It is not the holiday season yet and we are already getting those hard to resist deals. Today’s deal is for the newly announced Nikon D750 (read our extensive review), which you can get together with the Nikkor 24-120mm f/4G VR lens (see our review) for $2,996.95 at B&H Photo Video and other retailers. The D750 body only costs $2,299 and the lens goes for $1,299, so that’s an instant $600 discount on the bundle.
I have been testing the autofocus capabilities of the Nikon D750 during this weekend with several lens and TC (teleconverter) combinations to see how well the camera will perform in terms of accuracy and AF reliability. The first lens that I tested out was the new Nikkor 400mm f/2.8E VR lens, which I used with and without teleconverters. I am planning to review this lens later this year, so I needed to get as many image samples as possible in different situations, with all three Nikon TCs. Like the 800mm f/5.6E VR monster, the 400mm f/2.8E VR is a stellar lens with amazing optics, but also with a very hefty price tag of $12K. So it is definitely not a lens for everyone! As expected, the lens performed amazingly well with top notch sharpness and microcontrast, stunning colors and super fast and accurate autofocus. However, the biggest surprise was how hand-holdable it has gotten compared to the previous version, thanks to fluorite elements and the much lighter build. Here is a photo of a wood duck that I captured hand-held:
Now that I have completed the Nikon D750 review, I thought it would be a good time to provide an article with the recommended settings for the camera. Just like other Nikon full-frame cameras, the D750 is an advanced camera with many different menus and settings. In this article, I want to provide some information on what I personally use and shortly explain what some of the important settings do. Please do keep in mind that while these work for me, it does not mean that everyone else should be shooting with exactly the same settings. The below information is provided as a guide for those that just want to get started with a basic understanding of the camera and its many features.
I apologize for not being able to post the ISO comparisons in the Nikon D750 review earlier today. Unfortunately, the comparisons took a long time, because I had to retest everything several times. My first copy of the D610 had strange exposure issues, making it hard to properly compare it with the D750, so I had to find another one. Just in case, I also got a D600, a D4 and a D4s from Tom Redd (thanks Tom!) to add to the comparison. Since the D4 produced very similar result as my Nikon Df, I did not bother with uploading D4 crops.
We have just returned from 13 days in the Botswana bush with our good friend Moses Ntema, owner of Unlimited Tours and Safaris operating out of Maun, Botswana. This mobile tented safari was designed to take advantage of the late dry season predator/prey action in three diverse areas of Botswana: The Savuti Marsh in the Mabebe Depression (Chobe NP), the Khwai riverine ecosystem and the rich flood plains from The Blackpools to Third Bridge in the Moremi Game Reserve (including the Bodumatau area). This was our third trip with Moses and Unlimited Safaris having previously visited The Central Kalahari Game Reserve (CKGR) and Duba Plains in addition to other locations in Tanzania and the Okavango Delta.
Just when my wallet was getting over the hangover from buying a D810, along comes the Nikon D750, a 24mp full frame DSLR with an improved AF-system and 30 percent faster burst rate than the D810. Both are great attributes for the wildlife shooter. Moreover, the D750 sports a new 24mp sensor that’s touted as even better than that in the D600 and D610. I always liked the files my D600 cranked out – could the D750 files look just as yummy and have even less noise? I told myself not to touch the D750, that nothing good could from having a fling while still on my D810 honeymoon, but the D750 was so light and sleek and I was oh so weak…
Since Nasim has been photographing the beautiful golden aspens in Ouray County, Colorado with members of the Photography Life community for the last few days, I thought I would provide some early thoughts and samples of photos taken with the new Nikon AF-S 20mm f/1.8G ED. Once Nasim is back in town, he will post a much more detailed review of this lens. I would call this a “Nasim Light Lens Review,” but that would be giving myself too much credit!
With most Photokina announcements behind us, it is a good time to look back and overview some of the new products we have not yet covered, namely Leica. As I expected, the new Leica M Edition 60 spawned quite a lot of differing opinions. But it’s not the only camera the legendary German manufacturer has brought to our attention and, whilst none are cheap, the other products are considerably more affordable. There’s the film Leica M-A, a new Summicron-S 100mm f/2 lens for the medium format S system and a few smaller format digital Leica models. Let’s glance through them in more detail.
The Nikkor 200-400mm f/4G VR is a very versatile and sharp lens and those that own it or previously used it know that is a great choice for close action photography, such as photographing bears in Alaska. I recently saw a comment by a photographer, who claimed that the lens gets even sharper if its front protective filter is removed. Both the Nikkor 200-400mm f/4G VR and its newer VR II version have a removable front protective element, as well as a 52mm drop-in filter that most other super telephoto lenses have. While I was testing my 200-400mm f/4G VR in my Imatest lab, I decided to compare the performance of the lens with and without the front protective and the 52mm drop-in filter to see if the above claims were true or not. It turned out to be an interesting study. I apologize for the geeky nature of this article!
Instead of creating separate articles that show buffer capacity of every newly announced Nikon DSLR, we decided to gather and compile all the available information into a single location. The below table outlines many of the current and discontinued Nikon DSLR models, along with such information as sensor resolution, continuous shooting speed (fps) and RAW / JPEG buffer capacities. While we have included most of the RAW buffer information, we decided not to bother with smaller JPEG sizes, since most cameras presented below can accommodate 100 or more of smaller JPEG images in their buffers.