If you’re a portrait photographer, you probably prefer softer light to more harsh light. I know I do. When I first used the Impact Flourescent Cool Light Kit, the only thing I wished I had was a diffuser of some sort. Now I do. Here’s a quick review of the Impact 18″ Diffuser Sock
With higher megapixel cameras, storage needs are growing rapidly, especially once you start using a redundant setup with dual cards mirroring data on modern DSLRs. I have been using SanDisk cards for many years now and whenever I see a good sale, I jump on to get the best deals. B&H just let us know that SanDisk is running a one day heavy discount promo, which will end tonight. So if you are looking for a good deal, check out some of these savings on all types of cards, including SanDisk’s Extreme Pro line (up to 160 MB/sec!).
My top picks are SanDisk Extreme 32 GB SD card for $20.99 and SanDisk Extreme Pro 32 GB CF Card for $89.95. I use the latter for my Nikon D800E and it is an incredible fast and reliable storage. Unfortunately, none of the SanDisk Extreme Pro SD cards are on sale now, but I bet you can get those later this year at similar discounts!
Recently when I was investigating ultra-lightweight and portable tripods I came across the Tamrac ZipShot. This tripod is one of the most innovative, lightweight tripod designs to hit the market in some time. The tripod comes in two sizes: the TR404 mini which extends to 28” in height, weighs 9 ounces and folds up to 9” in length. The larger model is the TR406 which extends to about 44” in height, weighs 11 ounces, and folds up to 15”. Both models are weight-rated by Tamrac to support 3 pounds.
This is a review of Weye Feye product (usage with Nikon D800 camera, iPhone 5 & iPad 2). Weye Feye is a wireless and remote control unit for a DSLR. This product is made by a company called “XSories”. I think this is a French company with a subsidiary located in Hong-Kong. Another device providing similar functionality (and known better than Weye Feye) is CamRanger. The primary reason why I started looking at an external camera control unit was pretty simple. Prior to purchasing and using the D800, I was using Olympus E-5 cameras (still use them). Olympus E-5 has a fully articulating LCD screen. Having this fully articulating screen was and is very convenient, as I often take shots with strange angles, especially low to the ground. Most of the semi-pro DSLRs (just about all brands) do NOT have articulating screens. The absence of this functionality on semi-pro and pro cameras actually infuriates me, because it significantly limits the artistic ability of the photographer. Why do I have to get down either on all fours or my stomach or in a crouching tiger position in order to get the shot I need? Please, put articulating screens on these cameras! So when I got my D800, I was searching for a long time for a device that could “replicate” the articulating screen of my E-5s. There are many various add-ons available, but all add significant bulk to the camera, require separate batteries and seem very cumbersome. Most of my photography is done in an external, non-studio environments, so I try to limit the bulk of my equipment.
The subject of using or not using protective lenses can invoke heated debates among photographers, with both sides often fiercely defending their choices. I am not going to debate whether it is right or wrong to use protective filters – that’s certainly a personal choice. I have been using them for a number of years now to protect my higher-end lenses and make it easier to clean lenses with recessed front elements (such as on Nikon 50mm f/1.4G / f/1.8G). Having had bad experience with purchasing a low-quality no-name brand filter when I just started photography (it was sold to me as a “must-have” at a local photo store), I learned what such a filter can do to my photos the hard way. Since then, I have only been purchasing multi-coated B+W filters that use high-quality Schott glass. I have been very happy with these filters and have been telling our readers to either use the best they can find, or not use filters at all.
A couple of weeks ago, I received a bunch of filters from a new filter manufacturer in Europe. The company wanted me to test their filters and see what I think of them. I asked them if they would be comfortable with me comparing their filters to B+W and they told me that they did not mind. As I was testing a lens in my Imatest lab a couple of days ago, I first shot a test chart without filters at f/5.6, then stacked 4 of my 77mm B+W XS-Pro MRC filters and took another shot, then finally mounted 4 filters from the new manufacturer and took the last shot. Here are the numbers that were produced by Imatest:
It has been an incredibly busy week for us here at Photography Life – we shipped out over 1000 orders of the Sensor Gel Stick! I am happy to inform that we finally have some stock left for those that have not had a chance to order due to the previous back-order situation. We have been in short supply for over a month and although we did our best to inform our customers, some were quite unhappy about waiting so long for their order to ship. We sincerely apologize for this situation and we thank everyone for being very patient with us while we were doing everything we can to get the orders fulfilled as soon as possible. Going forward, we will do our best to manage the stock better.
In this review, I will talk about my experience and impressions with using perhaps the finest tripod head I have seen to date, the Arca-Swiss C1 Cube. Targeted specifically at macro, architecture and landscape photographers that need ultra high precision, with the ability to handle large and heavy cameras, the “Cube” is a very specialized, high-end tool. It has been on the market for a few years and went through several changes. The version I tested is the most current model and this particular review is for the Flip-Lock quick release type head – the one that had the most problems (more on this below). As of today, Arca-Swiss manufactures two types of the Cube: one with the the “Flip-Lock” clamp and one with a “Classic” screw-knob clamp, both of which are capable of securely attaching Arca-Swiss compatible plates, rails and other accessories.
This is an in-depth review of the Linhof 3D Micro Leveling Head with dovetail track, a high-end precision geared tripod head specifically designed for handling medium to large format cameras and other specialized rails for macro and architectural photography. Fitted with an Arca-Swiss compatible screw-knob clamp, this specific version is designed to fit any kind of Arca-Swiss plate or rail (there is also another version of the same head, but with a quick-release “Quickfix” adapter that can be mounted directly to a camera).
After testing out the Manfrotto 405 Pro geared head, I realized that I needed something more precise and stable with no “play” whatsoever. Unfortunately, when it comes to professional gear heads, there are not that many options on the market today. Once you get into the high-end geared head territory, there are only three products on the market – the Arca-Swiss C1 Cube, the Photo Clam Multiflex (which is basically a Korean copy of the Cube) and the Linhof 3D Micro. When I pointed out that I was planning to review the Arca-Swiss C1 Cube and see if it would be suitable for my needs, one of our readers sent me some information about the Linhof 3D Micro and pointed out the fact that it uses an Arca-Swiss compatible screw-knob clamp. This immediately caught my attention, because the C1 Cube has been known to have an odd quick-release clamp that went through several revisions. I always prefer to use screw-knob clamps instead of quick-release versions, because some manufacturers like Really Right Stuff deviate from the original standard, which can create problems. As a result, I decided to test out both the C1 Cube and the Linhof 3D Micro to see which one would best suit my needs.
In this review, I will summarize my findings from about a month of use of both heads and discuss pros and cons of the Linhof 3D Micro, particularly when compared to the Arca-Swiss C1 Cube.
We recently reviewed the Sport Strap from BlackRapid which we really liked, but for some people straps are still too bothersome. There are alternatives that allow the photographer to clip their cameras to a belt and avoid the strap altogether if they so desire. The Capture Clip Pro from Peak Design and the SpiderPro Camera Holster from Shai Gear are both strapless camera carrying systems that give you the feeling of stepping back in time to the days of the wild west but instead of gunslinging, you’re a camera toting cowboy. In this head-to-head review, we will examine the Capture Clip Pro vs the SpiderPro Camera Holster and try to help you know which system might be best for you.
It should be noted that we are specifically reviewing the Pro versions here, but both companies make less expensive versions that are well suited for smaller/lighter gear.
1) Capture Clip Pro (v.2) from Peak Design
First up is the Capture Clip Pro (v.2) from Peak Design. Capture Clip was initially brought to market as a successful Kickstarter project and now they have their second version of the Capture Clip.
During the last few weeks, I have been trying to come up with a good solution for testing lenses that did not require constant movement when dealing with slightly de-centered lenses. The idea was to build a setup similar to macro rails, but one that is bigger in size and very stable at the same time. Stability is extremely important, because even a slight vibration can negatively affect lab results. Using an Arca-Swiss quick release setup was a no-brainer, because it allows moving the setup without having to deal with mounting and dismounting anything, while being rock solid when tightly secured. While my BH-55 Pro tripod head from Really Right Stuff has been serving me well for a while now, it was hard to use for minute adjustments that are often necessary when testing lenses. Therefore, I decided to replace it with a geared head that would allow very precise vertical and horizontal tilt adjustments, along with the ability to pan, when needed. My quick search revealed that unlike the army of pan/tilt heads and ballheads, which are made by a myriad of companies, there are only a few options available for geared heads today. One of them is the Manfrotto 405 Pro Geared head, which I am reviewing today.