I am notorious for starting my blog posts like I would start a letter. So, I hope that is fine with you guys. I hope everyone is doing great this fine Wednesday! The second issue of our Photography News will cover some fresh photographers you may have not noticed before and I assure you, you will find their work interesting in the least. I will stay away from gear news, since you already come to Photography Life for that. But I will include some important topics impressively covered by photojournalist and photographers.
I am a professional wedding photographer and I end up editing thousands of images for my clients. While there are lots of wedding photographers who outsource their post-processing to free up their time, I am a believer in editing my own photos. In order to make my job easier, I tend to look for shortcuts and tools in Lightroom itself, which I use extensively. I’d rather do everything in one program than switch back and forth between Lightroom and Photoshop. You do not have to be a wedding photographer in order to take advantage of these tools in Lightroom. You can use these techniques wherever they are applicable. Below are some of the tools you may not be using to edit your photos.
Engagement sessions are a big hit with couples and photographers. Almost all couples agree for a session before the wedding, so engagement photography has pretty much become a staple of wedding photography. An engagement shoot is done after a couple gets engaged and it usually is captured before the wedding. Some photographers sell this session as a separate product and most photographers include this session in their wedding packages. Regardless of how you like to approach it, understanding the basics of photographing couples and knowing how to coordinate a shoot that involves more than one person is crucial. Hence, I decided to write a piece to explain what goes into the planning process of an engagement session.
Instead of dedicating a whole post to every news revolving around photography, we decided to write a weekly article, which will include some fun finds from the photography blogging sphere. Although we do our best to only post original content, we still see value in sharing important photography-related news and stories our team comes across, or receives from our dear readers. We hope you enjoy these series!
We all know the mantra of the best camera being the camera that you have available with you. Following the same analogy, I decided to dedicate this post to photographing food on camera phones. Let’s face it, our camera phones are with us every step of the way, and I will not be the last person to admit that I use it more than any other device in my household. So, I think it cuts the bill of being “the best camera” when you need one in a jiffy.
Some photographers oppose the idea of using flash or light modifiers. Sometimes because it does not suit their style, sometimes because they do not feel comfortable using flash in first place. While we as photographers often love the feel of soft, natural light, knowing how to utilize artificial light can be of tremendous value in low-light environments. Not to mention that such knowledge and being ready to overcome challenging tasks in pretty much any environment can boost confidence and give peace of mind when working in the field. In this article, I would like to go over situations when flash should be used and how it can work to our advantage. I divided this article into indoor and outdoor photography to make it easy for everyone to follow. Please feel free to add your use cases in the comments section below. Please note that I am not going over the basics of flash photography here – the article assumes that you understand the relationship of flash with ISO, Shutter Speed and Aperture.
1.1) Lighting Ballrooms, Churches, Wedding / Corporate Reception Areas
As a working professional, one should have at least the basic lighting plan to be able to capture the day with ease. High-end DSLRs may be flexible enough to capture images in poorly lit environments, but it is a game of compromises. If light levels are too low, you will have to deal with blurry images due to motion blur / camera shake, or you will have to increase ISO level too high, which obviously increases noise, messes up colors and greatly reduces dynamic range. In short, you are leaving very few options for post-processing. In order to avoid that and potentially reduce your post-processing time and other headaches, why not use flash instead? You can start out with a simple configuration, with flash mounted on your camera, or you could get more creative and use flash in an off-camera setup to make images appear more dramatic and well-balanced.
Rather than taking a deeper look at an image, those of us who are just getting into photography might get carried away with thoughts of major post-processing. If given enough consideration, most photos do not need major editing or hardly need any editing at all. Before venturing into piling on every single editing trick you’ve learned on the photo of your choice, I call you to consider these basic tips to make your workflow faster and hopefully easier.
Today we are bringing you a whimsical world of Oleg Oprisco‘s fine art photography. The depth of Oleg’s work and the idea behind each, thoughtful shot prompted me to share his creations with you. I reached out to him with multiple questions and he gladly agreed to share his knowledge with the readers of Photography Life.
Oleg teaches multiple workshops every year and is a great educator. He promised to appear in Photography Life more to share tips about his line of photography and if you have any questions for Oleg, leave them in the comment section below.
Tell me a little about yourself, your childhood, where you live and how you started in the craft of photography?
Hi there! Everything started when I was sixteen and got a job at a photolab in a little city called Lvov, located in western Ukraine. During my three years of working at the lab, I mastered all the stages of printing film and digital photography, and all the peculiarities of working with color.
I am not a big fan of lugging around a backpack full of gear while photographing events. That being said, I have done it ample amount of time and each time I get tired of carrying a backpack around. Even though Nasim makes it very light for me, I end up returning the backpack to the car and walk around with a DSLR, along with one lens. At times, I ask Nasim to carry my gear in his backpack, so that I can change lenses if needed. But this is not practical if we are shooting in two different locations. Getting tired of this situation, I decided to look for a solution.
I first came across ONA bags in one of the Facebook photography groups I was part of. The first thing that caught my attention was the design of these bags. Lots of girls do care about what they carry around and so do most men. After-all, what we carry around is our image. This is a review of an ONA Brooklyn satchel, which we ended up purchasing.
1) Product Specifications:
- Handcrafted with vegetable-tanned leather
- Fully customizable, soft interior with 3 dividers
- Secure, easy access tuck lock closure
- Room for an SLR camera and 2-3 lenses
- Adjustable padded shoulder strap
- Exterior dimensions: 13.5″L X 10″H X 4″D
- Interior dimensions: 12.5″L x 8″H x 3.5″D