my experience with it so far and a few sample photos taken with it in the field. I have actually hand held this lens in a couple instances where the action happened in such a manner there was no time to tripod it or the bird was moving way to erratically.
First, here is a photo of the 800mm attached to the Nikon D4, all dressed up and ready to go. I have many Lens Coat products and I must say they have done a marvelous job on the lens coat for the 800mm, almost every inch of this delicate baby is totally covered and protected, more so than the lens coat for my 600mm.
The Arca handle is a nice touch when dragging this thing around in the field. For those that are interested in side stories, I named the lens Conan which is a play on words as its the biggest lens Nikon has, but yet in Irish it means ‘little wolf’ or ‘little hound’, both of which I find appropriate.
Because the glass elements in a camera lens are round, lenses project a circular image onto a camera’s sensor plane. This projected image circle must be large enough to cover the rectangular sensor, like so:
Lenses designed for Nikon DX generally project a smaller image circle because they only need to cover the smaller DX sensor. This enables a DX lens to be smaller and lighter, but also means that these lenses are not suitable, by design, for FX cameras. For the Canon ecosystem this law is absolute, as EF-S lenses, designed for a smaller APS-C size sensor, cannot be mounted on full frame EF bodies.
Having shot well over 10,000 frames since I got my Nikon 1 V2 in late August 2013, I thought it would be interesting to test this little mirror-less camera and two of its most popular kit lenses under some very difficult shooting conditions. So, I headed off to the International Auto Show in Toronto Canada with my Nikon 1 V2 and a couple of kit zoom lenses to see how this CX gear would perform. What makes an event like this challenging is the wide variance in lighting conditions. At times you’re shooting feature cars with numerous flood lights beaming down on them and lens flares can be a challenge. Other subjects can be in quite poor light, requiring either shooting at high ISOs, fast apertures, or slow shutter speeds.
This is an in-depth review of the Nikon Df, a retro-style digital SLR camera that was announced in November of 2013. The Df is a very controversial release, I would say perhaps the most controversial one in Nikon’s DSLR history. After Nikon teased the public with its short videos that slowly revealed parts of the camera, many were excited to see something completely different than a traditional DSLR. Videos titled “it is in my hands again” and “no clutter, no distractions”, with constant repetition of “Pure Photography”, hinted at a camera that combines old style Nikon film cameras with a modern digital sensor. Nikon “Df”, a “Digital Fusion” of retro style and modern technology, became an instant hit on the Internet and one of the hottest topics of discussion and speculation on photography sites and forums. As we got closer and closer to the release date, enthusiasts from all over the world started speculating on the features of the yet to be released Nikon Df and pointed at possibilities of seeing a mirrorless camera, electronic viewfinder and a myriad of other technologies we now come to expect from modern mirrorless cameras. Film shooters had their own list of must-have features, including a large bright viewfinder with a split focusing screen for easy focusing with old manual focus lenses. In a very short period of time, the Nikon Df, a fusion of technologies, became an over-hyped camera with very high expectations…
Nikon is not the only one feeling generous lately. Fujifilm also has some savings for those looking to purchase a new lens or even a camera, and they are, arguably, more impressive than those offered by Nikon. For example, the extremely popular XF 27mm f/2.8 pancake lens is currently selling for less than half its original price. Other rebates include the X-E1 (body only or kitted with the Fujinon XF 18-55mm f/2.8-4 R OIS lens, it offers the most impressive savings), X-Pro1 and the lower-end bodies, and almost all primes lenses along with the Fujinon XF 55-200mm f/3.5-4.8 R OIS zoom lens.
Fujinon Lens Rebates
Let’s start with the lens savings:
- Fujinon XF 14mm f/2.8 R lens ($699.00, $200 off regular price)
- Fujinon XF 18mm f/2 R lens ($399.00, $200 off regular price)
- Fujinon XF 23mm f/1.4 R lens ($749.00, $150 off regular price)
- Fujinon XF 27mm f/2.8 lens; silver version is here ($199.00, $250 off regular price)
- Fujinon XF 35mm f/1.4 R lens ($449.00, $150 off regular price)
- Fujinon XF 60mm f/2.4 Macro lens ($399.00, $250 off regular price)
- Fujinon XF 55-200mm f/3.5-4.8 R OIS lens ($499.00, $200 off regular price)
You are going to like this. Each time Nikon did a rebates program for its lenses, one had to buy a DSLR body first to take advantage of the savings. It has really been a while, but not this time. The savings range from a welcome $20 for the AF-S 50mm f/1.8G lens all the way to frankly impressive $400 for the likes of AF-S 80-400mm f/4.5-5.6G VR. More than that, there are a total of 15 lenses that are part of the rebates program. The offer expires on the 1st of March.
Told you you’d like this!
Sony is joining the rebates party with its own “Buy Together and Save” program at B&H. These lens savings are valid when purchased alongside either one of their popular full-frame mirrorless cameras, the Sony A7 and A7r and in all cases are $200 off the price of each of the four available lenses.
Sigma lenses have been getting more and more popular in recent years thanks to some truly professional-grade optics (like the 35mm f/1.4 HSM Art, for example). As every other manufacturer, however, they use different designations for various bits of technology incorporated into the lenses. In this article, I will go through the most important Sigma lens abbreviations you might come across. Thankfully, there are not that many of them despite the fact Sigma has a broad lens line-up, so there’s not all that much to remember.