Before everybody kills me about hand-holding, I just have to say this – I was doing some personal testing / photography and wanted to see what this combination could do for me. So please be kind to me :) Let me be clear, the Nikon D4 is a dream camera and I loved that camera to death. I got the D4s, because a friend wanted my D4, so this deal worked out for both of us. Upon purchase, I found it hard to believe the D4 could be improved upon and it’s still too early for me to make a conclusion on that, as I have only had the camera for 2 days. I feel there is an improvement in ISO noise at higher levels, however, the new focusing system got me interested in this camera and today’s trip to the coast to shoot some owls was all about giving me a feel for what was possible. I hand-held this combination a lot today, because I tend to do that when shooting and I wanted to know if I could do it with the 800mm and also get a feel for the D4s abilities. Anyway, here are some real world shots from me, good or bad, it was awesome fun and I got some shots I am very happy with.
While Tom Redd and I are still waiting for the Nikon D4s sample to arrive next week, our wildlife guru Robert Anderson has already gotten a hold of the D4s and has been testing out his new favorite toy today. Rob was kind enough to send me some image samples from the camera at high ISO settings: 6400, 12800 and 25600. As you may already know, the Nikon D4s pushed the maximum “native” sensitivity level by a full stop from 12800 on the D4 to 25600. While some image samples and comparisons for the D4s have been available on the Internet, many of them lacked consistency to be able to do a more thorough comparison. Therefore, I asked Rob to take pictures of a real scene after sunset, shooting on a tripod at different ISO levels. Below you will find two different scenes that Rob graciously provided for our readers to enjoy. While we do not yet have comparisons of the Nikon D4s to the D4, we will post those comparisons as soon as we get a hold of the D4s next week!
Our friends at B&H are selling some Nikon-refurbished cameras at great prices, so I wanted to share those deals with our readers. The Nikon D610 is already available at a great price of $1,749 for a refurbished model, as well as the Nikon D7100, which you can buy now for $939. As before, the Nikon D800 is also available at $2,399 and there are a few other options for refurbished lenses. Please note that a manufacturer-refurbished item means that the camera was returned by a customer (sometimes due to flaws and other times for no reason / dissatisfaction) and the manufacturer thoroughly re-inspected the item, fixed any potential issues and put it for sale it at a significantly lower price. Just like with any new item, B&H provides a 30-day warranty for refurbished stock, so you can return the item if you are not happy with its condition. In addition, there is a 90-day manufacturer warranty in case anything goes wrong, so you can send it back to Nikon for free repair. If you would like to find out more about refurbished gear, check out this article at B&H.
Nikon has not yet updated its main site with the D4s image samples, but thanks to our readers, we have received links to other Nikon global sites that host high resolution image samples from the new Nikon D4s (see related posts). As we receive more sample images, we will be updating this article with those samples for your viewing pleasure.
Although plenty of information was already provided in our Nikon D4s announcement post, many current D4 owners might be wondering how their cameras compare to the newly announced Nikon D4s. In this comparison article, I will provide information about both cameras, along with my analysis of the main differences. I do not yet have a review sample of the Nikon D4s to do more in-depth side-by-side comparisons, so I decided to write about differences in specifications between the two. More details about the D4s will be published in my upcoming Nikon D4s review.
Although the Nikon D4s has already appeared at CES and other events earlier this year, Nikon did not provide official information, pictures, specifications or pricing for the camera until now. Today, the top-of-the-line Nikon D4s is finally released and we have the full details on the camera that we are happily sharing with our readers. Similar to the Nikon D3s, the D4s is an incremental update to the D4 with better low-light performance, bigger buffer, faster frames per second and other improvements highlighted below.
I have been playing with the new Nikon NIKKOR 35mm f/1.8G ED FX lens for a week now and have taken it out a few times when the weather got a little better (it has been snowy and extremely windy during the past week here in Colorado). So far the lens seems like another winner. It is small, lightweight and is capable of rendering images with beautiful colors and high contrast. While I have not performed any lab tests, judging from the images I have captured so far, it seems to be very sharp optically, from the center to the corners at infinity:
I thought I would post this short and sweet article with my experiences so far with the new Nikon 800mm f5.6 Lens. This lens is just an engineering marvel, but then that is not the purpose of this short article. I mainly just wanted to share my experience with it so far and a few sample photos taken with it in the field. I have actually hand held this lens in a couple instances where the action happened in such a manner there was no time to tripod it or the bird was moving way to erratically.
Because the glass elements in a camera lens are round, lenses project a circular image onto a camera’s sensor plane. This projected image circle must be large enough to cover the rectangular sensor, like so:
Having shot well over 10,000 frames since I got my Nikon 1 V2 in late August 2013, I thought it would be interesting to test this little mirror-less camera and two of its most popular kit lenses under some very difficult shooting conditions. So, I headed off to the International Auto Show in Toronto Canada with my Nikon 1 V2 and a couple of kit zoom lenses to see how this CX gear would perform. What makes an event like this challenging is the wide variance in lighting conditions. At times you’re shooting feature cars with numerous flood lights beaming down on them and lens flares can be a challenge. Other subjects can be in quite poor light, requiring either shooting at high ISOs, fast apertures, or slow shutter speeds.