After my review of the Tamron 150-600mm VC telephoto zoom lens appeared here at Photography Life, a number of readers had questions on how that lens compared to the long telephoto zooms from Sigma. As luck would have it, I was able to borrow a recently purchased Sigma 150-500mm OS from a friend and this article captures some initial thoughts about photographing birds, including those in flight, with this lens.
Although the Canon 6D has now been out for almost two years, I never had a chance to review it. Since the new Sigma 50mm f/1.4 Art series lens was initially available only for the Canon mount, I requested the Canon 6D with the lens from our trusted partner B&H Photo Video. My aim was to review both, as I had been planning to review the 6D for a long time now. Ever since I reviewed the Canon 5D Mark III, our readers have been asking us to test out other Canon DSLRs, including the 6D. So this was a good opportunity to catch up, although quite late. Well, better late than never, I guess! Instead of covering everything in much detail though, I will be mostly summing things up based on my three month experience with the camera and feedback from others – I don’t think there is a need to spend a lot of time on this, especially after the camera has been in the market for so long and reviewed by so many people.
***Edited July 22, 2014 for clarification and to add new photos***
If you weren’t already aware, Nikon’s newest DSLR, the Nikon D810, was just released on July 18. For the announcement history, features, sample images and other current D810 posts, you can search Photography Life’s archives. When I saw the camera’s features, a few of them got me immediately excited. I don’t consider myself to be a photographer who has gear lust and must always have the newest camera body, regardless of how incremental the improvement may be. With that being said, as soon as it was announced I simply knew that I had to get the D810. Why? I’m glad you asked.
Please note, this is not a detailed Nikon D810 review. I photographed a wedding and these are my thoughts after using this new camera. A full review will be posted soon.
In our continuous attempt to improve our lens database and provide all the necessary information about various lens manufacturers as well as individual lenses, we’ve already discussed different abbreviations used to describe Sigma, Fujinon, Nikon and Canon lenses. In this article, I will talk about the most popular abbreviations used with Sony lenses.
It is worth noting that Sony has a rather special relationship with the legendary German lens manufacturer, Carl Zeiss. As far as I know (and do correct me if I’m wrong), these Sony-Zeiss lenses are not actually designed by Carl Zeiss. Rather, they are merely approved by the legendary lens manufacturer as being good enough to carry Zeiss brand name. Whatever the case may be, as such lenses are officially supported, manufactured and distributed by Sony, they can be considered as brand lenses and not third-party offerings. However, they do share both Zeiss and Sony-specific abbreviations. In this article, I will focus on modern Sony lenses only. Zeiss lens abbreviations will be covered in a separate article.
After I received the Nikon D810 in the morning today, I thought about posting an article on the ISO performance of the camera and how it stacks up against the Nikon D800E. After Adobe announced the release of the Camera RAW 8.6 RC, I thought about using the Adobe converter for the Nikon D810 RAW files instead of Nikon’s software like Capture NX-D or ViewNX. Well, that was a really bad call on my side, because I ended up wasting the whole day trying to figure out why the performance of the D810 was coming out so bad when compared to the D800E. I ran many different tests and each one of them showed the same thing – the D800E was surpassing the D810 at every ISO above 3200. Whether it was with retaining colors and dynamic range, to plain noise – the D800E was just killing the D810 in every case. Although the D810 images were coming out about a stop brighter (with the exact same exposure settings and even custom white balance set at 4700K), I even tried to equalize the brightness both in cameras and post, only to see variations of the same problem. Nothing made sense and I simply could not believe that Nikon would release a camera that was inferior than its predecessor in image quality. That really did not make sense, but that’s what I was seeing!
I am a big supporter of the “get to know your gear” opinion. I strongly believe that the more you use something, the better you learn to take full advantage of the strengths of that particular piece of equipment, and the better you learn to manage its shortcomings without even thinking about it. To a point where they just disappear, in fact, and make the statement that gear does not matter as truthful as it is. Gear does not matter (to an extent), but knowing it and liking it does. This, I think, it the crucial link between equipment and photography itself.
This is a detailed review of the Tamron SP 150-600mm f/5-6.3 Di VC USD, an ultra-telephoto zoom lens that was announced in November of 2013 for enthusiasts and professionals that are looking for a high quality, versatile zoom lens for a variety of needs, including wildlife photography. Although many DSLR lens manufacturers have been making telephoto zoom lenses that cover long ranges, whether looking at Sigma’s 50-500mm / 150-500mm lenses, Canon’s 100-400mm or Nikon’s 80-400mm, none of them can reach the focal length of 600mm natively without teleconverters. And as we have discovered in our Nikon 80-400mm f/4.5-5.6G VR review, attaching teleconverters on slower zoom lenses is generally not a good idea, since there is a bit too much of sharpness loss / image degradation, or even potential loss of autofocus capability. Thus, the Tamron 150-600mm f/5-6.3 is a rather unique lens in this group, which is why our team at Photography Life has been anxious to get a hold of the lens for a while now.
Since the Nikon D810 got announced yesterday, we have been getting a lot of questions from our readers via emails, comments and Facebook messages. After answering many questions and doing some additional research, I decided to compile everything I have gathered so far in a single article. Looks like the biggest number of questions is coming from existing Nikon DX and D600/D610/D700 owners, who are considering to move up to the D810 as an upgrade. Some Nikon D800 and D800E owners like myself also find some of the new D810 features attractive, but there are still some items that remain unclear from the announcement (such as the camera buffer size), so the below article will hopefully address some of those questions and concerns as well.
1) Nikon D810 has no OLPF / AA filter
This one might be particularly interesting to existing D800E owners. If you remember from our previous coverage of the D800E, the difference between the D800 and the D800E is the filter stack in front of the sensor. Basically, the D800 has two stacks of anti-aliasing / blur filters along with the regular UV filter, which is what effectively reduces moire in images. The D800E, on the other hand, has a blur filter in the front of the filter stack, which is cancelled out by another filter at the end, as shown in the below illustration (a detailed PDF illustration from Nikon is available here):
One question that has been continuously asked from our readers has been regarding the buffer size of the Nikon D810. Nikon stated that the buffer has been increased, but has not yet provided any information in the official documents on the English versions of the Nikon USA and Nikon Imaging sites. After doing a bit of research last night, I found the Nikon D810 manual in Japanese language at Nikon-image.com (here it is for reference). I compared the table to that of the Nikon D800 / D800E and found out a surprise – the buffer size on the D810 appears to be doubled in comparison. What a nice surprise!
In this Nikon D810 vs D800 / D800E comparison, we will go over differences in specifications between these cameras and talk about what has been added, changed and improved. The Nikon D800 and D800E have been very popular camera models among enthusiasts and professionals for several years now. With world’s first 36.3 MP full-frame sensor, very high dynamic range, pro-level autofocus, magnesium alloy construction and weather sealing, the cameras have converted quite a few Canon and even Medium Format shooters. What does the D810 bring to the table? Let’s take a closer look at the specifications.